Excuse me. You have *not* merely said the movie "would need to be longer than 2 hours". You have been advocating a 9-12 hour version, and claiming it to be mandated by the "rules of Screenwriting"(!):eek:

Edit: And once again, that "heuristic" does not apply to the task of adapting a novel, and thus remains irrelevant.

Yes, well, I'm starting to think reading comprehension might be tricky for some...:rolleyes:

I have explained to you that your approach would result in numerous scenes of enormous length. The burden of proof is on you to show it wouldn't. But, then, you won't even acknowledge that 20 minutes *is* an abnormal length. So I don't know where we go from here.

Morth, he may be confusing you with me, in that I have mentioned a single film as being *typical* for a book of "The Hobbit's" length- i.e. an average novel. Which it is. I didn't say a film of "The Hobbit" in particular couldn't or shouldn't be longer, I was just countering Marhwini's repeated assertion that the "rules" of adaptation required this- specifically that they required a 9-12 hour treatment. (Or sometimes 6 hours. Seems to vary.)

Now, Marhwini, I think I have been very patient with you so far. However, your circular reasoning, appeals to imaginary authority, misrepresentation of others' statements, misrepresentation of your own, refusal to consider counter-arguments (or, often, acknowledge their existance), apparent belief in the automatic correctness of your every pronouncement, and above all, your general tone of high-handed superiority... these things do begin to grate.

Enough. You obviously feel passionate about your concepts, but unfortunately you haven't come within a hundred leagues of demonstrating convincingly how or why they could work, nor does it seem you ever will.

Now how about we just drop the subject and let Aaron have his thread back?:Merisu:

Edit: x'd with the man himself.

Marhwini, thus is a reply to your last post, with which I crossed.

You clearly don't grasp my point.

Yes, it is possible to write scenes 20 minutes in length. It is possible to write scenes 300 minutes in length.

The point is that you shouldn't.

Now rules can be broken, and "Three minutes" is a guideline, not an absolute, but I assure you that if you were to submit a script anywhere packed with 12, 15 and 20 minute scenes, it would almost certainly be summarily tossed in the bin.

Now can we please just stop this?

You are right about the chase segment. For whilst it was an entertaining visual spectacle, it rendered poor Smaug rather impotent.
Same with the Goblins, and their apparent inability to defend themselves as they are hewn down in their hundreds.

Had we seen the Dwarves slowly accumulate more and more wounds - some losing limbs, some being horribly scorched by Smaug, some just being jittery and terrified of having to fight again - it would have presented things in a different light.
But instead, we have absurd scenes where, if memory serves, Thorin and another Dwarf all but point and laugh at the prospect of taking on about a hundred Orcs singlehanded.

The heroes in the LOTR trilogy either had to connect themselves to a massive army, or else hide and hope to Hell someone didn't gut them like a fish. But for some reason, the movies turned into a video game.
Go to Point A, defeat 500 Orcs, Go to Point B, repeat.

Losing credibility is always a potential problem with recurring villains or ones who get a lot of screentime, but as you say there are ways around it.

I do think the length of the films to be once again part of the problem- I guess they felt if they restricted Smaug to just his appearances in the book, it would be- relative to the running time- almost a blink-and-you-miss-him situation.

The problem with Smaug in the book is that his death does not serve the narrative - but the symbolism Tolkien wanted to convey.
Had he been trying to write a simple adventure story, then yes, the heroic Dwarves would kill him in fair battle, or perhaps even Bilbo would find his courage and strike the killing blow himself?
But who defeats him? The very people he was gloating about destroying. With the help of a thrush. The Dragon, a destroyer of both man and nature, is undone by his own sins coming back to haunt him.

Just as Thorin's party is, when the Orcs arrive to avenge the Great Goblin, and, in Bolg's case, Azog.

A book can take these kinds of huge risks, and trust the audience to perceive the moral message in it all. But films, especially big blockbusters, often seem to be designed as disposable, forgettable cash-grabs.
In that regard, the films were very, very successful.

I have read the book. It is in my collection. It is rather presumptuous, but not at all surprising, that you should consider otherwise. I am well aware they edited it. But again, they made a movie out of 63 chapters and even so it was a mammoth 3 hours, 41 minutes long. It is considered one of the greatest movies ever made. Gone With the Wind won 10 Academy Awards, including an Oscar for Hattie McDaniel, the first black actress to ever win.

I would suggest it would not be any better if you dragged out every subplot and nuance, drained every bit of dialogue and plopped it wholesale into 21 mind-numbing hours worth of film as you suggest. To even argue the point is inane. By your muddled logic that makes seven 3 hour movies. Or perhaps you would prefer ten 2 hour movies. Anyway one divides it, the math is just plain dumb.

I realize you like to make grand pronouncements, but your theory is not a law, even though your every utterance demands that it be so. Let it be written, so let it be done!

Here is a list of novels made into superb movies that in no way practiced your theory:

The Godfather: 32 chapters, film run-time 2 hours, 58 minutes.
Marwhini's Law - The Godfather should be 10 1/2 hours long.

Schindler's List: 40 chapters, film run-time 3 hours, 15 minutes.
Marwhini's Law - Schindler's List should be over 13 hours long.

The Silence of the Lambs: 61 chapters, film run-time 2 hours 18 minutes.
Marwhini's Law - Silence of the Lambs should be over 20 hours long.

To Kill a Mockingbird: 31 chapters, film run-time 2 hours 10 minutes
Marwhini's Law - To Kill a Mockingbird should be over 10 hours long.

Dr. Zhivago: 16 Chapters (yes, only 16 chapters, but 592 pages), film run-time 3 hours 20 minutes.
Marwhini's Law - Dr. Zhivago should be 5 hours and 15 minutes long and Sir David Lean should have been fired for making the movie too short.

I could make an unending list of great movies from books that do not fit your crabbed criteria. But I have to reply to one final point:

No, I have no interest in pardoning you. Confess your sins to a priest. Start with Pride.

I've just offered several films that don't meet your 2 hour matinee movie standard; in fact, the average film time has been increasing yearly, particularly for more serious, award-worthy films. The Hobbit was originally considered to be a two film venture, until greed got in the way and they threw everything and the kitchen sink in to make three films. With pacing and judicious editing, there is no need for 3 films.

The Chapter "Flies and Spiders" is mostly descriptive. The majority of "Barrels out of Bound" has Invisi-Bilbo(TM) rummaging around Thranduil's manse. "The Return Journey" is literally only 8 pages long, and "A Thief in the Night" is only 6 pages.

Stop, just stop.

Even Tolkien, himself, when responding about the Zimmerman script knows when adapting novels to the big screen you are inevitably going to have to cut out parts of the novel.

As it is, Jackson actually filmed every chapter in The Hobbit, it's just he either drastically altered the story when adapting novel to screen, or he threw in a bunch of garbage to bloat the story into 3 films. But every chapter from The Hobbit gets covered in the Jackson movies.

The Lord of the Rings was a story big enough to contain Jackson where he had no choice but to make cuts that ended up focusing his movies. I was re-watching the FOTR Appendices recently and Jackson repeatedly said, FOTR had to be about Frodo and the Ring. Any scenes that took the audience away from Frodo and the Ring was getting cut out of the theatrical and only placed if it added new and necessary information (like Gandalf's imprisonment in Isengard and learning of Saruman's treachery). In my opinion, FOTR turned out to be Jackson's best work and there's a lot that had to get cut out, which is just necessity when adapting novel to screen.

The Hobbit films should have been about...well The Hobbit. But The Hobbit story was too small to contain the greed for more money. The care, passion, and attention to details in making FOTR was clearly noticeable and translated to the quality of the film. It's a shame that if the same care and passion was given to making The Hobbit films (instead everyone just looks rushed and tired) then they could have been highly enjoyable. The Hobbit should have been a much easier story to film, and as Morth said, should only take 2-films at most.

This does seem to be pointless as the point I am making seems to be completely ignored.

MB

I should also say:

Yassa massa... I be a stopping' now.

MB

Good.

Taking the discussion back around to the topic, what if the thing to change was not something global but rather one detail, or one scene?

I haven't watched the last movie, and barely remember the second, so here's one thing I would change with the first one: cut the part where Radagast faints after taking a whiff. It's bad enough that he's a walking comic relief and Saruman comments on him eating too many mushrooms. At least spare us the smoking.

Well, that's what comes of decades of "weed" jokes. Perhaps fandom as a whole needs to shoulder some of the blame.:(

I'm going to be honest, I hated that Radagast was involved at all.
I have always seen him as a coward, one of those who sat on the fence, puttered about, and let others fight and die for him. I didn't appreciate him being shown as some selfless hero, or even a harmless and doddering eccentric - because I don't view neutrality as being harmless when the stakes are so high.
Had he appeared, made some infantile excuse as to why he couldn't get off his rear end and do something, and then wandered off, that would have made more sense.

The Hobbit and a Bridge to The Lord of the Rings
 

My thanks to everyone for resurrecting this thread for additional discussion. With the unfortunate film butchery of The Hobbit now consigned to the dustbin of history, it will probably take a long while before someone comes along with any appetite -- let alone studio funding -- for another go at a film adaptation. Yet, as we all know, many classic tales have seen mutliple remakes over time as generations change and different directors bring different viewpoints to the telling of the same story.

I think I recall another person mentioning the original Robocop, by Paul Verhoeven. Someone made a remake of that classic film a few years back and after seeing only a few scenes, I quit even trying to watch. But I still go back from time to time and watch the original: a very well made film. Great social satire eviscerating the Reagan Era, too. The same goes for The Time Machine, by George Pal. I saw it three times at a walk-in theater back in my junior high school days. I have DVDs of the original plus a remake starring Guy Pearce. Some better updates on the technology in the remake, but not a better story. Again, the original far outshines the remake. On the other hand, I very much prefer the remake of The Count of Monte Cristo, starring James Caviel and Guy Pearce. Really crackling dialogue, great acting, and some interesting twists on some basic elements of the story. Here, in my opinion, the remake far outshines the original.

Sorry for going on at such length setting up my answer to the orignial thread question, but if I could change one thing, I would go back to the original production idea of making The Hobbit as a single film with a follow-on "bridge" movie -- or several of them -- taking the story through sixty-some odd years from the ending of The Hobbit to the beginning of The Lord of the Rings. Specifically, I once imagined The Hobbit ending with Gandalf and Balin visiting Bilbo at Bag End for a little reminiscing -- as in the book -- then switching to a final scene of Smeagol/Gollum emerging from beneath the Misty Mountains, filled with rage and longing for The Precious, snarling and gulping:

"Where is it Presciousss? Where is The Shire? Where is Baggins? Thief! We hates it! We hates it forever! And we will find it, won't we precious?" Something like that. And then Gollum slinks off into the night, setting up the beginning of the next film with Smeagol/Gollum as the primary character and Andy Serkis doing the voice work as only he can. Come to think of it, someone could probably just skip remaking The Hobbit and get right to The Adventures of Smeagol/Gollum, with those other characters like Aragorn and Elrond, et al, in supporting roles.

Anyway, probably not a chance of any of this ever happening, but if I could change one thing, I would change back to the original concept of a single, self-contained Hobbit followed by a "bridge" movie, or several of them, depending upon audience hunger for more of Middle Earth and especially more about Smeagol/Gollum who pretty much stole the show in The Lord of the Rings in my opinion.

Anyway, my thanks again for bringing back the discussion of changes, remakes, etc.

I hope there are more adaptations
 

I agree with you, Michael, in wanting more adaptations of Tolkien's works, in the same way that there are many adaptations of the works of other authors. Only then will we be able to put the Jackson adaptations in any kind of reasonable perspective. I admit to being prejudiced by the hype surrounding those adaptations, including too many people saying, 'Isn't Peter Jackson wonderful!' :rolleyes:

As I mentioned elsewhere:

It will take a lot more than someone else wanting to produce Tolkien's works.

They will have to pass the Tolkien Estates Purity Test in order to gain the rights to any of his works, and they would have to accept the Estate's retention of Veto Rights on anything to do with future productions.

I got to speak with a representative of the Estate in the process of other academic work in 2013, and the discussion briefly veered into the territory of the movies.

At that time they were already really upset by Jackson.

And when I spoke with the representative again in 2015 it would be difficult to describe the anger they expressed over The Hobbit in civil language. It would be even more difficult since technically our conversation was supposed to be on a completely different topic.

So, unless a Production Company is capable of describing to the Estate how they (the Estate) Interpret JRR Tolkien's views regarding Middle-earth, and the importance of various things (such as Authorial Primacy) that Tolkien himself felt important....

It is unlikely that another movie or movies will be made.

And appealing to the "They like money like everyone else" would be missing one of the key aspects of the Tolkiens:

That their religious beliefs trump pretty much everything, and that those beliefs are not for sale for any amount of money.

That is likely to be a hard thing for many people to accept, but I have encountered a LOT of people for whom there were things more important than anything that exists, or could exist (short of the Sacred being made physically manifest).

I am not especially Religious, but having spent most of my life studying beliefs in one aspect or another, it is something I understand pretty well.

Hopefully, when Saul Zaentz license expires, we will see a production of other works of Tolkien that cleave more closely to Tolkien's vision of his world.

MB

Change one thing?

Easy: reverse the decision to make it in the first place.

Unfortunately, that would require Superman to reverse the orbit of the earth, thus changing the whole time/space continuum. Which would be messy, particularly for people with vertigo.

Ok ok already...I'll get back to work on the time machine. ;)

My one change would be for the director et al to pick a tone and stick with it. Kids movie? Teen drama? Do physics apply or not?

Will there be a 'message,' will I care about any of these characters, will it make me want to go back and reread the book?

Or, at the end of all things, will I wish that it were never made?