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Hearpwine’s laughter rang out clear into the Inn at the woman’s words. “Aye, and again Aye, my good woman Bethberry. A song of Men for Men, who must live and die in a world that changes ever – that’s more fit for us. Forgive me my song of Galadriel, as I hope the Golden Lady herself will forgive me for mangling it as I have. But do not be so quick to consign the Elves to that which is gone. From the songs I know of them, and from what I heard during the Last Journey of Theoden it would seem that their part in the great Song is come to an end. But the melodies they have played linger in the tunes of lesser beings.” He saw Bethberry smile at this, and he knew that she too found him to be a bold and not entirely realistic young man. Hearpwine merely laughed again, so used was he to his elders thinking him a fond young person.
He drank another cup of water in a few swallows, and then lifting his harp, he sang a sprightly song that lifted the hearts of all who heard it.
“Her arms across her breast she laid;
She was more fair than words can say;
Barefooted came the beggar maid
Before the king Frealaf.
In robe and crown the king stept down,
To meet and greet her on her way;
‘It is no wonder,’ said the lords,
‘She is more beautiful than day.’
“As shines the moon in clouded skies,
She in her poor attire was seen;
One praised her ankles, one her eyes,
One her dark hair and lovesome mien.
So sweet a face, such angel grace,
In all that land had never been.
Frealaf sware a royal oath:
‘This beggar maid shall be my queen!’”
He finished the tune on his harp and acknowledged the gentle applause with a slight nod of his head. “What think you of that song, eh mistress Maercwen? It is one of my favourites, for it tells the tale of a young person from the countryside who came to Edoras seeking her wealth, only to be cast into the direst poverty. But when the King himself beheld her, his heart was smitten with her beauty, and he took her up as his queen!” Maercwen simply blushed and looked away, unable to speak to Hearpwine’s manner. The young man turned back to Bethberry. “I can see by the laughter in your eye that you liked my song; but there is something there that also speaks to dislike. Perhaps you do not approve of my tale of a woman condemned to wait upon the whim of a powerful man? Well, let me mend that song with another!” And without waiting for a reply he stroked his harp into vigorous life once more.
“I know her by her angry air,
Her bright black eyes, her bright black hair,
Her rapid laughters wild and shrill,
As laughters of the woodpecker
From the bosom of a hill.
’Tis Kate–she sayeth what she will;
For Kate hath an unbridled tongue,
Clear as the twanging of a harp.
Her heart is like a throbbing star.
Kate hath a spirit ever strung
Like a new bow, and bright and sharp
As edges of the scimitar.
Whence shall she take a fitting mate?
For Kate no common love will feel;
My woman-soldier, gallant Kate,
As pure and true as blades of steel.
“Kate saith ‘the world is void of might.’
Kate saith ‘the men are gilded flies.’
Kate snaps her fingers at my vows;
Kate will not hear of lovers’ sighs.
I would I were an armed knight,
Far-famed for well-won enterprise,
And wearing on my swarthy brows
The garland of new-wreathed emprise;
For in a moment I would pierce
The blackest files of clanging fight,
And strongly strike to left and right,
In dreaming of my lady’s eyes.
O, Kate loves well the bold and fierce;
But none are bold enough for Kate,
She cannot find a fitting mate.”
Once more applause filled the Inn, but this time there was also some laughter. “So what make you of my music Bethberry? To make amends for my song of the Lady Departed I give you two songs of women who are all too real in Rohan. Which of these two women do we,” with a sweeping gesture of his hand he indicated all who sat and listened, “which of these women do we prefer? The beautiful wretch who must wait upon her lord? Or the proud maid who will wait for no man?”
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