Interesting essay just appeared on TORN. The author analyses Faramir's decision & the way his character is handled in the movie.
The relevant section is:
'The contrast between Faramir and his brother Boromir also portrays the duality of man in The Lord of the Rings. At the end of Fellowship, Boromir succumbs to the temptation of the Ring and attempts to seize it from Frodo. However, when confronted with the Ring, Faramir brashly tells Frodo that, "I would not take this thing, if it lay by the highway" (Two Towers 330). Philippa Boyens, an influential writer in the film project, immediately dismisses Faramir's rejection of the ring as "death on film" because of their attempt to portray the Ring as "one of the most evil things ever created" (LotR: Two Towers). He is, simply put, too good: an idea that Tolkien fan and film student Elicia Donze agrees with when she writes, "[In a] film…you simply cannot have FLAT characters" (Donze). It is true that Jackson's Faramir is much more complicated and dynamic than Tolkien's original character. Indeed, it may be difficult for an audience to comprehend how Faramir might dismiss the Ring out of hand. And yet, it would be simplistic to say that no one can outright resist the temptation embodied in the ring; doing so would take away Faramir's free will to reject evil; and Tolkien is very insistent upon the choice we all have do good.
The significance of Faramir's rejection of evil can be explored further by examining Michael Swanick's essay on his personal experience with Tolkien's work. Here, Swanick introduces the idea of the Ring as a "God-sent integrity test… to test all of creation and decide whether it is worthy of continuance" we can begin to understand the moral significance of Faramir's decision (Swanick 42). While Swanick exaggerates with this claim, since the Ring is definitely not God-sent, it is clearly true that the Quest is a test with the most dire consequences for failure. Throughout the story, the characters that resist the Ring's temptation--Gandalf, Elrond, Galadriel, Sam and even Aragorn--are more than simply human. Gandalf is an angelic spirit, Elrond and Galadriel are elves and Sam is a hobbit. Aragorn, while a man, is descended from the lords of Númenor and is blessed with both inner strength and longevity that far exceeds other men(King 389). The Fourth Age that begins at the end of the novels is the Age of Men and so it is of the utmost importance that men, too, pass the test of the Ring. This is why Faramir must have the choice to derail the quest and it is why he does not fail. As we have seen, Tolkien shows us that we always have the choice to resist temptation and evil. Jackson and Boyens, in order to produce a film, have lost this pivotal triumph of human will--I hesitate to say "good" --over evil. They posit the Ring as a Manichaean source of evil that can create ill will within others, rather than simply magnify the desire for dominance that is already there. While it initially appears as if the movie has an added element of depth lacking in the novels, it is this depth that actually polarizes the concepts of good and evil.
The whole essay is at:
http://greenbooks.theonering.net/gue...060204_02.html