Goodness – I get distracted for a few days by an RPG and look what happens in this thread! So much to catch up on *goes back to read and read and read; returns exhausted *
Whew! OK, a lot of work but well worth it. I have my own tuppence worth on a couple point points:
Desire vs pity – Durelin, you were the first to, quite wisely I think, introduce the idea that the more effective way to talk about this chapter (and the Ring?) is in terms of desire versus pity rather than good versus evil. I think that much of what this chapter turns on is the sense that Frodo and Gandalf do not know fully what is going on, what the Ring is about, and what is going to happen (“even the very wise cannot see all ends”). To that end, the chapter (and I think the book) quite carefully steers clear of the thorny and impossible issue of good and evil, choosing instead to tackle the more manageable (mortal? practical?) issues of lived experience/existence (thank you
Esty for pointing out the proverbial almost folkloric wisdom of this chapter!).
I think that the conversation between Frodo and Gandalf takes place against the rather certain backdrop that good and evil exist, that they are different things, but that their true nature cannot be grasped or understood by limited beings such as themselves. Gandalf has a better understanding of good and evil, but not an absolute understanding. (Whenever I hear someone claim that they know for a certainty what good is, I shiver and head the other way; ditto for someone who claims to know with absolute certainty the nature of evil.) The Ring is evil, but what that means is entirely secondary to the question of what are they to do with it (the former being unknowable, the latter being a lived-question that needs to be addressed by mortal/human action) – that is, they do not sit around debating what is Right, but attempt to arrive at an idea of what is the right thing
to do.
One thing they do decide is that contrary to the desires that the Ring both prompts and responds to is pity, the OED definition of which I provide here to make a point:
Quote:
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A feeling or emotion of tenderness aroused by the suffering, distress, or misfortune of another, and prompting a desire for its relief; compassion, sympathy.
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The key thing about pity is that it is a feeling that is prompted by or in response to another person (not the self) that engenders the “desire” to aid the other. The Ring is all about fulfilling self-ish desire; pity is all about directing desire outward from the self and to the other. It’s a lovely idea that once more shows the symmetry of Tolkien’s views.
To go a bit further – if we ‘recover’ the sense of pity (as Professor Tolkien always liked to do) the root of pity is the Latin
pietas, from which we now have “piety” and whichmeant, in part, “dutifulness; affectionate loyalty and respect.” In other words, the recovered meaning of pity stressed the obligations of the self to the other, which again is the exact opposite of what is entailed by the Ring (thinking of oneself above all others).
Sam –
Mark 12_30, I too have always fallen in love with Sam every time he shouts “Hooray” and then bursts into tears; but your bringing it out here has cast a fuller light on that moment, for something very much like it occurs at least twice more: first, when the bard of Gondor steps forth at the end and sings the Lay of Frodo of the Nine Fingers (Sam cries aloud with joy and then bursts into tears – that moment
always gets me misty, and is doing so now); and second in the very last line of the book, when Sam provides the moment in which we as readers both smile and weep (at least I do, “Well, I’m back” – misty again).
We’ve already noted the foreshadowing in the first couple of chapters in relation to Gandalf and Frodo, and the foreshadowing is almost uniformly of bad things (the pain of the journey, the price that Frodo will have to pay for his quest). But with this moment, Sam is foreshadowing the
joy that will come with the fall of Sauron – he is expressing for us that joy that cuts so deep that it moves us to tears (dare I say “eucatastrophe”?) This is only fitting and right, as that joy will be most fully felt by Sam and – on his behalf – by the reader, and not Frodo or Gandalf (who will be happy, but who will leave Middle-Earth to the care and love of Sam).
“The Shadow of the Past” – Last point!
H-I, way back in post #25 had some wonderful thoughts on the nature of shadows, to which I would like to add just a couple more ideas. The title of this chapter is full of a rich ambiguity. Does it mean the shadow cast by the past on the present (shadow-as-absence)? Or does it mean the return of the Shadow that is from the past (shadow-as-presence)? Or does it, and I prefer this option, mean both at the same time?