That's an interesting comment, davem. What is it about parody that attracts some and not others? I might direct this question to Estelyn as well, who bought and talked about this particular book during our meetings in London and who of course is known to dabble occasionally in parody of her own.
Why do some fans enjoy parodies of what they like and others not? This is not to say either perspective is right or wrong, but simply to consider some of the things we look for and value when we read. Does parody allow us some gentle distance from something that we might otherwise become obsessive about or does it suggest somehow a critique of its original? Is parody an inferior genre in that it clearly "depends" upon a precursor text? I don't think there is, in theory at least, a hard and fast line between parody and satire, but do general readers make such a distinction?
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I’ll sing his roots off. I’ll sing a wind up and blow leaf and branch away.
Last edited by Bęthberry; 08-30-2004 at 10:02 AM.
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