Since we seem to be keeping very good track of the argument here I will forego, as
Fordim has, to provide specific quotations from people's posts. Truly, this discussion is, I think, representative of how 'the sum is greater than the parts' and a true testament to what Downers can achieve!
I too am loathe to suggest that Galadriel is 'evil' or has nefarious motives. Perhaps it was my reference to the satan--and the lowercase 's' is very significant here--as the being who prompted or challenged people to seek their best. The lowercase 's' clearly represents an early use of the word which bears no meaning to one of evil intent who works to destroy or usurp the divine plan.
Yet this confusion of feminine intention is very much part and parcel of the literary tradition of strong women, sorceresses or witches. Here I want to make some comparison to the Arthurian legends, where in some versions there is a clear distinction between the good Viviane and the evil Morgan le Fey. It all depends upon which author one reads. And in later traditions, even Viviane is portrayed as a woman of power which menaces men.
I bring this up also because of another important point of comparison, which perhaps should more properly be considered in the previous chapter on Lothlorien, but it bears upon the comparison here between The Shire and Lothlorien.
There is a magical, enchanted forest resplendent at the heart of Arthurian legend and that forest is very much connoted with feminine spellcraft and water. I refer to Brocéliande (pron. brOsA / EaNd), first (I believe) mentioned in Chretien de Troyes'
Yvain, but part of the Arthurian legends from Geoffrey of Monmouth to Tennyson.
Brocéliande was a magical forest in Brittany. It still exists today, known now as the Forest of Paimpont and part of the tourist industry of Bretagne. (
Broceliande
It was here that Viviane fell in love with Merlin, used the magic he had taught her to return him to his youthful self and inspire in him a shared loved. Here too they are buried, where Viviane is said to have woven for him a barrow of air where he yet remains.
Brocélainde in legend is also the site of an enchanted spring. These waters do not foretell the future but are said to have the power to bring forth rain (Goldberry's forte).
For those who enjoy medieval texts, here is an online version of
Chretien de Troyes' Yvain
The significance, it seems to me, of all these literary allusions lies in the cauldron of story which was Tolkien's imagination. No one in particular will account for Tolkien's specific forest realm yet all suggest the material he was working with. Even if he did dislike the French and object to the Arthurian legends as being in err for their explicit Christian references. (There's a letter reference to that, which I shall dig up and return with.)