I hereby commence the analysis of track 2: Concerning Hobbits.
The title is the first of many to be taken from the books (or drafts), as we'll see later in "The Shadow of the Past" and "The Treason of Isengard."
The first few notes have a plodding sort of sound, like we're now settling into a more ordinary and mundane place. Next enters what sounds to me like a wooden flute (played by Sir James Galway?) and a fiddle (I think this is played by Dermot Crehan, who also does the Rohan theme). These two instruments, and the style of playing, with a lot of grace notes, remind me of Celtic music. It definitely creates a tranquil, lush image in my mind.
Then at 0:27, the harpsichord enters and continues as accompaniment under the fiddle. It moves in what is called Alberti bass -- tones 1 5 3 5. The tones do change, but their relation remains mostly the same. This was used widely in 18th century music, and the harpsichord was also popular in England at this time, tying into the idea of Hobbits really just being little Englishmen.
Thanks to all who have responded so far, I hope to see some new faces in here since this is a very popular track.
EDIT: Well, I was over at a
music dictionary website, looking up the difference between Alberti bass and an ostinato, when suddenly something caught my eye -- something that looked suspiciously like Oliphaunt. I clicked upon the link and found this definition:
Quote:
Oliphant [pronounced oe-lee-FAHN]
An ivory horn of Medieval Europe, usually ornately decorated and primarily used as a sign of status and wealth rather than as a musical instrument.
|
Has nothing to do with the track -- just an interesting tidbit of information.
