Quote:
|
Originally Posted by alatar
I'm agreeing with the phantom - PJ definitely (and purposely) muddied the waters in regards to the Arwen-Aragorn-Eowyn triangle. As I remember, this was to add tension to the second movie as non-readers might wonder, "which woman is Aragorn going to choose? (and just when is Gimli going to say something funny again?)" 
The losing and regaining of the Evenstar necklace (I guess) was to show Aragorn reconsidering the Arwen deal. Luckily for all of us he had some really nice dreams while floating unconsciously down the river, and so he retakes the Evenstar as Eowyn looks on. |
I've found this thread very interesting,
alatar, because it considers how we go about interpreting movies and books, even if you do suppose that hoary age interferes with what we think!
The point about Jackson wanting or needing some dramatic tension in TTT is well taken. The movie lags and, I would venture to say, while hoping not to be inundated with rotten tomatoes, that the book does also. (I notice that our Chapter by Chapter reading group certainly has bogged down and lost its former enthusiastic rate of posting.) But this could not be the only reason.
Now that I have people's hackles raised, let me get back to your main idea, the depiction of the romance of Arwen and Aragorn. As you suggest, this is the high romance of fantasy. It is not particularly well represented in modern fiction, where
faithful, unconsumated love is not high on the agenda these days. Nor, for that matter, is even faithful consumated love.
Modern notions of chastity are vague and where they exist, they tend to be more limited than medieval concepts of chastity, which involved more than simply sexual self control or physical virginity. In a culture where even the Church finds pre-marital celebacy a hard sell, what's a poor film maker to do to put forward the idea without drawing ridicule and laughter?
I wonder if Jackson didn't spice things up suggestively in order to make the relationships have a more modern 'feel', just as he souped up Arwen to make her appear less traditional and passive. A matter, as you suggest, of the filmmaker trying to help his audience appreciate something a bit beyond ordinary realism.
Just a thought!