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Old 05-14-2005, 08:47 AM   #28
Bęthberry
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Bęthberry is wading through snowdrifts on Redhorn.Bęthberry is wading through snowdrifts on Redhorn.Bęthberry is wading through snowdrifts on Redhorn.Bęthberry is wading through snowdrifts on Redhorn.
Boots The distaff side

Quote:
Originally Posted by Kuruharan
Yet another cliff hanger?
haha, Kuru! I wonder why the train barrelling down the track towards Pauline never merited a sobriquet like the cliff did.

The other point I want to raise about this chapter was prompted by my recent reading of the Narnia series, and thoughts about Lewis' White Witch. Clearly, our two Inklings had in mind ages-old stories about primitive evil, an evil which is gendered, a specifically female evil. I think Tolkien's use of the traditional mythology works better than Lewis' because Tolkien specifically did not give his evil goddess human form, but bestialised her. Thinking about Joseph Campbell's monomyth and the various stages the hero must endure also got me thinking about this.

We all know by now, I think, how in his later years Tolkien attempted "consciously so in the revision" to cast Galadriel as Mary, the spotless woman who redeems the sins of Eve, Adam's wife.

Eve, however, as not Adam's first wife. There are extant references in old mythologies, Talmudic lore, the Dead Sea Scrolls, and scattered medieval texts to a first wife (plus a naming in Isaiah), made possible by the confusion over the two creation stories in Genesis. This first wife was not formed out of Adam's rib, but in the same manner as Adam. Not from dust, though, but out of filth and sediment. Her name is Lilith, which some say derives from the Babylonian word lilitu, female demon or wind or Hebrew for 'night.' In Arab folkore, she is a hairy night monster.

Lilith was more disobedient than Eve. According to the stories, she refused Adam's demand that she take the supine position in sexual intercourse and in a huff of disagreement, left Adam to dwell with demons and monsters in The Red Sea, (sounds like an early Cannes beach scene) where she produced offspring at a startling rate (hundreds and hundreds). These nasty beings, lilin, were said to 'have their way with' sleeping men at night and also to kill newborns--the creatures get mixed in with tales of succuba. Although three angels were sent to Lilith asking her to return to Adam, she refused and instead said she would prey upon the descendents of Adam and Eve forever. Lilith apparently was not included in the apple rap which brought death into the world.

You can see where I am going with this, can't you? (Actually, I am curious why davem hasn't raised this, for with his love of mythology I'm sure he knows the legends.) I have no idea if Tolkien knew these legends. Yet the similarities to his Shelob are fascinating. The ancient legends focus upon the ugliness, stench, depravity and concupiscence of the foul female with her countless spawn.

Even the manner of Sam's defeat of Shelob fits the legend, for Shelob does herself in by taking the superior position and inflicting the prick of the blade upon herself. And I would argue that the sexual interpretation is suggested by the way Tolkien describes Sam's rage of defense for Frodo and the way Tolkien gives Shelob's point of view.

Quote:
Sam did not wait to wonder what was to be done, or whether he was brave, or loyal, or filled with rage. He sprang forward with a yell, and seized his master's sword in his left hand. Then he charged. No onslaught more fierce was ever seen in the savage world of beasts, where some desperate small creature armed with little teeth, along, will spring upon a tower of horn and hide that stands above its fallen mate.

Disturbed as if out of some gloating dream by his small yell she turned slowly the dreadful malice of her glance upon him. But almost before she was aware that a fury was upon her greater than any she had known in countless years, the shining sword bit upon her foot and shore away the claw. Sam sprang in, inside the arches of her legs, and with a quick upthrust of his other hand stabbed at the clustered eyes upon her lowered head. One great eye went dark.

Now the miserable creature was right under her, for the moment out of reach of her sting and of her claws. Her vast belly was above him with its putrid light, and the stench of it almost smote him down. Still his fury held for one more blow, and before she could sink upon him, smothering him and his little impudence of courage, he slashed the bright elven-blade across her with desperate strength.

But Shelob was not as dragons are, no softer spot had she save only her eyes. Knobbed and pitted with corruption was her age-old hide, but ever thickened from within with layer on layer of evil growth. The blade scored it with a dreadful gash, but those hideous folds could not be pierced by any strength of man, not though Elf or Dwarf should forge the steel or the hand of Beren or of Turin wield it. She yielded to the stroke, and then heaved up the great bag of her belly high above Sam's head. Poison frothed and bubbled from the wound. Now splaying her legs she drove her buge bulk down on him again. Too soon. For Sam still stood on his feet, and dropping his own sword, with both hands he held the elven-blade point upwards, fending off that ghastly roof; and so Shelob, with the driving force of her own cruel will, with strength greater than any warrior's hand, thrust herself upon a bitter spike. Deep, deep it pricked, as Sam was crushed slowly to the ground.
At this point, of course, it is remembrance of the Phial of Galadriel that saves Sam, and Shelob is repulsed by the light of the stars therein. Thank Eru one woman got it right, eh? Note, however, how Tolkien specifically refuses to foretell the end of Shelob's tale, just as Lilith does not die.

One last point in this very long post! And I will write it with economy. Joseph Campbell's monomyth in The Hero with a Thousand Faces suggests that the hero must past through thresholds between the world of his previous life and the darkness where he must defeat the forces of evil. Campbell describes clearly that passing over the threshold takes the hero into the realm of darkness. The Two Towers is bookmarked by threshold experiences. It opens with the crossing over of the Anduin, a river being a major symbol in the myths Campbell discusses for the threshold, and the death of Boromir and Aragorn's great dilemma and confusion over his leadership. It closes with this terrible passage through the dark tunnels of the mountains and a pseudo-death of Frodo. Can any of us not surmise that the Land of Shadow awaits Sam and Frodo?

I rest. No cliff hander this time, although perhaps I have lobbed a few explosives.
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