[Mister Underhill]

Ah, how selectively we quote!

Letter 131 (Expanded Edition):

Of course, I made up and even wrote lots of other things (especially for my children). Some escaped from the grasp of this branching acquisitive theme, being ultimately and radically unrelated: Leaf by Niggle and Farmer Giles, for instance, the only two that have been printed. The Hobbit, which has much more essential life in it, was quite independently conceived: I did not know as I began it that it belonged. But it proved to be the discovery of the completion of the whole, its mode of descent to earth, and merging into 'history'. As the high Legends of the beginning are supposed to look at things through Elvish minds, so the middle tale of the Hobbit takes a virtually human point of view – and the last tale blends them.

[Of the latter parts of The Silmarillion:] All through the twilight of the Second Age the Shadow is growing in the East of Middle-earth, spreading its sway more and more over Men – who multiply as the Elves begin to fade. The three main themes are thus The Delaying Elves that lingered in Middle-earth; Sauron's growth to a new Dark Lord, master and god of Men; and Numenor-Atlantis. They are dealt with annalistically, and in two Tales or Accounts, The Rings of Power and the Downfall of Númenor. Both are the essential background to The Hobbit and its sequel.

The generally different tone and style of The Hobbit is due, in point of genesis, to it being taken by me as a matter from the great cycle susceptible of treatment as a 'fairy-story', for children. Some of the details of tone and treatment are, I now think, even on that basis, mistaken. But I should not wish to change much. For in effect this is a study of simple ordinary man, neither artistic nor noble and heroic (but not without the undeveloped seeds of these things) against a high setting — and in fact (as a critic has perceived) the tone and style change with the Hobbit's development, passing from fairy-tale to the noble and high and relapsing with the return.

You (and Flieger, I presume) are way overstating Tolkien's feelings about TH.

You may consider Tolkien's integration of TH into the Legendarium clunky or inept and wish that it had never been attempted, but it is demonstrably absurd to contend that it did not happen, or that the world of TH is not the world of LotR and/or The Silmarillion.

Here are a few more Letters extracts for good measure:

"[The Hobbit] is not consciously based on any other book — save one, and that is unpublished: the 'Silmarillion', a history of the Elves, to which frequent allusion is made."
-Letter 25

"I am glad you enjoyed 'the Hobbit'. I have in fact been engaged for ten years on writing another (longer) work about the same world and period of history, in which at any rate all can be learned about the Necromancer and the mines of Moria."
-Letter 114

The Silmarillion was offered for publication years ago, and turned down. Good may come of such blows. The Lord of the Rings was the result. The hobbits had been welcomed. I loved them myself, since I love the vulgar and simple as dearly as the noble, and nothing moves my heart (beyond all the passions and heartbreaks of the world) so much as 'ennoblement' (from the Ugly Duckling to Frodo). I would build on the hobbits. And I saw that I was meant to do it (as Gandalf would say), since without thought, in a 'blurb' I wrote for The Hobbit, I spoke of the time between the Elder Days and the Dominion of Men. Out ofthat came the 'missing link': the 'Downfall of Númenor', releasing some hidden 'complex'.
-Letter 180

**EDIT:

Oh, and P.S.:

Originally Posted by SPM

I must say that I feel rather sorry for Ms Flieger's children ...

Word.