Since I don't really like "Minas Morgul," let's move on to Rohan! Ooh, pretty music!
As the title would suggest, the Rohan theme is featured for much of this track, sounding very militaristic. I love how Shore can bend and shape the same theme into so many different styles. And O! that lovely hardinger, in that lovely minor. Gets me every time, right here. *points at heart*
At 0:52, there is a solo on a wooden flute... I am not sure if it's a theme we've heard before, but it's the part when Theoden tells Merry that he cannot come with the Riders. It sounds like it could be tied into the Shire theme, but at a much more sorrowful extreme. Between the solo and approx. 1:30, the horns and strings build up to the crescendo into Eowyn's little theme, when she scoops up Merry. (It's a nice little theme, really. Fits very nicely with the main Rohan theme.) The track ends very triumphantly as the Rohan theme is varied with new rhythms.