That New Yorker article on Pullman is long! It took me awhile to get through it, and I found myself agreeing and disagreeing with his various views on fantasy literature. I have read
His Dark Materials and greatly enjoyed the books, while disagreeing with his basic concept of belief. (Granted, organised religion has aspects that I would gladly discard, but I had to willingly suspend
belief in order to read Pullman's books.)
I think the matter of religion is significant in critics' appraisal of literature. In today's largely secularised world, an atheist is more likely to be taken seriously than one who brings his own religious convictions into his works, whether overtly or indirectly. The difference of opinion between Pullman and Tolkien rests heavily upon this aspect, as I see it.
However, it seems to me that Pullman would agree with much of what Tolkien wrote in "On Fairy-Stories". Consider his quote:
Quote:
‘Thou shalt not’ might reach the head, but it takes ‘Once upon a time’ to reach the heart.
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The same thing goes for the idea that children's stories are worthwhile to write and to read:
Quote:
There are some themes, some subjects, too large for adult fiction; they can only be dealt with adequately in a children’s book.
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That's a quote worth putting into a signature!
I'm not sure why he claims that Tolkien's book has no depth. Is there a fundamental difference aside from religion that keeps him from recognizing what we see? He too subcreates a world in a very convincing manner, but Fantasy must mean something different to him. I'm just not sure what.