At the risk of being wormy, if LOTR has a broader reach than simply England, does this mean that the Englishness of the text is simply being picked up on by world cultures which themselves have absorbed English influences?
Does an English Icon need to be purely parochial? Or can it also be an Icon that is appreciated by a global audience? Other Icons include Alice In Wonderland and the Miniskirt, which do have global audiences. They are not limited to England, nor were the influences on their development be purely English, but they are nevertheless English Icons which have 'gone global', as LOTR has.
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