[Lalwendë]

Originally Posted by Tolkien

The realm of fairy-story is wide and deep and high and filled with many things: all manner of beasts and birds are found there; shoreless seas and stars uncounted; beauty that is an enchantment, and an ever-present peril; both joy and sorrow as sharp as swords. In that realm a man may, perhaps, count himself fortunate to have wandered, but its very richness and strangeness tie the tongue of a traveller who would report them. And while he is there it is dangerous for him to ask too many questions, lest the gates should be shut and the keys be lost.

That's what Faerie is all about. Be afraid...

Originally Posted by Bethberry

Just a small clarification here in case anyone interprets this comment to suggest that Tolkien gives us the One Springle--er, Fairie--Ring. I don't think anyone here has said that Tolkien wrote Chapter and Verse on Fairie or Faerie Tale. We've been considering some of the characteristics he sees in Fairie and applying them to his work and then his work to other works. (Well, really just to generalisations outside of his work, as I don't think anything other than Gawain and Beowufl have yet been tendered, of early Fairie, although Strange and Norrell have also been mentioned and of course Grimm's also, but there's not yet been any substantive discussion of other fairy tales. Links to early fairy tales might be very welcomed!

Good good. We would all be very foolish if we took what Tolkien said on Faerie Tale as The Law, and I'm sure Tolkien, as an academic would also think we were fools if we only followed his rules.

Some sources, AKA more free stuff:

Andrew Lang's Fairy Books here. Tolkien liked these, but he disapproved that they were geared towards kids only and had in some cases been Bowdlerised and had the sinister magic taken out of them.

Joseph Campbells' Popular Tales of the West Highlands here.

Joseph Jacobs' tales here.

Grimm's Tales here. In German and Dutch too.

Norske Folkeeventyr here. Also in Norwegian here.

The Mabinogion, the Eddas, the Kalevala, of course, which should all be on Sacred Texts. There's enough on that site to keep you going for ever. One of the joys of the Net is that finally people can collect together folk lore and tales, without the intervention of the Collectors, who I must now post a health warning - DO put their own spin on things a lot, particularly pre-war ones. One of the things Tolkien railed against was indded the pruging of the 'gross' and difficult elements from what are supposed to simply be 'collections'.

Anyone interested should also look out for collections by Ruth Manning-Sanders, and of course, Angela Carter, an expert on the matter.

Which brings me to:

Originally Posted by lmp

First, regarding the latter (not underlined) part: is this your opinion, or do you have evidence for this that contradicts Tolkien's own statement that fairy stories are, at their highest and best, about redemption and hope and joy? Regardless, it seems reductionist.

Second, regarding the underlined section, I think you are right that Tolkien wrote a moral fairy tale in because he wanted to create a myth that was "purged of the gross"; but why did he want it 'purged of the gross'? To make it moral? That would be circular reasoning, so there has to be a separate reason outside either of them. Is it, perhaps, to have made LotR 'consciously Catholic in the revision'?

No, it's not my opinion but current thought on fairy tale and folklore, gained from the simple evidence that the tale puts before us, in particular from going direct to the most untainted fairy tales we can find, usually those told by women in remote locations. Like it or not, uncollected and unedited tales are indeed about visceral matters, perilous matters and can be quite disturbing.

What is important to remember about Fairie Tales is that they are not 'owned' nor are they 'fixed'. Likewise they can't be categorised. Some are moral tales, others tell about the natural world, still others are creation myths, some are entertainments. You can subject them to all kinds of interpretation, and Tolkien's is just a tiny fraction (and not really one of the most important ones in the minds of the scholars who go in for folklore) in the huge mass of others.

Fairy Tales indeed can be functional texts - mainly orally based, used to pass on knowledge through cultures through recognisable archetypes, and also instructional in passing on cultural norms and expectations. Peig Sayers says that Fairy Tales are intended as oral tales, as collections of images; they could take weeks to tell and used words to create images in the mind, using them over and over. 'Living shapes that move from mind to mind' as Tolkien says. Think of the Tarot, which works in the same way.

We should not underestimate the importance of Women's role in telling these tales, and some would argue that many are indeed Women's Stories. A feminist critic might argue that Tolkien wished his tales to be free 'of the gross' because he wished to expunge the elements of sex and bodily functions which were a major component of these tales, a way for women to pass on vital knowledge to their daughters about how their bodies worked, and most of all, how to deal with men.

Other reasons why Tolkien might have wanted his tales to be 'high' might include for aesthetic reasons. I think he sought in some ways to pull stock figures such as Elves out of Faerie where they are tricksy and make them into noble creatures (though why a King is more noble than a boggart to some, I don't know). And of course the most glaringly obvious answer why is this - he wanted to create an epic on the level of the Kalevala, dealing with momentous events, the movements of the Gods, a big broad swoop rather than intimate details of how individuals should live their lives. Style and feel rather than message.