Yes, I think you are right; Simon's review does Tolkien the honour of treating him as an artist and discussing the work as a creation. I was initially put off by his opening gambit of that old canard of the academic critics who naysay Tolkien, but pleasantly impressed with his bookend about gushing fans.
For my reading, I find Hurin more interesting and compelling than The Silm. Perhaps because the characterizations are more closely developed with the theme of fate, perhaps because the malice of Morgoth is dramatised more, perhaps because Tolkien has for me captured that entire world view which I find so fascinating in Beowulf, fatalism, dustsceawung. Rarely has a story explored so relentlessly the nature and foibles of human pride.
Interesting too, what Simon says--ha ha--that only in fantasy could we look upon the face of evil.
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I’ll sing his roots off. I’ll sing a wind up and blow leaf and branch away.
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