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Originally Posted by Bęthberry
... perhaps because Tolkien has for me captured that entire world view which I find so fascinating in Beowulf, fatalism, dustsceawung. Rarely has a story explored so relentlessly the nature and foibles of human pride.
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What Simon said about Tolkien looking into the Abyss struck me. He does, & I think its significant that there is virtually no detailed description of the Elvish glories of either Menegroth or Nargothrond. the bleak landscape of Amon Rudh & environs is given more focus, as is Brethil & Turin's childhood home in Dor Lomin. The wild, uninhabited regions are painted in more detail than the islands of civilisation, & its as if they are far more 'real', while the Elven realms are transitory, almost like dreams. The absence of any kind of 'glorious' victory is also of great significance Turin may defeat his foes but there is no sense of a more than transitory victory. Its as if right from the start we are being told not to hope for any good outcome.
On a side note, the more I consider it, the more I feel that Lee's paintings are a mistake. A couple of them show the Elven realms, & I'm not sure they don't make them seem too 'real' & solid. Also, I'm not sure that a work like this should have colour paintings at all. Perhaps they should have stuck to the pencil illustrations that top & tail the chapters. Another option would have been the 'woodcut' effect illustrations used in the Folio Society Hobbit, LotR & Sil
