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Originally Posted by MatthewM
I am not much of a composer, although I do play bass/guitar...I would think classical riffs are where it's at for this though, and I'm not too good at scales and such...I suppose we can see what the scene calls for?
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I think classical (or similar) is probably the way to go as well - and wouldn't it be fabulous if someone/a few someones could contribute original compositions to the project... if that's possible?
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Also, I was thinking this - if we go with the green light on a chapter/scene, should we take Tolkien's words, word for word, and not change any dialogue? I am for this, as we all as die hard's know the Book shouldn't be changed. It wouldn't be hard to not change it, if we only did a section at a time, if that is what we did.
One more question, for now - How are we going to incorporate the "Frodo said.", etc. into the dialogue? Do you know what I mean? For example Frodo speaks, and then in the book it says "Frodo said" to let the audience know who just spoke to avoid confusion. I suppose with actual voices it may not be hard to tell but to some it may.
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Certainly I would prefer to stay as close to the original as possible, changing only those things (like "Frodo said") which would be awkward or redundant in this format. I would much rather see each character given a recognisable enough voice, than to hear "Frodo said"'s all over the place. The only other instance I can think of where deviation from the text would be the most sensible route is where sounds are described, as it would be far more intuitive and make the best use of the medium if we provided the sound itself. Other than this, why not stick to the text?