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Originally Posted by Andsigil
Why would you think this? Tolkien gave some fairly graphic death scenes in The Simlarillion.
Not that it makes the story better or worse; the story... none of his stories are about that. I'm not certain where this obligation to portray death scenes graphically comes from. If he's to be criticized for this contrived obligation, then one may as well fault him for not portraying love scenes as graphically as possible. Or for not having Noldor elves excuse themselves to use the bathroom.
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Its to do with
how people die, not how
graphically that death is described - or whether it should be/needs to be described realistically - go back to the Poul Anderson essay I linked to a while back
http://www.sfwa.org/writing/thud.htm - is Anderson right? Even though Tolkien does not depict love scenes one assumes that the act takes place because there are children in the stories. One assumes that characters use the bathroom even though Tolkien doesn't mention it - & that is the whole point: if Tolkien
was to depict love-making or toilet practices we would expect them (even if only obliquely) to be 'true' to the basic facts of the primary world (ie babies are not brought by the stork or get found under gooseberry bushes & bodily waste products do not turn into rainbow coloured bubbles which pop out of the character's ears). This is because Tolkien repeatedly stressed that 'Middle-earth' is meant to be this world in the ancient past.
The original question was about how much freedom a writer of fantasy should have, & what boundaries, if any, are required. If a writer like Pullman can be criticised for his 'misrepresentation' of Christianity, can (should?) Tolkien be criticised for his 'misrepresentation' of death in battle (as just one example)?
EDIT
Quote:
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Originally Posted by Bethberry
the idea that Tolkien participates not just in a heroic style from ancient epics but also in what was for him a contemporary cultural preference.
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Yes - & that would stand if Tolkien had written LotR pre-WWI, or if he hadn't lived through the horror of the Somme. But he wrote it during WWII, & he knew the reality of battle, so he's not writing from ignorance, but actually denying the truth in order to present a falsehood more easily & effectively.