Quote:
Originally Posted by Groin Redbeard
Sadden and Gomorra
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Hence the mortal sin of "Saddeny".
I'd like to contradict Mac slightly, and argue for Bombadil. He is the only character who is not even tempted by the ring, a character able to drive away the Barrow Wights with nothing more than song (which, in light of the Ainulindale, is kind of suggestive in itself).
The fact that he does not involve himself in the conflict central to LOTR actually underscores the way in which Tolkien's work differs from the "absolute good vs. absolute evil" model Pennington seems to be looking for. LOTR is driven by the struggle between good and evil
within the characters. Sauron, who may be absolute evil insofar as he appears in LOTR, is not actually one of the "players" - he remains offstage. Bombadil appears long enough to depict the strength of "light", "good", or whatever you want to call it, but must remain outside the plot, or else ruin it. I actually see a bit of an echo of Eru's rather passive response to Melkor here - there is the possibility Bombadil has the power to change things, but allows them to unfold - so if Eru is good, Tom is, or rather, Tom is good in the way Eru is.
Eru himself is, of course, off-topic, since the question was on LOTR.