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Originally Posted by Moophopolis
Regarding an adaptation of the Silmarillion - and not to offend those who want to see an adaption - but can I suggest taking a moment for a different perspective?
A couple of things:
The basic danger with "purple" material, ie., well-known and much loved: Any attempt by an individual to cinematically define the world of the Silmarillion will invariably be at odds with some part of the existing fan base. What can a film adaptation do that the novel doesn't do? Bring the world to life? I don't know about others, but the film adaptation of LOTR, while a fun adventure film, was in no way, shape or form representative of the To me, it was a cartoonish monster movie, exactly like the rest of Jackson's work. I'm not knocking PJ & crew - that's just his style, and what makes his films fun to watch. But it's not LOTR by any stretch. I would be horrified to do that to someone's favorite book.
Secondly, why is having this wonderful literature not enough? As a filmmaker, I more than understand the overwhelming desire to express my love of literary material by adapting it into film. But, as a filmmaker, I have to ask: Given a the nearly limitless toolset of modern filmmaking and a (very) ample budget, could I equal or improve on the richness and complexity of Tolkien's work in some way? Of course not, and I would feel foolish to try.
So why not let these wonderful books be what they are? Are we really that unimaginative that we can do nothing else but strip-mine the literary world for all it's worth? I know the film rights to Terry Brooks, Piers Anthony and many others' work is trading high on Sunset Blvd., given the financial success of LOTR. Rather than trying to adapt Tolkien's work, why can't we simply be inspired by it and turn that creative energy into developing our own stories?
I know I am.
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Excellent point, and one I have considered myself. However, I would love to see a Silmarillion project (my friend Randy and I talk about it incessantly). I know I would inevitably be disappointed, because turning a book into a movie is essentially and act of translation, and the story cannot ever be translated the way I picture it in my head. Nevertheless, my imagination has been captured to such an extent, that I am willing to risk the disappointment if it means I can see the two trees of Valinor, the Silmarils, and Gondolin with my own eyes. I know it isn't logical, but there it is.
I think the story could be served by splitting it into three parts: The first part, the elves waking up through their return to Middle Earth. The second would concentrate on the Beren & Luthien story and end at the Nirnaeth Arnoediad (sp?). The third would concentrate on the fall of the Elvish kingdoms and conclude the tale.
I really like the idea someone (sorry no direct quote!) put forth that the project be done as a series ala Rome. That would give so much more time, and you might have a shot at getting all the major characters in the story!
Did anyone else catch PJ's little "joke" on the commentary of FotR about the Silmarillion movie? When he reveals that Fran provided the voice of the Ringwraiths, he said that it was the sound she made when he told her he had bought the rights to the Sil. He WAS joking, wasn't he?