Quote:
Originally Posted by alatar
So if in Tolkien world we have devolved from the heroes of old, and if the ability to lay down one's life was previously available, how do we know that the soldiery in, say, the Third Age, when fatally injured on the battle, just 'turned off,' after uttering some pro-Gondorian salute?
"May the King return!"
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Because Tolkien never mentions anything of the sort. One might as well offer up the explanation that Earedel hovered invisibly over the battlefields & teleported the corpses off the field. Or that lots of carnivorous butterflies alighted on the bodies & ate them.
What you're doing, it seems to me, is inventing an 'explanation' for which there's no textual support in order to avoid the difficulties in the story. The simplest explanation is that Tolkien decided not to deal with the actual, unpleasant realities of warfare (& other things) because he didn't want such things in his story. The question is whether he was justified in doing that?
And further, if Tolkien is justified in doing that, because he is 'subcreating' a secondary world, how can one condemn, say, Philip Pullman for presenting us with a God who is a senile old fake, or any writer creating a secondary world in which black people are sub-human, rape is fun for all concerned, or mass murder of jews is a moral act?
OK - I've taken extreme examples there, but that's what it comes down to - does the fantasy genre permit any degree of 'invention' on a writer's part? I'm fairly sure that many who would defend Tolkien's right to omit the 'unpleasant' realities of death in battle in Middle-earth, would condemn Pullman's depiction of God - not simply as 'offensive' but also as
untrue....
Because, we either say that fantasy as a genre allows total freedom to a writer to depict any kind of world they wish & we, as readers, must not question that right, or we accept that we do have a right to question the choices a writer of fantasy makes, the omissions & inclusions.