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Originally Posted by davem
And further, if Tolkien is justified in doing that, because he is 'subcreating' a secondary world, how can one condemn, say, Philip Pullman for presenting us with a God who is a senile old fake, or any writer creating a secondary world in which black people are sub-human, rape is fun for all concerned, or mass murder of jews is a moral act?
OK - I've taken extreme examples there, but that's what it comes down to - does the fantasy genre permit any degree of 'invention' on a writer's part? I'm fairly sure that many who would defend Tolkien's right to omit the 'unpleasant' realities of death in battle in Middle-earth, would condemn Pullman's depiction of God - not simply as 'offensive' but also as untrue....
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Your extreme examples would very likely not be allowed--that is, would be taken to court if published--in the realistic fiction you trumpet so much, at least in the countries which have laws against hate literature while also eschewing censorship, so those restrictions would also pertain to fantasy.
Quote:
Originally Posted by davem
Because, we either say that fantasy as a genre allows total freedom to a writer to depict any kind of world they wish & we, as readers, must not question that right, or we accept that we do have a right to question the choices a writer of fantasy makes, the omissions & inclusions.
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This is a false dichotomy. This is not an 'either/or' situation, as there are more than just these two choices.
For instance, readers have the right to question, explore, and examine the choices a writer makes, but the significant issue is the grounds which determine the questionings, exploring or examining, because those grounds make the questioning more or less credible.
davem's answer to the observation about Tolkien's war descriptions (which has not itself gone unchallenged) is to argue that only historical veracity is the true and acceptable measure. This ignores Tolkien's other criteria, of arresting strangeness, as well as overlooking Tolkien's insistence that LotR was not a veiled representation of WWII.
As I said, this ain't an either/or situation.