Quote:
Originally Posted by leapofberen
"A precise account, with drawings and other aids, of Dwarvish smith-practices, Hobbit-pottery, Numerorean medicine and philosophy, and so on would interfere with the narrative [of the Lord of the Rings], or swell the Appendices. So too, would complete grammars and lexical collection of the languages. Any attempt at bogus 'completeness' would reduce the thing to a 'model', a kind of imaginary dolls house of pseudo-history. Much hidden and unexhibited work is needed to give the nomenclature a 'feel' of verisimilitude..."
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I'll second what Leap says above, as well as the quote.
I'd add, though, that different people find enjoyment in different aspects of Tolkien's works. There are a fair number of people posting here who approach things from an intellectual perspective. Me, I'm a role player. In attempting to live in Tolkien's world, I have to fill in the gaps somewhat, but don't any of the filling in seriously.
I'd like to chase the feel, values and culture of a given Tolkien nation, knowing that each culture is different, and different people will have different interpretations. I've worked with others who appreciate realistic interpretations of periods weapons and armor. There are seemingly some who care a lot about getting hair and eye color right.
I'm a bit dubious about taking stuff unpublished in Tolkien's lifetime seriously when it conflicts with or reduces the feel of the published works. His vision for his reality was constantly changing, yet some embrace the unpublished work as canonical.
I'd be dubious about declaring any interpretation as correct, or thinking adversarial debate constructive in finding a best and final canon answer. "Much hidden and unexhibited work is needed to give the nomenclature a 'feel' of verisimilitude." If so, perhaps the hidden and unexhibited was supposed to remain hidden and unexhibited.
I'm tempted to suggest the idea expressed by another famous fictional wizard. 'Pay no attention to that man behind the curtain.' That takes it to far. Tolkien shouldn't stay entirely behind the curtain. Still, some of the fantasy is done with smoke and mirrors. There is supposed to be smoke and mirrors. Precisely locating the placement of the smoke bombs and mirror placement helps how? Dragging the wizard out from behind the curtain might not be entirely optimal.
Of course, I do it too, spelling out in too much detail why I'll embrace this interpretation of magic or that extrapolation of elven culture. I just don't try to claim mine are the only possible interpretations.