Quote:
Originally Posted by Idril
You seem to be knowledgable about the concept of courtly love. Although I am a history major with a concentration in the Medieval Ages I must admit I've never heard it being bluntly described as "guilty." I'm 20, I'm young, I have a lot to learn, and I'll trust your judgement on this. : )
My impression of courtly love is that a love based on admiration bordering on idolatry, if "love" can exist under the circumstances. For instance, a knight who has fallen for a lady far above his station. He understands he will never be able to be with her but continues to harbor illicit feelings regardless. The lady is put upon a pedestal as a sort of otherworldly creature --unattainable, divine.
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Back in the dark ages of last century, I was a lit. major/medieval studies minor - so I am actually living my Middle Ages currently.
But my passion over the last few decades has been 14th century research. You are partially right that courtly love placed the intended object of affection on a pedestal, in this case always a noblewoman (never commoners, who were raped, robbed and murdered without compunction by any number of preux chevalier); however, it is not correct to think of this object of love as unattainable. Think of it as a challenge rather than impossibility, a quest for gratification as Jean de Meung allegorized in the famous
Roman de la Rose. Instead of defeating a dragon or robber baron, the inevitable conquest is the rose (whose flowery petals and delicate inner parts are a metaphor for a woman's genitalia).
Thus, the concept of guilty or illicit love as a major plot point in tales of courtly love. In the vast majority of courtly love stories, poems, trouvere's ballads, etc., the object of desire is a married or espoused woman, usually a lord's or vassal's wife, many times that of a best friend (as in the case of King Arthur's wife, Guinevere, and her adultery with Lancelot). This heightens the danger and suspense of the story. Being in love with one's own spouse or betrothed is certainly not lurid and exciting enough material for the racy Provençal, Italians or French. You must understand that in the Middle Ages (and all the way up to the 19th century), marriage of the nobility was more a political ploy than a love match, and certain liberties were taken and infidelity often winked at. Even popes had bastards.
If anything, Tolkien bowdlerized the idea of courtly love, keeping the valor, devotion and ardent desire, but utterly removing the main themes of illicit love (and often rape, as in the tale of Lucretia as retold by both Boccaccio and Chaucer), treachery, sexual promiscuity and tragic endings - and nearly all the important tales of courtly love ended tragically (with the heart of the doomed lover sent in a box to his amour).
Oh, and welcome to the Downs, Idril, you bring up some intriguing points.