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Old 04-15-2010, 06:50 PM   #8
Nogrod
Flame of the Ainulindalė
 
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Join Date: Jan 2006
Location: Wearing rat's coat, crowskin, crossed staves in a field behaving as the wind behaves
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Nogrod is wading through the Dead Marshes.Nogrod is wading through the Dead Marshes.Nogrod is wading through the Dead Marshes.Nogrod is wading through the Dead Marshes.Nogrod is wading through the Dead Marshes.Nogrod is wading through the Dead Marshes.
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This sure is something different and it might be something of just my imagination, but I have always thought this to be the real elvish music.

Rule of thumb concerning the link: at 0.40 it becomes really elvish (with the wind instrument coming in, a clarinet I presume), at about 1.40 it gets some air and finally from 2.10 onwards it starts to be what I think it should be - as elvish music. (Anouar Brahem is a Tunisian oud-player.)

I know this can be debated, but that's my idea of elvish music... making everything in Middle-Earth just Irish/ wanna-be Celtic or medieval catholic might go well with what we presume the prof. was as as a child of his times. But looking at his knowledge of different cultures I can't but think that we make a diservice to his legacy by limiting our imagination to just the Western tradition.

Had Tolkien heard of this...
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