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Originally Posted by eowyntje
If the spell is broken for the reader, this is the fault of the reader, but also proof of the imperfection of the writing, a perfect writing would be like a perfect road where nobody would ever break the spell or leave the road.
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I don't think Tolkien would have claimed his work was 'perfect', but in the context of what you ask, I'd respond by asking which parts of the work are 'imperfect' in an objective sense - other than printing errors or torn pages, etc?
The only part of the work which could be said to be 'imperfect' would be one that every single reader agreed upon.
The author can only do his/her best, & they will fail with some readers some of the time, but unless they fail with all readers at the same point then it must be something in the individual reader that causes the spell to be broken
for them at that particular point.
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Originally Posted by Bb
Now, I don't want to make enemies , but how do we know that there isn't baggage, maybe even unconscious baggage, in the mind of the reader?
How do we know if the reader's own psyche has unconciously dictated elements of that enchantment? Or even if the reader has fallen prey to some deep desire to be overwhelmed by this fantasy?
Other than the sense of continuous enchantment and satisfaction--that is, duration of sensation--what other evidence is there that guarantees the enchantment is the one the author intended? That it isn't, in fact, some kind of delusion which the reader's desire to be enchanted has created?
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There will inevitably be some unconscious baggage which the reader brings to their experience of the art, but it should not be dwelt on, because it gets in the way.
I suppose what it all comes down to is the question 'What do we mean by 'enchantment'? Is it simply being temproraily convinced by a secondary world so that for a time we forget the primary world? Or does it work a deeper 'magic' on us, opening us up to recieve a 'fleeting glimpse of joy beyond the walls of the world, poignant as grief', to the possibility of the eucatastrophic experience in a particular form? Is it a valid experience? Is it a 'depth' experience - even a spiritual one?
And if we talk about the 'reader's desire to be enchanted' that begs a very big question - whence does this desire to be enchanted arise, & why do we seek the experience? Why is there any art at all?