Quote:
Originally Posted by Alfirin
I also did not like the end of the story, where the heros discover that not only have all the villians escaped but escaped more or less unharmed (i.e. all thier efforts and sacrafices were basically for nothing) and jump for joy becuse it means they can go through the whole palaver of the book all over again
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Sorry,
Alfirin, but I think you missed the point - the villains didn't escape, they were destroyed and
then resurrected by the Gods at the request of the heroes, who, being victorious, found that their existence lacked purpose without villains to fight. It's almost a satire on heroism as an end in itself, if only Eddison didn't seem to endorse that absurd heroism - allegedly he was a big fan of Nietzsche, and the end seems to represent his version of the myth of Eternal Return (cf the book's title!).
Tolkien knew
The Worm Ouroboros, and I think LotR can to some extent be read as a critique of Eddisonian heroism, starring a reluctant hero who is driven to heroism by fate and love for his home rather than chosing it as a way of life; and cf also Faramir's words in Ithilien: "I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend".
- That said, I quite like
TWO for its vivid descriptions and some unforgettable characters on the villains' side (Gro!); but I'll gladly admit it comes nowhere close to Tolkien in depth.