[davem]

In the wider fantasy context - this is interesting - Disney's new moviehttp://www.dailymail.co.uk/tvshowbiz...TE-prince.html

One disappointed fan wrote (sic): 'I think it's sad that he is white because its saying that black love isn't good enough and that black men could never be princes.

‘Disney had the perfect chance to make its first black prince, but instead it decided to go the controversial route.'

Another complained (sic): ‘I am very disappointed and I wished Disney had made the prince black,(and the ironic thing is the prince in the movie is white but the evil voodoo villain is voiced by a black actor and is black).’

Since announcing their plans for the first black princess in 2006 the production of Hollywood studio's 49th animated film has been dogged by racial controversy.

Originally called The Frog Princess, its heroine was to be a chambermaid called Maddy working for a spoilt white debutante in 1920s New Orleans.

But the storyline sparked a backlash from critics who claimed it reinforced prejudice and demeaned black people.

The princess’s original name was perceived by some to be a stereotypical ‘slave name’ and she was also a maid working for a wealthy white boss, which was criticised as being racially insensitive.

Even the New Orleans setting for the film was questioned as it had overtones of voodoo and slavery.

Disney has insisted its choice of a black princess was part of a policy to give characters as much diversity as possible.

Now, one could put forward all kinds of objections to these comments - starting with the 'bleedin' obvious' one that there were no black princesses in 1920's New Orleans (or black princes for that matter) but there were a surfeit of black maids - so in terms of historical accuracy the original script was 'truer' - & if a maid, then working for a wealthy white boss is hardly pushing at the bounds of reality.

One could go further & point out that there were (& still are) white princes, so that the fact that the prince in the story is white is again still within the bounds of likelihood. Further, just as there were & are white princes in this world there are black villains. So, nothing in the original script or the finished movie are 'untrue' as such.. One could even point up the fact that this 'black' princess is actually (if one sets aside skin colour) a 'European' princess - her dress, her lifestyle, even the house she lives in, are European in origin. Yet there are no objections being raised to the fact that 'European' culture is being presented as superior to 'African'.

Thus, it seems that in order for this movie to tick all the right boxes both the princess & the prince must be black - despite the fact that that would have been impossible in the New Orleans of the 1920's - & the villain should have been a white magician (or a white black magician - if you see what I mean). Or, in short, for the movie to be acceptable it must bear no resemblance to the facts as known.

But its fantasy, so any relation to reality at all is not a requirement. Mind you - it does have a talking frog (albeit one that is an enchanted white prince) so we mustn't push the demand for realism too far. Howevah...The objections to the movie are actually demanding a recognition & acknowledgement of 'facts' - that to present a young black woman as a servant to a rich white boss is more demeaning even than presenting her as a European princess, & that black men in a democracy have as much right to be princes as white men. And that white men can be black magicians.

Hence & thus, there is a demand that certain truths be present & fully acknowledged in this fantasy, but an equal demand that other truths be ignored. And that, I would say, is the core of this discussion.