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Will be picking it up today.
I'm not surprised if it is "richer" than Sigurd and Gudrun; the latter was very consciously written in imitation of the Eddaic style, terse, even disjointed, intended to catch the fleeting moment, to make an impact, like a flash of lightning caught on film. A-S verse was more ruminative and discursive; and to that the 14th Century alliterative revival (the apparent model for FoA) added the High Middle Ages' love of texture.
In terms of directors, the Eddas were David Lynch, the Anglo-Saxons Ingmar Bergman, the M-EAR Kurosawa.
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The entire plot of The Lord of the Rings could be said to turn on what Sauron didn’t know, and when he didn’t know it.
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