The Barrow-Downs Discussion Forum - View Single Post - Minor Works -- 3

Legate of Amon Lanc · 07-28-2021, 07:36 AM

Just a side remark about "mere ironmongers": I am sure we are all aware that smiths and their craft in other Tolkien's works are the most important craft of all, at least in terms of their impact on the world. They are given prominent place. Rings, Silmarils, swords (Andúril)... Fëanor, Celebrimbor AND Sauron. Aulë and his making of the Dwarves gets a separate story and is the closest anybody got to actual creation. In the terminology of Tolkien from On Fairy Stories, Aulë is the subcreator - par excellence. And it is his former Maiar and "apprentices" who are responsible for every great and problematic in Arda's history.

The Silmarils, the Rings... Things of great beauty and power but also of great danger. Just like Faerie itself. It seems to me that it is not a coincidence that it was the Smith who gained the access to Faery. The association of smithcraft and faery appears too often in all his works not to be a pattern.

For clarification, I do not think Tolkien thought the smithing skill to be somehow inherently "magical" like the early-Post-stone-age cultures often did; I simply think that the had that association in his mind, somehow. And that explains why he does not see Iron as the traditionally "anti-faery" metal, but quite the opposite, THE faery metal.

07-28-2021, 07:36 AM	#28
Legate of Amon Lanc A Voice That Gainsayeth Join Date: Nov 2006 Location: In that far land beyond the Sea Posts: 7,431	Just a side remark about "mere ironmongers": I am sure we are all aware that smiths and their craft in other Tolkien's works are the most important craft of all, at least in terms of their impact on the world. They are given prominent place. Rings, Silmarils, swords (Andúril)... Fëanor, Celebrimbor AND Sauron. Aulë and his making of the Dwarves gets a separate story and is the closest anybody got to actual creation. In the terminology of Tolkien from On Fairy Stories, Aulë is the subcreator - par excellence. And it is his former Maiar and "apprentices" who are responsible for every great and problematic in Arda's history. The Silmarils, the Rings... Things of great beauty and power but also of great danger. Just like Faerie itself. It seems to me that it is not a coincidence that it was the Smith who gained the access to Faery. The association of smithcraft and faery appears too often in all his works not to be a pattern. For clarification, I do not think Tolkien thought the smithing skill to be somehow inherently "magical" like the early-Post-stone-age cultures often did; I simply think that the had that association in his mind, somehow. And that explains why he does not see Iron as the traditionally "anti-faery" metal, but quite the opposite, THE faery metal. __________________ "Should the story say 'he ate bread,' the dramatic producer can only show 'a piece of bread' according to his taste or fancy, but the hearer of the story will think of bread in general and picture it in some form of his own." -On Fairy-Stories Last edited by Legate of Amon Lanc; 07-28-2021 at 07:44 AM.