Quote:
Originally Posted by Zigűr
I disagree with this. Tolkien may have been heavily inspired by medieval sources, but he lived for almost his entire life in the twentieth century and was influenced by his context. Tolkien was not a "Modernist" but I believe he was "Modern".
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Depends on what you define as "modern", Zig. For a writer in the 1930s, Tolkien's style certainly wasn't modern in the sense of contemporaries like Steinbeck, Hammett, Huxley and Orwell, and is on a different planet entirely, comparatively-speaking, from Wm. Faulkner, F.S. Fitzgerald, Viriginia Woolf, James Joyce, etc.
Tolkien's wording and even his grammar is old-fashioned, more Edwardian than modern from a comparative standpoint to his peers, but I suppose Robert Graves, writing-wise, would be more his peer than someone like Faulkner or Joyce. And this decided conservative, dare I say, archaic, style is evident in
Lord of the Rings (and even more so in
The Silmarillion).
Follow along with T.H. White, who wrote sections of
The Once and Future King nearly contemporaneously with Tolkien from 1938 (
The Sword in the Stone) through 1958 (
A Candle in the Wind), and the difference in tone and phraseology is dramatically different, even though both were writing stories of distant events.
Tolkien was conservative in the old-fashioned sense (and not at all what we view absurd conservatives today in the U.S.). He dressed conservatively, despised motors and engines, was an arch-Catholic (pre-Vatican II), and his prose fits his Oxonic (Oxfordian?) linguistic predilections. From strictly a prose-style he is not 20th century.