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Old 10-06-2005, 10:14 AM   #17
davem
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Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
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davem is battling Black Riders on Weathertop.davem is battling Black Riders on Weathertop.
Quote:
Originally Posted by drigel
So they are assigned numbers. And at least the supervisors have some kind of education, and there is an accounting of that somewheres... hmm
This question of the level of 'education' of the Orcs is an interesting one. It has been addressed by Brian Rosebury in his book 'Tolkien: A Cultural Phenomenon'

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With the Orcs, whose speech is intended to suggest a closed militaristic culture of hatred & cruelty, Tolkien draws on a number of models. Indeed, there are at least three different dialogue-types for Orcs, corresponding to differences of rank and of tribe.. (None of them, incidentally, is ‘working-class’, except in the minds of critics who - themselves, it seems, unconsciously equating ‘degraded language’ with ‘working-class’ language - have convinced themselves that the Orcs’ malign utterances betray Tolkien’s disdain for ‘mere working people’.) The comparatively cerebral Grishnakh, for example, talks like a melodrama villain, or a public school bully.

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'My dear tender little fools," hissed Grishnakh, 'everything you have, and everything you know, will be got out of you in due time: everything! You'll wish there was more that you could tell to satisfy the Questioner, indeed you will: quite soon. We shan't hurry the enquiry. Oh dear no! What do you think you've been kept alive for? My dear little fellows, please believe me when I say that it was not out of kindness: that's not even one of Ugluk's faults."


The Uruk-hai, Grishnakh’s rivals, are an arrogant warrior horde, not without a certain esprit de corps, and are given to yelling war cries. (‘Bring out your King! We are the fighting Uruk-hai! We will fetch him from his hole, if he does not come. Bring out your skulking king!’) Lastly, the dialogue between individual Orcs at moments of animosity (which is most of the time) is brutal & squalid in a rather underpowered way.

Quote:
’The Black Pits take that filthy rebel Gorbag!' Shagrat's voice trailed off into a string of foul names and curses. 'I gave him better than I got, but he knifed me, the dung, before I throttled him...’

‘'I'm not going down those stairs again,' growled Snaga, 'be you captain or no. Nar! Keep your hands off your knife, or I'll put an arrow in your guts.


If Tolkien is reduced here to stylised snarls, & bowdlerised suggestions of excremental vituperation, one recognises his difficulty: more overt obscenity & violence would not so much have offended twentieth-century sensibilities as have evoked, incongruously, the world of the twentieth-century crime novel. Most readers, engrossed in the narrative, will absorb this functional, & sufficiently expressive, dialogue without being unduly detained by its artificiality or derivativeness.
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