|
In a different artistic context, bassist Billy Cox made this reference about modern guitarists:
"There are those who admit being influenced by Jimi Hendrix, and those who try to pretend they aren't."
It is difficult to argue Mr. Cox's reasoning, particularly when a preponderance of great guitarists admit such a debt.
In regards to late 20th century/early 21st century fantasy authors, I would have to say the same rationale applies to Tolkien. This goes far beyond the stylistic approach to fantasy novels, the continuing popularity of the fantasy genre is due in greater part to Tolkien's Middle-earth. There is no other logical manner to explain the ongoing phenomenon. Simply, the genre would not be the same without Tolkien's influence. Michael Moorcock be damned.
A secondary influence, particularly in regards to Arthurian cycle fantasies, may be given to T.H. White's The Once and Future King, which humanized the unbelievably chivalric and stiff paragons of Thomas Malory, indelibly imbuing humor, sadness and incredible depth to characters too virtuous for their own good.
__________________
And your little sister's immaculate virginity wings away on the bony shoulders of a young horse named George who stole surreptitiously into her geography revision.
|