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I actually have little problem at all with Boromir being shot onscreen. I think it's powerful and moving, and follows a very real dictate of cinema: "show, don't tell." What I do have a problem with is what follows immediately, Aragorn's o-so-Hollywood duel with an invented superorc character. Yest even that didn't bug me as much as, not the *acting* or *emotion* of Boromir's death-scene, which were palpable; but the *dialogue*, which was stupid, and reflects the supercession of Tolkien's powerful laconicism for more Aragorn-the-reluctant crap.
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The entire plot of The Lord of the Rings could be said to turn on what Sauron didn’t know, and when he didn’t know it.
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