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Visit The *EVEN NEWER* Barrow-Downs Photo Page |
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#15 | |
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Ghost Prince of Cardolan
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Quote:
Like others have mentioned, Tolkien had a firm grasp of how things like 'closure' are in reality. He repeatedly makes it keenly aware to the reader that yes, some of his characters will find happiness at the end of their tale, but this is far from everlasting. Sometimes one's happiness comes at a consequence to another, whether they know or even care at that point. Also, the idea that you can't necessarily guard the fallout of anyone's actions upon others is something he visits time and time again. What he does offer is a plethora of responses to this based on the diversity of the nature of his characters. Something we as readers can take away with us and ponder over, or identify with. Themes like this are about as close to a typical Disney plot anti-thesis as you can get. Even if a main character suffers/looses continuously throughout the narrative, there is always some climatic point where deux ex machina happens for the sake of a clean-cut happy ending that is rewarding to the audience. Is this good for Disney? Yes, that is what they are known for and what audiences typically expect of them. For Tolkien? Not very much at all, or at least, not very marketable to Disney (without them making severe changes of course).
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Vinur, vinur skilur tú meg? Veitst tú ongan loyniveg? Hevur tú reikað líka sum eg, í endaleysu tokuni? |
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