LotR -- Book 1 - Chapter 01 - A Long-Expected Party

[HerenIstarion]

Originally Posted by mark 12:30

Frodo is the only one of the three who actually DID receive it as a Birthday Present! He could honestly call it that! (And wouldn't it be eerie...) Not just birthday, but Coming-Of-Age birthday present... and an inheritance... what a way to recieve your Life-Changing Doom...

Well noticed

But I think there is a bit more to it. Frodo's person is quite a composite and contains a load of hints to load of things

First, let me retain my Norse mythology connotations to his name (I'm glad to accept the 'wise by experience' explanation by Fordim Hedgethistle too and incorporate it into)

But, remembering Tolkien's famous 'consciously so in the revision' quotation, let me be so bold to mark that Frodo at the same time is Christ-like figure (so is Aragorn, per instance, but that is to be seen later on)

Note one of the similarities - to be revealed in the very first chapter, and heavily stressed upon - Frodo receives the Ring (may I say, his cross?) when he is 33 years old. Having in mind that he is to become the saviour of whole ME later on in the story, it certainly rings certain bells.

It seems to me that in Frodo Tolkien tries to unite Christian myth with those of the pagan mythologies of the north-west of Europe. He certainly employes what C.S.Lewis was referring to as the reflections of True Myth (True Myth referring to incarnation of Christ) scattered across pagan myths (dying god of corn to bring new life). Frodo is to do exactly this - he is to die (in a sense, his departure from ME by the end of the book is death, and, if another sense of death is to loose this world, than Frodo certainly looses it), but than, Frodo does let the world live on by it.

And with all this in mind, Frodo's Ring (very strikingly referred to as 'burden' throughout the narration) comes to him as he reaches 33 years of age.

[Hilde Bracegirdle]

Yes, 33 does ring a bell, but alas Frodo does not take up his burden at thirty, and dawdles a bit before heading down that road, a bit of a reluctant savior in contrast. Perhaps Tolkien only wants to hint at that reflection of True Myth. Frodo is a hobbit and not a god, after all. But the idea of him returning to the Shire for a time, and then sailing west strikes me as a wonderful parallel, as is the change in his friends upon returning to the Shire.

But it seems, I'm having trouble sticking to the first chapter here. Many apologies!

[The Saucepan Man]

I also saw a very divided Frodo from my first introduction to him here. (mark12_30)

Good point Helen, and well-supported by the quotes you give, each of which makes a statement about the conflict between Frodo’s outward appearance and his inner feelings. It seems to me that this ties in with the idea of Frodo being marked out right from the outset. On the surface he displays characteristic Hobbit traits: good-humour, cheerfulness, politeness and a love of the Shire. But, internally, there is something deeper going on. He is troubled, indisposed, tired and worried and already taken with the beginnings of wanderlust. There is a similarity with the contrast in the opening chapter of The Hobbit between Bilbo’s stay-at-home nature and his adventurous Tookish side. But, in keeping with the darker theme of the book, Frodo’s inner feelings are darker and deeper.

You are right also, I think, that this hints at the turmoil that Frodo is to undergo. Perhaps it also foreshadows the choice that he ultimately has to make between his beloved Shire and a higher calling in the Undying Lands. The fact that the non-Hobbitish characteristics are the less superficial, and perhaps represent the real Frodo, suggests that his ultimate choice can never really have been in any doubt. But for the Quest, he would surely have ended up in Rivendell or somewhere similar, like Bilbo.

[Child of the 7th Age]

Helen,

Your characterization of the "divided" Frodo is very perceptive. This is what I was inching towards when I said that not only was Frodo different from his Hobbit neighbors but even from folk like Merry and Bilbo who were his most intimate companions. You are right to identify these inner doubts or division as the source of that difference. Frodo may huzzah with his friends or dance on tables, but underneath other things are going on.

SPm,

Interesting point questioning whether Bilbo did in fact give the Ring up willingly. For me, you are spot on in your analysis of this passage, Fordim. I wonder whether Tolkien re-worked this when he realised that Frodo would not be able to give up the Ring voluntarily, or whether he knew that this would be the case from the outset? Anything in HoME on this? Child?

I will deal with this more extensively on the HoMe thread. A short answer is that the idea of the Ring being irresistable and Bilbo being unable to "lose" it is present in Tolkien's notes as early as six weeks after he started the work. However, this idea doesn't appear in the chapter until draft 6 that seems to have been written a number of months later. Here Bilbo at least admits he can't throw the Ring away, and even finds it hard to leave behind. So the idea at least was there almost from the beginning, but it took a while for Tolkien to integrate it with his characters.

The final version of the scene that we have -- the confrontation between Gandalf and Bilbo -- is even stronger than draft 6. I'm not sure when this came in as I haven't read that far in Return of the Shadow! If I find out, I'll add another note. So perhaps, as the story developed, certain long-standing themes such as this were strengthened and emphasized as the story developed.

[The Saucepan Man]

Thanks for that, Child. Interesting that the confrontation between Gandalf and Bilbo was not at first as strong as it appears in the final version. Tolkien may initially have been concerned not to have Gandalf seem too intimidating. Personally, I feel he plays it very well in the final version since he is able to establish Gandalf's power and authority right from the outset, while handling it sufficiently sensitively not to risk having Bilbo-loving readers question his motives. This he acheives by having Bilbo act irrationally (Gollum-like) and out of character in such a way that we can understand that there is something else at work here. In other words, it is the Ring and its effect on Bilbo, and not Gandalf, causing the problem. Indeed Gandalf acts totally reasonably, reasoning with Bilbo and referring to their long-standing friendship before resorting to intimidation. Even then, he reassures Bilbo that he is trying to help him rather than rob him. And the moment passes quickly, Gandalf seeming troubled in consequence. It is crucial that we trust Gandalf's instincts at this point and, to my mind, Tolkien handles it very well.

[Fingolfin II]

I was born in England and came to Australia when I was 15, that was 32 years ago, which makes me 21, that'll save you overworking your calculator. I can relate very much to the English countryside that Tolkien plans his Shire in, but there are also places where I live that could be a good backdrop for the Shire as well. Had I first read LotR in Australia I think that I could have still related a place in OZ to the Shire.......

Interesting, Arkenstone (Post #29). I was born in Tasmania and moved to Victoria about 9 years ago and I think I can relate Tasmania to the Shire quite easily. For one thing, it is a very 'green' place full of trees and hills that look exactly like the ones shown in the movies and it's inhabitants are a very close and tight-knit community. They share common ground in many areas and know everyone in the neighbourhood and are just overall, friendly and jolly people, like the hobbits are in the Shire.

Saucepan Man said-

It is crucial that we trust Gandalf's instincts at this point and, to my mind, Tolkien handles it very well.

There are a lot of things discussed here that I didn't pick up before, such as this point and Fordim's foreshadowing idea. Gandalf is described as a kindly and sensible character from the outset of the novel (and his character is even more pronounced if you've read The Hobbit), and his reasoning and resolution to Bilbo's uncharacteristic behaviour is a good way of setting up for the next chapters. I agree that Tolkien managed this very well through Bilbo's Gollum-like behaviour and that Gandalf's 'instincts' and his resort to a shock tactic on Bilbo in order for him to willingly let go of the Ring is well counter-balanced by his kind reasoning and friendly, yet firm, persuasions, so that Gandalf isn't taken as someone who uses intimidation as a means to get what he wants (like Saruman)-

'Now, now my dear hobbit!' said Gandalf. 'All your long life we have been friends, and you owe me something. Come! Do as you promised: give it up!'

Then Gandalf's tone changes and he becomes angry at what is a personal accusation of wanting the Ring for himself.

Gandalf's eyes flashed. 'It will be my turn to get angry soon,' he said. If you say that again, I shall. Then you will see Gandalf the Grey uncloaked.'
He took a step towards the hobbit, and he seemed to grow tall and menacing; his shadow filled the little room.

I agree, SpM, that Tolkien does well with this scene, as we see that even thought Gandalf's angry with Bilbo it is because he is accused of wanting the Ring for himself and it is made clear that he doesn't. This is a very important passage, as it also begins to show what effect the Ring has on it's bearers (i.e. the 'Gollum-like' behaviour of Bilbo), which is a subtle, yet tantalising, hint of events to come.

[Nurumaiel]

Bah, humbug! Late, late. I'm still working my way through Chapter I, which means I'm four chapters behind everyone else. As our dear Mr. Bilbo Baggins would say: 'Time!' A sorry lack of it. Now, I've jotted down all my confused musings on various passages from the books, organized them, rethought them, and now I post them. In this post I am mainly concentrating on the contrast between young hobbits and old hobbits, and the different curiosities of hobbits, and etc.

The riches he had brought back from his travels had now become a local legend, and it was popularly believe, whatever the old folk might say, that the Hill at Bag End was full of tunnels stuffed with treasure.

The reference to the thoughts and feelings of the old folk on such subjects seems to be clearly justified in the interactions between some characters in The Ivy Bush. They open by shamelessly gossiping about the Bagginses, saying whatever they fancy saying, be it lies or not, and then they get to the subject of 'jools.'

'All the top of your hill is full of tunnels packed with chests of gold and silver?'

So says the stranger of Michel Delving. (I wonder how old he was, for he seemed to quite fancy the idea of there being gold and silver within Bag End.) The Gaffer sensibly denies that there is any treasure in Bag End save that which Mr. Bilbo brought back from his travels, which certainly isn't enough to pack tunnels. The Gaffer is one of the older folk; I can see the stranger from Michel Delving (imagining for a moment that he is a younger hobbit) devotedly retaining in his mind the belief that Bag End is full of tunnels stuffed with gold:

But the Gaffer did not convince his audience. The legend of Bilbo's wealth was now too firmly fixed in the minds of the younger generation of hobbits.

And then when the Gaffer goes on to talk about Sam I get the impression that that young lad wouldn't be too unwilling to be convinced that there were tunnels stuffed with treasure.

Why must the older generation take the more sensible view? Sam, to the very last, retained an image that was like a child's: an image full of elusiveness, wanting to imagine everything as being more mystical and wonderful as it is. Sam was always so thoroughly childish (in that sense; he was rarely [if ever] immature), and this is one of the reasons I enjoy his character so much. He never lost his fascination for Elves and Dragons.

Now what strikes me as curious is that Sandyman, who would most likely be of the older generation, seems to lean towards the side of the youngsters, and wants to persist that Mr. Bilbo does have tunnels stuffed with treasure ('adding to what he brought at first,' he says). This intrigued me. Would it be because Sandyman has a contrary nature and would take the opposite side of the Gaffer just to oppose him, or did it occur to anyone else as it occurred to me that much of Sandyman's behavior comes from not so much plain wickedness as from immaturity, and that this immaturity might also show in aspects other than his attitude? Just a thought?

Practically everyone living near was invited. A very few were overlooked by accident, but as they turned up all the same, that did not matter.

A presuming lot, aren't they?

Now during the party it says 'there was a splendid supper for everyone; for everyone, that is, except those invited to the special family dinner-party.' Considering the fondness hobbits have for food, mightn't those invited to the special dinner-party feel a little envious that they couldn't be partaking of the splendid supper, that they would have to wait? Or do you suppose that they were content with thinking of what awaited them at a later date?

?but so magnificent was the invitation card, written in golden ink, that they had felt it was impossible to refuse.

Why should Otho and Lobelia attend a party held by and for two hobbits they disliked and detested merely because the invitation was magnificent? I find this terribly amusing, and I attribute to the fact that they are hobbits. Golden ink! The invitation was impressive enough to accept, even if the party would no doubt be detestable. Of course, the ultimate reason for their going seems to be the fact that Bilbo's table has a high reputation.

Some perfunctory clapping by the elders; and some loud shouts of 'Frodo! Frodo! Jolly old Frodo,' from the juniors.

The elders do not seem to be very excited about Frodo's coming of age. This seems to apply to us as well. The adults will clap for the occasion that requires clapping, even if they don't feel any particular enthusiasm for the event. It might be discourteous if one didn't clap. The youngsters, on the other hand, are very excited about it, which is natural. Frodo is more than likely a constant companion of his, and they know him well. It is characteristic to feel more excited about a big event in the life of someone you know well. The adults probably did not know him that well. The only thing that puzzles (and shocks) me is that the clapping of the adults was described as 'perfunctory.' They didn't show the least concern for the matter, and their applause was indifferent. I wonder why they didn't applause 'courteously' instead?

?more food and drink were needed to cure the guests of shock and annoyance.

Naturally. Why, I doubt if the hobbits ever made any sort of medicine from herbs, etc. All they needed to cure them was food. Who knows how many imaginary diseases they created for themselves so they could delight in indulging themselves in that all-powerful medicine of theirs: food. The average hobbit's life seems to be centered around food. They're like moths drawn to a candle when it comes to food. My first thought while reading this was: 'They're mad!' Bilbo, mad? I suppose they would have considered it more sane if he had jumped into a giant cake and disappeared. At least it would have involved food, eh?

?[they] evicted three young hobbits who were knocking holes in the walls of one of the cellars.

The fascination of youngsters. They are so hopeful of finding the treasure, they so firmly believe that their imaginings are true that they are more than willing to knock holes in the walls to find it, hidden away in some secret passage. It's a pity to consider that, when they're older, they will more than likely become like all the other hobbits and abandon all their fancies. Thank goodness Sam never did!

Through the first chapter only, to say nothing of the prologue or other chapters, it can be ascertained that hobbits are a very curious race, and absolutely devoted to food. Yet aside from a few outstanding oddities it strikes me that hobbits are not very much different from ourselves.