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Visit The *EVEN NEWER* Barrow-Downs Photo Page |
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#1 |
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Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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First of all, if anyone is interested in seeing how this chapter developed, I posted an 'analysis' (for want of a word that implies less competence) yesterday on the chapter by chapter thread:http://forum.barrowdowns.com/showthread.php?t=10847 post no 19).
What's interesting to me is that in the earlier versions, Gollum is far less 'evil' In fact He seems to become increasingly 'monstrous' as Tolkien develops the story. Its easier to feel compassion for the earlier Gollum than the later one. Perhaps this is to emphasise the evil of the Ring - as it is transformed from being just 'one ring' among others into being the One Ring' to rule all others, its effect on those who come into contact with it also grows. Tolkien is making Gollum increasingly monstrous - in the end he makes Gollum into the most evil, psychopathic, twisted 'thing', we could imagine. But the most interesting thing is Gandalf's statement that in the end Gollum 'had no will in the matter'. The Ring has dominated his will completely & he has no ability to choose - so in one of the first statements about the Ring in the book, Tolkien is going all Manichean on us - the Ring is a malevolent force that can dominate one's will & control one's behaviour - but, from a Christian perspective, this is heresy. Also, from a Middle Earth perspective - Tolkien has stated in Osanwe Kenta that no individual's will can be dominated by another - the individual must submit, & can end that submission at any time if they choose. So, has Gollum's will really been destroyed by the Ring? And if it has then where is the hope? The whole thing becomes merely an external battle between forces of 'Good' & 'Evil', & the moral choices of any individual have no real part to play in deciding the outcome of the battle - simply put, the more powerful side will win. But Tolkien's position is that moral choices will decide the outcome, not strength of arms. But if Gollum's will can be overthrown against his will this is not the case.
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“Everything was an object. If you killed a dwarf you could use it as a weapon – it was no different to other large heavy objects." Last edited by davem; 06-29-2004 at 06:01 AM. |
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#2 | ||||||||
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Stormdancer of Doom
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ShadowOfThePast
Here is another instance of "Torn Frodo", plus evidence of "Tookishness"; but more fascinating still, the first mention of his prophetic dreams: Quote:
A hint of the Conspiracy soon to be Unmasked: Quote:
Another delicate hint of the Conspiracy: Quote:
In Defense of Frodo's offering the Ring to Gandalf: Quote:
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In addition, though Frodo did not know it, Gandalf even now carried the Ring of Fire-- proving that (in one sense) he could wield a ring and wield it well. Frodo was, as far as that went, correct; Frodo had not yet been told that *even Gandalf* would succumb to the Rings's temptation and curruption, and was clearly susprised by Gandalf's saying so. Up to this point their discussion had focused on incorrupt elves versus corrupted mortals. Frodo had no way of knowing that even Gandalf would be corrupted by the Ring. If it were not for the temptation to use it for good, for pity and mercy, Gandalf would have been a better choice. An intriguing visionary moment: Quote:
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...down to the water to see the elves dance and sing upon the midsummer's eve. |
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#3 | ||
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Deadnight Chanter
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Excellent rendering of the Ring poem, Fordim
![]() I feel like adding that there is a third pun on the 'shadows' theme, which occurs in Sam's reciting of Gil-Galad poem. The very last line goes as 'In Mordor where shadows are'. And that passage is even more interesting than deceitful shadows, but I withdraw my judgement until we reach the respective chapter (11, Knife in the Dark it is) Coming abck to chapter 2, it should be added that just before reciting the Ring poem, Gandalf says something just very interesting: Quote:
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Egroeg Ihkhsal - Would you believe in the love at first sight? - Yes I'm certain that it happens all the time! |
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#4 | |
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Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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Heren-Istarion
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The Black Speech is effectively an attempt to change/invert 'reality'. So even to speak it is to distort perceptions & invite in evil. What Gandalf does in Rivendell is not just bad taste its actually incredibly dangerous.
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“Everything was an object. If you killed a dwarf you could use it as a weapon – it was no different to other large heavy objects." Last edited by davem; 06-29-2004 at 09:39 AM. |
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#5 | |
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Spectre of Decay
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There is also the consideration that the Ring was created by Sauron, a fallen angel, and that his ability to dominate and will to power are bound up in its very fabric. Only those with greater strength of will than Sauron himself stand even a chance of resisting the Ring, and the amount of strength required grows the closer it comes to the place of its making. That this object can take over the will of its owners is reason enough to destroy it; but if one makes the moral choice to leave the Ring behind, as does Bilbo (with help from Gandalf), or not to take it up, as does Faramir, then one is spared the battle of wills that Frodo has thrust upon him. His moral choice is to attempt the ultimate rejection of power, to contest with the will of the Ring; that he fails in this is not as important as his intention to try.
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Man kenuva métim' andúne? |
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#6 | |
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Mighty Mouse of Mordor
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Selfish? I wouldn't use that word. As for Frodo keeping himself away from the other Hobbits and playing no real part in the community, doesn't mean a he's selfish and self centred. I think that The Shadow of the Past, the chapter in itself and the dialogues with Gandalf show quite the opposite. When Gandalf says that Frodo has to take the Ring away from the Shire, Frodo doesn't hide that he's horrified and sacred, no, not at all- but he also says he'd do anything for the Shire. There is also some talk going on here about Frodo acting cowardly. Here too, I would disagree. The Hobbit lad is scared! Who wouldn't be scared when he realises he’s holding "The One Ring" - The Ring of Evil - in his hand, knowing that Nazgûls are out to get him? I think this chapter shows how Frodo, even though he's horrified, wins over himself in a way that he takes the Ring from Gandalf too keep so that Sauron won't find. Even though Gandalf is away fro several years, he still keeps it safe. A selfish/self centred coward wouldn't do that after my opinion. Cheers, Oro
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I lost my old sig...somehow....*screams and shouts* ..............What is this?- Now isn't this fun? >_< .....and yes, the jumping mouse is my new avatar. ^_^ |
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#7 | |
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Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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Squatter
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Of course, this question becomes really significant at the Sammath Naur, so we shouldn't really pursue it here. |
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#8 | |
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Gibbering Gibbet
Join Date: Feb 2004
Location: Beyond cloud nine
Posts: 1,844
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Oh, but we can pursue the question here, but I don't think we're going to get anywhere. As I cited above (but will do so again here)
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This ambiguity perhaps explains the ambiguity of this strangly split Frodo -- is a flawed person showing those flaws but able to overcome them, or is he a Good person being taken over by Evil? I think that these questions are introduced here, raised to a fever pitch as the novel progresses, but then never fully answered (which is a smart move on Tolkien's part, I would suggest. . .) |
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#9 |
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Late Istar
Join Date: Mar 2001
Posts: 2,224
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Forgive me for another bit of structural/functional rambling . . .
"The Shadow of the Past" is the first of two big expository chapters in the book. Now The Lord of the Rings has a lot of exposition to be dealt with, enough to give some authors nightmares no doubt. Before we can really get on with the story of the Ring we must first understand what the Ring is, the circumstances of its being made, how Sauron came to lose it, how it then came to Gollum, what Sauron means to do about it, how much he knows, etc., etc. In other words, we must learn much of the history of the Second Age and nearly all that of the Third. Tolkien faced quite a task in presenting all this to the reader. The conventional wisdom holds that exposition is a necessary evil, to be dealt with as briefly as possible and preferably not until the main action of the plot has gotten underway. As Tolkien has certainly not gotten the main plot underway in chapter one, it would appear almost ludicrous for him to put the burden of about half the exposition on chapter two. Yet it comes off splendidly. Why? I don't think I have a complete answer to that, and I would certainly appreciate anyone else's thoughts on the matter. But as far as I can see there are three things that make the exposition engaging rather than boring: 1. Tolkien uses the simple but effective trick of presenting the exposition in the form of a dialogue between a character with the information and a character that needs the information. Imagine how much more dry the chapter would be if all this backstory were presented in the narrator's voice rather than Gandalf's. The dialogue allows the reader to idenitify with Frodo, to sympathize with Frodo's curiosity and thus to be satisfied when Gandalf presents the information. 2. The whole chapter is, like the second expository chapter of the novel in book II, framed in terms of a big question: what is to be done about the Ring? The various pieces of information thus have a direct relevance and an immediate significance that they would not have if they were presented merely as a story. We want to hear the exposition because we want to understand the Ring so that we can weigh the various courses of action that Frodo might take. 3. For Tolkien, exposition was not just a necessary evil; it was a valuable thing in itself. Tolkien was, after all, quite used to writing this sort of history; he had been working on the Silmarillion material since about 1918. He did not consider the story of the making of the rings, and the Last Alliance, and the slaying of Isildur just necessary backstory to the tale at hand. He thought they were interesting in themselves, and so he made them interesting in themselves. And no doubt he realized that a large part of what was going to make The Lord of the Rings (or any similar novel) work was the depth and "reality" or inner consistency of the world in which it takes place. So the exposition has triple value - it sets up the primary story, it's interesting as a story in itself, and it provides a sense of depth to Middle-earth. |
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#10 | |
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Stormdancer of Doom
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The arrival & reign of Scyld Scefing (Bilbo's backstory early in chapter one) The generous ring-giving, partying, etc, and overlordship of Hrothgar in Heorot (Bilbo's party, generosity and gift-giving, down to a ring, even...) and The Grendel Backstory (Gandalf's narrative, ch2.) Seems reasonable that Tolkien preferred Beowulf-form over more modern ideas.
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...down to the water to see the elves dance and sing upon the midsummer's eve. Last edited by mark12_30; 06-29-2004 at 06:16 PM. |
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#11 | |||
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Corpus Cacophonous
Join Date: Jan 2003
Location: A green and pleasant land
Posts: 8,390
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It is essential, from the perspective of the reader too, that the possibility remains that evil will prevail. Otherwise, why bother reading the book? Of course, we hope that good will defeat evil, because we want a "happy ending", and so we trust that the characters will make the choices necessary to bring this about ("estel"?). Davem, to go back to your question concerning the portrayal of Gollum in this chapter, there is, as you point out, a tension between Gandalf's comment that "he [Gollum] had no will left in the matter", and his assertion that there remains a (slight) chance of him "being cured before he dies". But I think that this tension can be resolved by taking the comments as referring to Gollum with the Ring and without it. Gollum with the Ring represents the triumph of evil (the Ring) over the will. He had a choice not to seize it, but he failed to make that choice (murdering his best friend into the bargain). He may even have had a shot at freeing himself of the Ring in the early days, although Frodo's failure to do precisely that in this chapter suggests that he was unlikely to have been able to do so. But, after so many years of possessing it, his will was utterly mastered. He did indeed have no will left in the matter while under its dominion. However, his will, while mastered, was not wholly destroyed, since Gandalf is suggesting that, once "free" of the Ring, he does have another shot at redemption. He may remain "bound by the desire of it", but there nevertheless is hope that he will overcome that desire. And, viewed in this way, this seems to me to be consistent with the approach that it is the characters' moral choices, rather than any external conflict between good and evil, that determine which will ultimately prevail. Gollum's ability to make a moral choice is suspended while he is in possession of the Ring and under its dominion, much as it would be if he were incarcerated by Sauron, but it surfaces again (as a possibility) once he is "set free". Aiwendil Quote:
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Do you mind? I'm busy doing the fishstick. It's a very delicate state of mind! Last edited by The Saucepan Man; 06-30-2004 at 02:26 AM. |
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#12 |
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Deadnight Chanter
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Shadow (!) of the Past
Selection of recent posts, as far as I can understand them, deals with perception of evil with Tolkien. Is it Manichaean, or Boethian, is the main question, it seems.
(as a side note - hope (in the sense of Estel - Faith) is clearly expression of Boethian view - the belief that whatever Creator does is for the good of his creatures, even when creatures themselves consider things done to them as undesirable(=evil)) First, it would be appropriate to consider the concept of 'shadow'. What is a shadow? My Merriam-Webster has a load of things to say about it, but I wll draw on enries I find relevant: 1: partial darkness or obscurity within a part of space from which rays from a source of light are cut off by an interposed opaque body 2 : a reflected image 4 a : an imperfect and faint representation b : an imitation of something All three definitions apply [to Sauron, and his Ring in particular) and both are expressions of Boethian view of Evil, which is absence of Good, and is flatly stated within Tolkien's works as unable to create, only to mock (that is, to reflect, or to imitate imperfectly) but there is, as well, such an entry in the dictionary for the word 'shadow' as: 10 a : an inseparable companion or follower Which moves us on to Manichaean view - as Good and Evil interbalanced forces, with equal opportunities. And now I'm forced to review the poem Sam recites in chapter 11: Gil-galad was an Elven-king. Of him the harpers sadly sing: the last whose realm was fair and free between the Mountains and the Sea. His sword was long, his lance was keen, his shining helm afar was seen; the countless stars of heaven's field were mirrored in his silver shield. But long ago he rode away, and where he dwelleth none can say; for into darkness fell his star in Mordor where the shadows are. So, shadows, be them absence or not, can be, that is, have an existence. They are in Mordor, at least. Which, as far as I can see, is Tolkien's effort to combine, conciliate those both views. For, indeed, if LoTR were totally Boethian, than there would be no need for Frodo to go anywhere at all - there would be nothing to confront, as Evil would be nothing - mere absence and would eliminate itself Now, the Ring is somehow an union of those two concepts of Evil. As indicated by Squatter above, it draws on bearer's inner weakness (Boethian), is a kind of booster for what lack of Goodness it finds inside. That is why it is often described as temptation - Frodo is tempted to put on the Ring, and has a fight with himself. But, it is mentioned several times, the Ring has the will of its own - that is, it is outside force as well (Manichaean). There are moments, contrary to mentioned when there is no temptation for Frodo (at the stairs to Cirith Ungol, per instance) - when there is no inner response, and his hand is moved to take the Ring by sheer outside force So it seems, that one can not take one or other side and define it clearly as falling into one category. Or, rather, Tolkien is mainly Boethian, but with shadows (in a sense 11 : a small degree or portion : TRACE) of Manichaeanism to him. PS Probably it would be of interest to consider, perhaps, the followng thread dealing with the subject (but mainly around Sammath Naur, so maybe it is a bit before its time, but nevertheless): Frodo or the Ring? PPS 1. Yes, I do miss Mithadan posting in The Books ![]() 2. Views expressed by yours truly back there are somehow modified and changed by now.
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Egroeg Ihkhsal - Would you believe in the love at first sight? - Yes I'm certain that it happens all the time! Last edited by HerenIstarion; 06-30-2004 at 02:14 AM. |
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