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#1 | |
Ghost Prince of Cardolan
Join Date: Sep 2002
Location: The World That Never Was
Posts: 1,232
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![]() Quote:
![]() I completely agree with you there, Fordim (great word coinage, btw). The brilliance of the sound effects really up the quality of the movie. It's really sad how many people don't pay attention to them. And I second Fordim's suggestion: just listen the Bridge of Khazad-dum sequence! It'll knock your socks off. ![]() ~ Saphy ~ EDIT: *headdesk* I can't believe I mixed up Fordim and davem! *headdesk again* Sorrysorrysorrysorrysorry! [Saphy, you are pathetic.] -_-
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The Hitchhiking Ghost Last edited by Sapphire_Flame; 11-29-2004 at 01:42 PM. |
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#2 | |
Gibbering Gibbet
Join Date: Feb 2004
Location: Beyond cloud nine
Posts: 1,844
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Quote:
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Scribbling scrabbling. |
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#3 |
Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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See - no-one can tell us apart
![]() Then again, maybe everyone expects the most brilliant ideas to come from me ![]() (There's a compliment in there, Fordim, if you look hard enough.) |
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#4 |
Dread Horseman
Join Date: Sep 2000
Location: Behind you!
Posts: 2,744
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There are really only three effects in the films that make me cringe and look away: Legolas shield-surfing, Théoden's old-mummy to spry-warrior-king transformation, and the much-discussed Galadriel temptation scene. Interestingly, I think the latter might have been salvaged by decent audio (tip o' the hat to Fordim).
But FX schmFX. FX are simply another tool in the director's toolbox, one which can be used skillfully or clumsily. I commend Jackson on his extensive use of practical effects (i.e., non-computer generated effects): use of forced perspective and different scale sets and props to sell hobbits as hobbit-sized, for instance, or the building of the Golden Hall on an actual bluff in the middle of a rugged wilderness instead of on a bluescreen soundstage. On the other hand, Jackson's deficiencies as a director -- which I think can all be boiled down to a lack of subtlety -- are as evident in the writing, in the staging of certain scenes, and in particular acting choices as they are in the use of visual effects. I don't think, in short, that taking CGI effects out of Jackson's toolbox would have significantly improved the cycle of films; on the contrary, I think that high-quality, mostly well-conceptualized effects (visual and aural) are one of the films' main strengths. P.S. -- Before I'm pounced upon by Jackson devotees, let me say that I think he has many virtues as a director: an excellent design sense, good visual instincts, and an enthusiasm for his work which translates to the screen. I also admire that he has created a team and a working environment which seems to put as much emphasis on enjoying the process of filmmaking as on the finished product. I think his talents will better serve straight up popcorn fare like the upcoming King Kong, though I'm a fan of the LotR films as well, for all their flaws. |
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#5 |
Blossom of Dwimordene
Join Date: Oct 2010
Location: The realm of forgotten words
Posts: 10,492
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Hmm. I actually rather liked the Galadriel-temptation-scene effects.
Aside from some of the already-metioned ones, I really dislike how PJ made Minas Tirith's walls crumble when they were catapulted. Minas Tirith is unassailable! ![]() But - generally - the sound effects were ok. Especially the music.
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You passed from under darkened dome, you enter now the secret land. - Take me to Finrod's fabled home!... ~ Finrod: The Rock Opera Last edited by Galadriel55; 03-20-2011 at 10:29 AM. |
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