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Old 12-27-2004, 06:35 PM   #1
Nurumaiel
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Overall, I enjoyed it very much. I was up late into the night watching it, and at the end I had a wonderfully satisfied feeling. However, I did have some disappointments. I'll mention only the scenes that had the greatest impact, so to speak, on me.

The greatest disappointment was the Voice of Saruman scene. The whole family was thrilled when we saw it was going to be in... the actors were so brilliant... they were delivering their lines beautifully, and it was if I were sitting within the pages of the battered old book I heard so long ago. But I'd heard rumours and when Grima pulled the knife I felt my heart sinking. I didn't even really care to watch what happened after that. I was quite speechless... I really feel that the scene was spoiled by the deaths of Saruman and Grima. I was completely shocked, too, that Christopher Lee had allowed them to get away with it. I was very glum about that. For one thing, it brings vividly back to mind that the Scouring is not included, and for a second, I really did not think it was well-done. I don't enjoy watching the deaths, and I think that they were absolutely awful, but as long as it was the Voice of Saruman, and not the Death, I loved it.

While the drinking contest between Legolas and Gimli wasn't from the book, it was great fun, and the little hobbit of the family thought Gimli immensely funny. My only disappointment was that Gimli didn't win.

The scene where Merry offers his allegience to Theoden was short, but very wonderful. He spoke just like a hobbit, without any fancy and flowerly lines, but his honesty and loyalty were absolutely grand. In just this brief little scene I recalled why Merry has been my favourite character since childhood.

Aside from the Grey Havens, the closest I came to weeping in this film was in the added scene of Denethor and Faramir. When Denethor stood, and his eyes filled with love and he said: "My son," I caught my breath in awe and hope... it was heartbreaking to see the look on Faramir's face when he realised that Denethor was not speaking to him. Brilliant, if sorrowful, scene.

However, to return to a disappointment, I did not particularly enjoy the confrontation between Gandalf and the Witchking. It bothered me that Gandalf was thrown from his horse and left in such a position of helplessness. It added to the wonderful feeling of hope that came when the Riders of Rohan arrived, but it bothered me nevertheless. I recall when first hearing the story as a child I was frightened for Gandalf. It seemed as though there were no hope for him, and that he would surely be destroyed by that awful Witchking. And yet I saw him in mind's eye, tall upon his steed, making a courageous stand despite a doom that looked him in the face... brave and noble, and full of kingly majesty. It was rather difficult to have this childhood vision shattered by the sight of Gandalf lying helplessly and almost weakly upon the ground. I was the reconciled to this, however, because earlier on Gandalf was that Gandalf I loved best, when he rode out, shining, to the aid of Faramir and his men. But the worst disappointment of the Witchking scene was when I realised that the cock would not crow. Of all parts in the book, that was what made my heart soar highest... when the cock crowed, heralding hope.

In part I agree with HCIsland about Gothmog, and I thought it was rather silly to show Gothmog's death, but I can't deny that whether there was a silence or not, everyone in the room felt like cheering. I would have preferred it most if he had not even been in the film... the only one who beats him in horridness, for me at least, is the Mouth of Sauron.

Oooh... the Mouth of Sauron. He was a truly annoying fellow. I've always detested him, ever since I knew of him. I suppose he's the Mouth of Sauron, so he won't do much besides talk, but I've always thought he talked a little too much. As for his unexpected end, I echo what dancing spawn of ungoliant said. Aragorn's actions were not kingly and noble. It was not pleasant to think that one of the first things he did when he placed at the head of his men, alongside the other leaders such as Eomer and Gandalf, was to cut off an enemy's head with not warning of any kind... it was even more disappointing that he seemed to lose his temper when the insults were directed towards him, rather than taking that swipe when Frodo and Gandalf were the targets of ill words. I do feel twinges of anger when I think of it, yet I'm not outraged as I should be, for I've always thought very highly of the nobility of Tolkien's characters. In all honesty, my thoughts were not: "Ah, Aragorn, you've ruined yourself!" when it happened, but rather: "Well, good! He was a detestable fellow anyway."

I've gotten slightly ahead of myself, and before I run along I want to go back and mention Faramir and Eowyn in the Houses of Healing. I thought it was wonderful. Two wonderfully happy people... but... why was it so awfully short? I've always thought that Faramir and Eowyn had some of the best lines in the book. I knew I wouldn't be able to see the beautiful moment where, atop the wall, their hair, black and gold, was mingled in the wind, because Faramir didn't have dark hair, but I had hoped for some of the gorgeous and breath-taking lines from the books. Nevertheless, I'm happy that we had some scene, however small, for them.

No matter how much I was disappointed, I can't feel any resentment after watching this movie. The Grey Havens reconciles me to absolutely everything... and almost wholly because of Sam. Bringing that to mind, I can say honestly that this was a brilliant movie... absolutely brilliant. I'll be watching it for years and years to come. I feel not even a twinge of sorrow that it's all over, and that no more films will be coming out, because, why, when I sit and begin to watch these films, it's starting all over again, just like it did years ago, and I've got all three of them to look forward to still.
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Old 12-27-2004, 09:20 PM   #2
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1420!

I still don't know why people get upset about the death of Saruman, ah well, no one has to like the reasons for why they did what they did.

I will say Nurumaiel, I'll have to find the article again, but Chris Lee was quite angered about being pushed back to ROTK EE, he thought the scene belonged to TTT. (Which it did, but I guess PJ wanted to end on a high battle note).
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Old 12-27-2004, 09:51 PM   #3
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Ring

I just watched it for the first time today! *jumps up and down with glee*

I agree entirely, Boromir. The scene with Saruman on Orthanc really cleared up a lot of loose ends to the plot. It should have been in TTT. At the least PJ could have put it into the first release of ROTK. Sadly, it was not, but I thought it was very good scene.

As for Saruman's death. It really wasn't that much different from the book. Only in a different place. Grima jumps on Saruman, and stabs him with a dagger. Grima gets shot with an arrow and also dies. That's not too much different, and since the Scouring of the Shire was not in the movies at all, they couldn't have done it there anyway.

But one thing that I really didn't like was the Witch-king breaking Gandalf's staff. I was just like .
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Old 12-27-2004, 09:52 PM   #4
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White Tree If someone says, "A penny for your thoughts," and you put your two cents in...

where does the other penny go?

Here are my thoughts on the EE, in no particular order, now that I finally gave in to temptation and watched it.

Although I dreaded the Saruman and Grima death scene, I actually enjoyed it. I think I would have preferred it if they'd been on the balcony, but that's my only gripe. Christopher Lee's acting was superb; I think he really nailed the Voice.

The king crowned with flowers, nice little addition.

The Denethor scenes... I'm mixed. I didn't care for him stumbling about and almost falling over his throne, but I did like his exchange with Faramir regarding the Ring. I did love some of his added lines, though, especially this one, so great I had to write it down: "Why do the fools fly? Better to die sooner than late... for die we must."

Gandalf's Gondorian 101 was a nice inclusion, giving some good background. Kudos to Ian McKellen for once more doing some exposition without making it awkward.

Eomer finding Eowyn on the battlefield was short but perfect. It makes me wonder if perhaps he knew a little more than everyone else, and if his remark about how war was for men was made with a bit more purpose, as though he was afraid she might try something. Mere speculation, of course.

One thing I really enjoyed was another very small point: when Eowyn and Theoden are fighting near each other, and Eowyn is really giving it her all. Theoden looks over at her in surprise and respect, no doubt wondering who this impassioned young soldier is.

The Mouth of Sauron. Hmm. I thought that he was almost comical in a sense, because where he was surely meant to be leering, he appeared to be offering a toothy, winning smile. His voice... I don't know, it just didn't seem right to me. Not hissy like I imagined it would be. I did love his armor, though, and also that of his horse. I want a helm like his. So, he was cool, but he wasn't "my" Mouth of Sauron.

The Houses of Healing -- sweet, but so short! I'm not sure I liked the song that was sung when Aragorn was taking care of Eowyn, but a couple more viewings will probably warm me up to it.

Gandalf vs. Witch King: a little bit disappointing, since Gandalf definitely got owned.

I liked Aragorn finally using the Palantir, but the title of the scene is "Aragorn Masters the Palantir." It seems like Sauron, in the end, won out by showing Aragorn a vision of the failing Arwen.

The Paths of the Dead were... interesting. I got postively giddy upon hearing Malbeth's prophecy, huzzah! Gimli blowing away the ghosts was funny, but perhaps should have been cut shorter. The cascade of skulls made absolutely no sense to me at first, and I was saying to myself, "What the fork... PJ, you've gone off the deep end." Then Aragorn and Friends emerged from the mountain, coming to the river. It seemed to me that perhaps the Dead were guiding them out, since the ships were fast approaching. Whether that's the intent or not is beyond me, but I think I'll stick with that idea to justify the sudden skull avalanche.

And last but certainly not least, Gothmog. We get to see him walk about a bit in the EE, and he's got this gimpy leg which makes me laugh. Now I can't stop thinking of him as Gimpy Gothmog, which I'm sure is the name the other orcs call him behind his back. He really had a miserable time of it, though. First he got beaten by Eowyn, then hacked apart by Gimli and Aragorn. You know, I was really hoping Eowyn would kill him, just because Aragorn is very sword-happy, as seen with the MoS and such. A little variety would have been nice there.

Despite my criticism I really did love it... but as noted earlier, by Essex, I believe, I don't know where the time went. The forty-something minutes were so spread out, I guess, that it didn't excite me like the other two EEs. Yet it was an amazing film, and I think that much of my criticism will vanish when I watch it a few more times.
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Old 12-27-2004, 10:03 PM   #5
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1420!

Encaitare has me thinking of Gothmog. There are times when PJ does some trully wonderful stuff, and I think stands out as a director. For instance:

Eomer finding Eowyn, just the look on Karl Urban's face.

The interactions between Denethor, Boromir, and Faramir. Also, between Pippin/Gandalf, Faramir/Pippin, Boromir/Faramir...etc.

Sam's character in ROTK.

For a personal favorite, I love the connection PJ draws to Isildur and Frodo:


Look at the simularity in their faces. It's moments like this when I sit back, and say wow PJ, that was great.

Then there are just times when PJ sinks back to his C rated gore movie crap...

The meaningless beheading of MoS, and mutilation of Gothmog. There is absolutely no point in these two sequences except to add blood and gore.
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Old 12-27-2004, 10:11 PM   #6
Encaitare
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Heh... glad you enjoyed my Gothmog comments, Boromir. Since he is on my mind as well, I found a quote of yours re. Gothmog which made me laugh... check my sig.

The pictures you posted reminded me of a point I forgot to make in my last post. when Gollum is strangling Frodo, Frodo says, "But you swore! You swore on the precious!" I noticed that when Frodo says "Precious," it sounds extremely Gollum-esque. That may just be because he can't breathe, but it was creepy to me all the same.
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Old 12-27-2004, 10:22 PM   #7
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1420!

I noticed your sig after I posted. Thanks, I'm flattered .

Now, you've reminded me of something else, lol . Bilbo's little Gollumish speak in FOTR "It's mine, I found it, it came to me!" "My precious!" I love it.
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Old 12-28-2004, 09:08 AM   #8
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Tolkien Subtlety

I rarely have opportunity to post these days, much less to read lengthy threads such as this, but I thought it worth reading and so I hope what I have to mention will be worth posting.

The VOICE OF SARUMAN scene sets up some of the character conflict that we see later in the film.

Gandalf's uncertainty and fear that he has sent Frodo to his doom makes better sense as a spirit of thought from Saruman. This also gives Aragorn more of an opportunity to take leadership.

Theoden's lack of faith in himself is also made keener by the spell of Saruman's voice.

This is a subtle effect that Gandalf warns of in the book, but is rather difficult to show in a movie. The EE of ROTK accomplishes this, though this kind of subtlety seems to have largely gone unnoticed. Kudos to Peter, Fran, and Phillipa for this effort.
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