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#1 | |||
Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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There's an interesting note to the text of Roverandom: Quote:
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#2 | |||
Itinerant Songster
Join Date: Jan 2002
Location: The Edge of Faerie
Posts: 7,066
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davem:
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![]() But imagine if it were.... ![]() Yeah, I know it's a really, really steep reach, but heck why not? Quote:
H=I:Is this just an example of one of those common themes that haunted Tolkien's mind? Quote:
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#3 |
King's Writer
Join Date: Jul 2002
Posts: 1,721
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I also like to speculate who were the Elven warriors. The benefit of it is that we might be able to determine the placement of Smith within the timescale of Middle-Earth and thus get some further idea if the inclusion of Smith into the legendarium is likely or not.
If we assume that Smith did visit Valinor, than the only elvenwarriors coming back to it were the Vanyar and Noldor of Finarfin after the final defeat of Morgoth. Smithwould thus be placed around the end of the First Age and the beginning of the Second. I doubt much if the Queen of Faery is Varda and Alf Manwe. It would rather fit the story to take some elvish leaders here. But the only story that would come to mind is that of the Lost Tales in a very forced combination with some other source: If Ingwe died in the War of Wrath (as he did in LT) and Ingwiel his son did follow Telemektar in watching the sky against Melkors return than Alf could be his son that was call back to Valinor to take up the kingdom. But we can not be sure if it was to Valinor that Smith did go. The geography he described is not fully consistent with what we know about Valinor or any other part of Arda described by Tolkien in detail. In a place the land of Faery in Smith is seen as a isle. This could be a hint to Tol Eressea in the later Ages when it was again inhabited by the Elves from Beleriand. But I remember no event in the history of Arda where elvenwarriors of Tol Eressea would take part. An other isle that comes to mind is that of Balar. Between the year of the Sun 473 of the First Age and the end of that Age the isle was inhabited by Elves, while an approached to it would be possible to nearly uninhabited lands. Further on it was told that Círdan's people made swift landings up and down the coast before they were driven from Birthombar and Eglarest, it seems possible therefore that what Smith saw were warriors coming back to Balar after such a ride. Further on we could also in this light interpret the message of the Queen to Alf (read on carefully, what comes now is based on the speculation just made): Who could be called king living at Balar? Non else than Gil-galad. We do not hear that he ever had a wife but the Queen of Faery must not necessarily be his wife. If we take a some what forced interpretation we could say that with the answer that Smith got when he asked were the king was ('He has not told us.') was meant king Turgon. Thus after the fall of Gondolin became known at Balar, the Queen of Faery - Orodreth wife, the mother of Gil-galad would be nearest to this possition - called for Gil-galad to come back since he was now the king ('The time has come.'). Respectfully Findegil |
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#4 | |||
Stormdancer of Doom
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Monster and the critics:
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Last edited by mark12_30; 04-26-2005 at 01:51 PM. |
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#5 |
Itinerant Songster
Join Date: Jan 2002
Location: The Edge of Faerie
Posts: 7,066
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Very, very emblematic and enigmatic, mark12_30. I'm too dense to make a whole lot out of what you're quoting. Could you explicate?
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#6 |
Stormdancer of Doom
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Maybe.
Smith of Wootton Major seems to me to be one of Tolkien's more dreamlike works; not that it is meant to all signify "And he woke up and lo it was just a dream"-- but Tolkien put a lot of stock in dreams, and wrote about them within his works as well as wrote the works because of the dreams he himself had (Alkallabeth.) To me the dreamlike quality of Smith is akin to the dreamlike quality of Frodo's Dreme in Adventures of Tom Bombadil, or (in a less serious vein) the dreamlike quality of 'The Man In The Moon Came Down Too Soon'. They are tales about wanderers feeling very much out of their element, very much vulnerable, and actually in some danger (the danger varies from piece to piece.) But Smith's vision (did he really 'see' them? Was it a dream, a vision, or outside of time, or ...) ... Smith's vision of the "Eleven men" (sic) reminds me of Frodo's Dreme and of The Man In The Moon much more than it reminds me of the Sil, for example. From the LOTR and the Sil and Tolkien's later works, Valinor is no dream; it has soil, trees, shores, sand, feasts. Reading about it feels very real and solid and tangible. But Smith's Faery is not; it is shifting, ethereal, dreamlike. So is the land that Frodo nightmares his way through. And The Man In The Moon's sojourn among men is humorously nightmarish too. How would I compare Smith's Faerie to Valinor-- Not to the 'real thing'. I would compare it to Frodo's dreams of Valinor (in Tom Bombadil's house, and other of his dreams) , and perhaps to some of his foreshadowings of Valiinor (in Lorien, or in Rivendell); those times when he was enchanted or in a dreamlike state. And yet (going back to the "eleven men"-- somehow it strikes me that Tolkien would have found that fascinating, and this discussion of the eleven elven mannish men very enjoyable) -- in dreams, if what we dream is true, it is both foggy and distilled, indistinct and purified. Life is too often mundane, so that we forget to touch, or even seek, the truth; but in dreams, we may perchance find it even when we are too distracted to seek it while we are awake. Frodo's dreams are like this. And Smith's venture into Faerie is like that; he leaves the mundane and searches for what is pure and true, even if he can't really bring *it* home with him back to the mundane; still *he* comes back changed. And so, Novalis: Life is no dream (it is mundane, and we all too rarely touch the truth); but life ought to become less mundane and the truth shine through it more (eucatastrophe, revelation...) and perhaps someday it will. There's a whole 'nother side of my thoughts: regarding the tower, the sea, and Tolkien's own dream of the drowning of Numenor, and how that all relates to the way he treats dreams, and how dreams so often include the sea; there it is.
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...down to the water to see the elves dance and sing upon the midsummer's eve. Last edited by mark12_30; 04-27-2005 at 12:24 PM. |
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#7 |
Itinerant Songster
Join Date: Jan 2002
Location: The Edge of Faerie
Posts: 7,066
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I'm moved by your post, mark12_30. Not only do you point out a valuable distinction, but you effectively evoke that to which you assign greater value.
So why is it that The Silmarillion seems so ..... like looking through a spyglass at something real but remote ..... while Smith seems, like you said, as if I'm looking inside my own dreams? Same author; different technique? I suppose so, but I doubt that technique is at the heart of it. Does The Sil convey truth with the same power that Smith does? I don't think so. I've rarely been moved by The Sil (cannot include Valaquenta, etc. - Tolkien didn't); but I am moved deeply every time I re-read Smith. Oh, and thanks for moving this thread onto something really worth thinking about. |
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