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| View Poll Results: The ‘special freedom’ of Man is expressed: | |||
| During his lifetime, in Arda, through special freedom of action |
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22 | 61.11% |
| In the fact of the Death |
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21 | 58.33% |
| After the Death |
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12 | 33.33% |
| I’m not sure |
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3 | 8.33% |
| Multiple Choice Poll. Voters: 36. You may not vote on this poll | |||
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#1 | |||
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Late Istar
Join Date: Mar 2001
Posts: 2,224
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Gurthang wrote:
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Davem wrote: Quote:
Flieger's entire argument here seems to be based on the "extra" freedom given to Men in the Ainulindale - from which she surmises that Men have free will and Elves do not. I do not think this is a trivial conclusion. It seems to me that Elves do have free will, moral and actual. There are other ways to interpret the additional freedom given to Men. Last edited by Aiwendil; 06-12-2008 at 07:45 AM. |
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#2 | ||
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Sword of Spirit
Join Date: Aug 2003
Location: Oh, I'm around.
Posts: 1,401
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Quote:
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I'm on a Mission from God. |
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#3 | |
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Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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I suppose we could interpret that to mean that only Men are free from 'fate', while all other races have their fates set out in the Music. But maybe its less definite. When Tolkien says Men are not bound by the Music he is possibly talking about the whole race, rather than individuals. This would mean each individual (or at least certain individuals) has freedom of action as well as free will, but that, overall, Elves will follow the pattern set out in the Music. Of course, Men do seem to have individual fates - Halbarad foretells his own death before entering the Paths of the Dead. But was that his unavoidable fate - ie, did he have no choice but to enter the Paths oif the Dead & fall on the Pelennor. Or was it that he could see that only if he took the Paths he would die. Could he foresee multiple futures/fates for himself (ie was he generaly foresighted) or only the consequences of that particular future which he had instigated by following Aragorn. So, if Halbarad's end was already laid before him, & he was destined to die on the Pelenor, was Feanor's end equally fated? The fact of the Music being 'as fate' certainly implies that a great deal of what happens to Elves is fated. In the light of that Statement it would seem odd if the destiny of a Man is set while the destiny of an Elf is not. The easy answer as regards Feanor is that he actually went against the Music & led the Noldor astray, & that none of them were fated to go into M-e. Of course, it seems they were meant to go, as that was necessary for the fall of Morgoth to be accomplished. Now, in response to that final point, I'm sure someone will come up with the old chestnut about God/Eru being able to bring good out of evil, & that He merely used the Noldor's revolt to bring about the destruction of Morgoth. But we're still stuck with the fact that the Music is 'as fate' to the Elves, & the question of how much freedom of action as well as of thought/will they have. |
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#4 | ||
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Eagle of the Star
Join Date: Jan 2006
Location: Sarmisegethuza
Posts: 1,058
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I would say there is a great freedom in deciding how to do a certain thing, even if you are 'fated' to do it; the way you do it can bring about the exact opposite of a 'normal' result.
To give but a few examples of the freedom of the elves: Quote:
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#5 | |
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Late Istar
Join Date: Mar 2001
Posts: 2,224
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Davem wrote:
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Clearly, Elves (even in Flieger's view) have freedom to choose what they will do immediately, for one's immediate actions have moral value. Also, it's worth noting that even such things as speech are, fundamentally, actions. Flieger's point, then, rests on the assumption that, whatever an Elf's immediate thoughts and actions might be, fate will contrive it that things turn out the same. Again, I don't see how this can possibly be so when one examines a few examples. I noted above Feanor's speech at Tirion, Maeglin's treachery, and Thingol's request for a Silmaril as examples of choices clearly laden with moral value (and therefore, even in Flieger's view, taken freely) that nonetheless have non-trivial consequences. It's hard to see how those large-scale consequences would be the same regardless of the choices of those involved. I think there are other ways to interpret Tolkien's statement that the Music is as fate to all but Men. My own view is that, in Tolkien's world, fate and free will are not necessarily mutually exclusive. It seems to me that Tolkien, in setting up both fate and free will as real features of his Legendarium, was quite probably reflecting what he saw as a real and strange feature of our world. In any case, there are, as you note, several examples of 'fate' applied to Men in the Legendarium. Though some might be dismissed as prophecy rather than fate (a distinction that must be made in some cases), others cannot be. The prime example is Morgoth's curse in "The Children of Hurin". Last edited by Aiwendil; 01-16-2013 at 11:43 PM. |
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#6 |
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Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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Another problem, perhaps, is that Ainulindale is the work of the loremaster Rumil, which begs the question of whether the idea of only Men being free of the constraints of the Music has its origins in the teachings of the Valar or in Elvish belief.
What occurred to me on reading your post is the question of when we are dealing with fate & when we are dealing with a self-fulfilling prophecy. In the case of Turin I can't help thinking it is the latter, but with Halbarad I'm not so sure. |
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#7 | |
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Scion of The Faithful
Join Date: Apr 2003
Location: The brink, where hope and despair are akin. [The Philippines]
Posts: 5,312
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I haven't finished III and IV of my argument, but I'll throw it aside to intervene now.
davem: Quote:
[Aragorn: ]Good and ill have not changed since yesteryear; nor are they one thing among Elves and Dwarves and another among Men. It is a man's part to discern them, as much in the Golden Wood as in his own house.For instance, Fëanor revolted and left Valinor against the will of the Valar, but there was a remnant that did not go. And Finarfin chose to turn back on his decision to leave the Blessed Land. There was a choice there for every Noldo to go wherever he chose to. Another case, while Celebrimbor and the smiths of Gwaith-i-Mírdain accepted Annatar's lies and 'aid,' Gil-galad refused to let the disguised Gorthaur into his domain. Again, there was a choice. What's so special with Men, then? [Warning: speculation ahead] The problem with Elves is, since their hroa is made of the stuff of the Earth, and since Earth is Morgoth's Ring, they have a tendency to fall to Morgoth's will. (cf. in BoLT, the Spell of Bottomless Dread that is laid on all the Noldoli after their defeat at the battle of Unnumbered Tears, except in Gondolin). In fact, everything, if left to its own devices, will fall to Morgoth's Will, since he practically dominated the Music of the Ainur . . . . . . until Eru intervened. Now, consider Men. Their fëa ultimately belongs beyond Eä. So, they bring something from beyond it to the World. The fate of the World, to fall to Morgoth's will, is not their fate. Let's unravel the threads above. Fëanor revolted. The Noldor falls under the Doom of Mandos. Valinor is hidden. All their attempts to plead for Valarin intervention fails. But then, Beren takes a Silmaril (the only thing from Valinor that does not fall under the curse) from Morgoth's crown. Elwing takes it away from the clutches of the Sons of Fëanor. Eärendil sails for Valinor with its aid. They bring about the much-needed aid and Morgoth is physically overthrown. All mortals there. Sauron, having duped the Elves into making rings, fashions the One, which is a curse to Middle-earth, since it ensures Sauron's continued existence. The only way to destroy it seems impossible. In any case, it is on his finger. But then, Isildur takes the Ring from his hand. Sméagol finds it and hides it deep in the Misty Mountains. Bilbo finds it, then Frodo goes to Mordor with it. Gollum guides them there, and, when he finally recovers his precious and dances in the wrong place, he falls and takes the Ring to its destruction. All mortals there, too. The way I see it, the Third Theme (primarily, perhaps basically Men) is the only weapon that successfully works against Melkor's domination of the Music. That is why . . . [Men] . . . have a virtue to shape their life, amid the powers and chances of the world, beyond the Music of the Ainur, which is as fate to all things else; and of their operation everything should be, in form and deed, completed, and the world fulfilled unto the last and smallest.
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フェンリス鴨 (Fenrisu Kamo) The plot, cut, defeated. I intend to copy this sig forever - so far so good...
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