Why Can't Movies Be Like Books?

[Folwren]

Hear, Hear!

(Really...I have nothing else to say...)

Edit: No, I have something to say, come to think of it.

It just occured to me - those movie were famous before they came out. We who loved the books before the movies were even made were the ones who gave it so many veiwings and who gave it so much money. Some people were gathering information and pictures before it even arrived.

You realize that, don't you? It was no greatness of the films that made it famous to begin with. It was our own enthusiasm - not for the movies (we hadn't seen them yet), but for Tolkien's books.

[Sauron the White]

Folwren may have nothing else to say but allow me to say a few things.

from Kath

As for Tom Bombadil, the main reason people seem to come up with for cutting him out is that viewers would not understand the point of him. How can we know that if they're not given the opportunity? In the books he is a mystery and opinion is completely divided on him amongst readers, why shouldn't film-goers get the opportunity to have the same argument over and over again? It could be done.

Perhaps you can speak for "people" who have opinions you do not agree with, I on the other hand, can only speak for myself. Here is why I was overjoyed to see him cut out of the film and it has nothing to do with the reason you gave.

1- The way he is described by JRRT, he simply looks goofy, stupid, dumb, foolish, silly, cartoonish, childish, and just plain funny looking. I cut back on the adjectives because I do not want to come off as mean spirited. Of all the characters JRRT created TB is the absolute worst visually. Films are foremost a visaul medium. What good would it have been to hire people like John Howe and Alan Lee and a host of other artists, illustrators, designers, model makers, and other creative visual talents only to have the absurd figure of TB appear on the same screen? It would be like serving a fabulous six course dinner in a five star restaurant only to have one of the dishes smell of vomit.

Are we clear on my feelings about that? It has not a darn thing to do with my not understanding TB.

2- Tolkien bases his story on the idea of the Ring. What it is, how powerful it is, how it can control everyone who comes in contact with it, how it can tip the fate of the peoples of Middle-earth, and its history. Just when we have bought into the idea that this ring is the be all and end all of the everything, we then get introduced to a character who does not care about the ring, can wear it without being impacted by it in the least, cares nothing for it, and will not do anything to help with the central problem of the ring. Then the story moves on, leaving TB in his version of Disneyland, and nothing more happens with him. It is absolutely pointless.

Others here, defending TB, have said he is a colorful character who adds to the rich tapestry of Middle-earth and shows the wide variety of beings that inhabited it. Any being would fill that role. It does not have to be something which is so visually hideous or so meaningless to the story or plot or its advance or its resolution.

3- If Bombadil would have been hard on the eyes he would have been equally grating on the ears spouting doggerel such as:

"Hey dol! merry dol! ring a dong dillo.
Ring a dong! hop along! fal lal the willow"

I can hear every comedian on late night TV doing a bit about dongs and dillos from the LOTR films. That would have had the audience either in embarassed titters or outright stitches.

So much for Bombadil.

Quote:
Originally Posted by Sauron the White
When we compare the opinion against the film that is voiced here and among Tolkien literary circles, and compare it with the hundreds of millions who purchased tickets to see the film, the numbers speak for themselves.

the reply from Kath

Er, why? The people who dislike the films have generally been to see them, otherwise they are unlikely to have formed quite such a strong opinion against them. Say 10 people went to see the films, half having read the books and half having not read them. If the half that have read the books then dislike the films you can't simply remove them from the statistics. Those who now know they don't like the films still saw them, and so make up those numbers you speak of.

For every film ever made to which tickets are sold to there are some people who do not like the film. That is true of LOTR also. However, that could well explain inflated box office for the first one, but only a complete idiot would come back again and again and eat a similar meal at a restaurant which made him sick the first time.

Besides, box office returns were higher for TTT and then higher again for ROTK. It is in fact the second highest grossing film of all time.

The figures you use of half an audience reading the books and seeing the movies is way way off.
Tolkiens publishers estimated that - before the films came out - there were between 40 and 50 million copies of his book sold over the previous nearly fifty years. Do you know how many tickets were sold to the movies? They did just over 3 billion US dollars in box office. Figuring an average of $7 per ticket, that comes out to an astounding figure approaching 430 million tickets sold. And I would guess that in some of the worlds poorer nations that per ticket price was significantly lower. There is no way that half of those people read the books.

Even if we assume that the same person bought three tickets - one for each film - we still get a figure of some 143 million people. That is at least four fold times the people who bought and read the books.

Yes, before anyone says it, people also read copies in libraries and borrow their friends copies so some copies are read twice or more. And some copies are never even read once cover to cover. Some who do read it do not like it and would be candidates for the films regardless. And some of those were long dead by time the films came out. So it all balances out.

Even if we say, that 10% of those who saw FOTR were hardcore Tolkien purists who love the books and hated the films, that still leaves many many many times more people who bought tickets and did not share their feelings against the films.

Do you know what the most effective advertising for a film is? Word of mouth. Obviously, it must have been pretty positive to sustain all that business, not once, not twice but three times.

Look what happened to the MATRIX trilogy. The revenues went down with each film as word of mouth was worse each time. The opposite was true with the RINGS films.

Regarding the point raised by many, inclding myself, that the expansion of Arwen helped the film especially with a female audience...

Which isn't even really necessary when you have Eowyn, who was at least pretty well done in the films. She provides the conflict and power you need in a female character, all Arwen is in the films is some kind of comfort blanket for Aragorn. She is his driving force, but that doesn't need to be shoved down the audience's throat. Show the exchange of the necklace by all means, and keep the shots that focus on it. That's enough.

There were at least 22 major characters in LOTR films. Eowyn is one female. That would be one out of 22. So that "is enough" for you? Sounds like the absolute worst type of tokenism. Half of the people in this world are female. Over half of the people who bought tickets were female. Is it too much to ask for 2 females out of the 22? All Jackson did was to take what JRRT already wrote in the appendices and include it in the story. JRRT gave him that right according to the terms of sale of the film rights.

Quote:
Originally Posted by Sauron the White
I

noticed the events on day 8 upon the river where the company is attacked by orcs. Although I remember reading that Jackson filmed something like that it was not in the film in any edition. There is an example of Jackson playing down the violence and action in favor of creating a mood. Then there is the scene of Legolas firing his arrow high into the sky and downing a Nazgul on his steed. Jackson cut that bit of action and violence also.

reply from Kath

Or, he cut out the attack by the orcs to save time and because in terms of film time there was going to be another attack by orcs only moments later. And he failed to take advantage of the chance to show Legolas' superior skills (archery rather than drinking) as well as not deepening the mood he was aiming for even more by showing that now they had left Lorien they were in mortal peril again.

The point was a simple one. Davem - and others - accuse Jackson of including too much violence and action at the point of sacrificing other parts of the story. My inclusion of the above information was to show that indeed Jackson saw fit to cut some of violent action that JRRT wrote in the books. In this case you are partially correct - it would have been too close to another scene of violence - also written by JRRT in the books.

By the films end I do not think anyone was not unaware of the superior archery talents of Legolas. Jackson included several examples of that.

from myself

The book is not the movies.
The movies are not the book.

reply from Kath

The books are not the films, that is true, but you can't say that they films are not the books because they are based on them. If the film was to be considered completely separate from the books then not a scene, not a word, not an idea could have been taken from the books to aid in the making of the film.

A book and a film are two different things. That is a simple fact of reality. An orange may be the foundation for orange juice but a glass of juice and an orange off the tree are two different things.

Why does this point seem to aggravate Tolkien purists so much? Cannot you accept reality? Or would the concession of admitting they are two individual things then take away so many thousands of objections that you constantly and continually voice against the films?

I saw the LOTR play in Toronto. I did not like it in the least. Everything I did not like about was based on its existence as a play. Not because it did not follow the book enough or it failed to capture what the films had captured. it simply failed as a play ..............

in my humble opinion.

I would be wrong to castigate the LOTR play because of what it was not. Namely the books or the films.

But people here see absolutely nothing wrong with castigating the films and the man who made them because they are not something else.

[davem]

Originally Posted by Sauron the White

2- Tolkien bases his story on the idea of the Ring. What it is, how powerful it is, how it can control everyone who comes in contact with it, how it can tip the fate of the peoples of Middle-earth, and its history. Just when we have bought into the idea that this ring is the be all and end all of the everything, we then get introduced to a character who does not care about the ring, can wear it without being impacted by it in the least, cares nothing for it, and will not do anything to help with the central problem of the ring. Then the story moves on, leaving TB in his version of Disneyland, and nothing more happens with him. It is absolutely pointless.

But the Ring is not 'the be all & end all of everything. The TB episode is designed to show exactly that. Tom is beyond the Ring's power, & its his very nature, free from all desire, that puts him beyond it. 'He is' says Goldberry, meaning he is complete in himself, desires nothing, needs nothing to make him 'more' than he is. His songs are 'silly' because he is joy incarnate. Nothing can touch him. He laughs at Old Man Willow, at Barrow Wights, at the Ring itself. In many ways he is the most purely 'spiritual' character in the book. He is 'irritating' only to those who take life, & more importantly, themselves, too seriously. His power is joy & laughter. He laughs at everything & thus nothing can touch him, or gain power over him. He is necessary for that very reason. His appearance is like the appearance of the Star (Earendel) in Mordor:

Frodo sighed and was asleep almost before the words were spoken. Sam struggled with his own weariness, and he took Frodo's hand; and there he sat silent till deep night fell. Then at last, to keep himself awake, he crawled from the hiding-place and looked out. The land seemed full of creaking and cracking and sly noises, but there was no sound of voice or of foot. Far above the Ephel Duath in the West the night-sky was still dim and pale. There, peeping among the cloudwrack above a dark tor high up in the mountains, Sam saw a white star twinkle for a while. The beauty of it smote his heart, as he looked up out of the forsaken land, and hope returned to him. For like a shaft, clear and cold, the thought pierced him that in the end the Shadow was only a small and passing thing: there was light and high beauty for ever beyond its reach. His song in the Tower had been defiance rather than hope; for then he was thinking of himself. Now, for a moment, his own fate, and even his master's, ceased to trouble him. He crawled back into the brambles and laid himself by Frodo's side, and putting away all fear he cast himself into a deep untroubled sleep.

The Star & Tom area expressions/manifestations of the same thing - transcendent joy untouched, & untouchable, by evil. There is hope that the Quest will succeed, & more than hope - Tom & the Star confirm to the Hobbits (& to the reader) that the Ring is not overwhelmingly powerful, that to some things it is nothing at all. This is essential to Tolkien's philosophy, & the underlying philosophy of the book.

[Folwren]

Originally Posted by STW

But people here see absolutely nothing wrong with castigating the films and the man who made them because they are not something else.

You seem to have nothing wrong with castigating parts of the original LotR and the man who wrote them! (See your above post about Bombadil.)

I don't believe Bombadil was the worst visually. He certainly wouldn't have been Jackson's most ridiculous or worst visual character. Nothing could be worse than his atrociously butchered Mouth of Sauron.
But if you consider, the part that Jackson cut out was not only Bombadil, who may be somewhat ridiculous in appearance, but also Goldberry who, if we say Bombadil was the worst "visual" character, is probably one of the best characters, visually speaking. I personally think Eowyn was the prettiest woman on the set, but Goldberry, if correctly done, would have been more beautiful than her.

As for Bombadil himself - his costume was the sort that any costume designer would have loved to have made! Anyway, I would have loved to have made it.

(Fond memory here...My brother once drew a picture of Bombadil and put color to it...it was a very lighthearted, rather beautiful drawing. It was before I knew the books myself. I had never heard of Bombadil in my life. The picture depicted him smiling like the sun, one leg lifted in a merry leap, one hand holding a stick, and the other balancing his lilly leaves. In the corner of the picture, wide eyed and open mouthed, crouched Frodo and Sam, staring in wonder.)

Back on topic. Bombadil is childish. But he's not stupid or dumb. There's nothing wrong with being childish. Hobbits themselves are suppoesd to be childish. That was one huge mistake Jackons made - he made Frodo and Sam not childish enough.

As for his songs. (Another grin at a fond memory.) My brother (same one who drew the picture) once got two CDs from a friend for a birthday present. They were a collection of many of Tolkiens poems put to music. It was a wonderful collection. And track 3 of the first CD had all of Bombadil's song in it. My sister and I still sing them. Don't tell me it's not possible. Don't tell me it's not enchanting.

"Hop along my, merry friends, up the Withy-Windle
Tom's goin' on ahead, candles for to kindle!
Down west sinks the sun, soon you will be groping.
When the night shadows fall, then the door will open!
Out of the window pane, light will twinkle yellow.
Fear no alder black, heed no hoary willow!
Fear neither root nor bow, Tom goes on before you.
Hey now! Merry dol! We'll be waiting for you!"

And I wrote that out of memory just now, and I haven't heard the song for over three years.

Oh, yes. The songs are quite possible to do convincingly enough to make people love them for years and years.

As for his power over the Ring...deepens his character. Makes the reader more intriqued. Heck, it's a darn sight better than Faramir being twisted and perverted enough to take it and Frodo and Sam to Osgiliath with the intention of taking them all the way to Minas Tirith! The Ring was NOT as powerful and luring as Jackson made it to be!

I found my tongue, in case you didn't notice.

-- Folwren

[Sauron the White]

Folwren. I am in total agreement with you regarding the visual image of Goldberry. She comes across in the book as wonderous and beautiful and I am sure that she would have been the same on the screen. You are 100% correct on that. Unfortunately she is paired with Bombadil who is a visual train wreck. Reminds me of a couple or two I have known over the years but thats another story.

You seem to have nothing wrong with castigating parts of the original LotR and the man who wrote them! (See your above post about Bombadil.)

Yes. That is correct. And I feel no pain or guilt in doing so. I am criticizing Bombadil for what he is - not what he is not. It would be foolish for me to say "gee folks, Superman also wore primary colors but was soooo much cooooler than that geek Bombadil." That would be unfair. Ripping Tolkiens character of Bombadil because he is not Superman would be unfair. Just like ripping into the movies because they are not the books or do not have the qualities of a book is also unfair. That was... that is ... the point.

I think that JRRTolkien was a tremendous writer. Maybe my favorite. The only other book I return to as much as LOTR is GRAPES OF WRATH and for very different reasons. In fact, there have been times over the past four decades when i got this foolish idea into my head that I could write a great work of fiction. I usually only got as far as outlines and summaries. Once I even typed out nearly 100 pages and several chapters. Then, to see how well I was doing, I took out LOTR and read a bit, then GRAPES OF WRATH, then burned my writings with the rest of the garbage. So my opinion of JRRT is extremely high.

I do reserve the right to say that JRRT was not perfect. He was a human being just like you and I are. And as such they have impercections, faults and weaknesses. The work of humans is not the work of gods. Or God.

[William Cloud Hicklin]

how it can control everyone who comes in contact with it,

Oh, no. No no no no no. This is Jackson's fundamental misperception, and it colors and distorts much of the films, most notably the vandalism of Faramir. I'm sorry to see you (apparently) share it, and suggest you read Shippey.

[Sauron the White]

Forget Shippey. I will read Tolkien. Does not Gandalf himself reject having the ring for fear of how he would eventually use it?
The Shadow of the Past
Frodo: You are wise and powerful. Will you not take the ring?
Gandalf: No! cried Gandalf, springing to his feet. With that power I should have power too great and terrible. And over me the Ring would gain a powerstill greater and more deadly.

Does not Galadriel also reject the ring for fear of how she would eventually use it?

The Mirror of Galadriel
Frodo: I will give you the one ring, if you ask for it. It is too great a matter for me.
Galadriel then gives the whole "set up a Queen .... love me and despair .... I pass the test... " speech.
The only one in the entire book who seems immune to the powers of the ring is Bombadil. And what does Tolkien do with this amazing incongruity? Nothing.

Maybe davem is right about the spirituality and pureness of Bombadil. I do not see how that makes him necessary. For me, he adds nothing to the basic story and his appearance and doggerel only make him a bad joke.

I ask again, try to imagine him in the first film spouting the lines

"Hey dol! merry dol! ring a dong dillo.
Ring a dong! hop along! fal lal the willow"

I can hear every comedian on late night TV or cable or in comedy clubs talking about the dongs in the Lord of the Ring movies. And how long before the work dillo becomes something slightly varied and the object of more snickering and derision. And once the comedians were done every crude boy on the playground would repeat it. Any kid who liked the films would be pelted with jokes about them liking dongs and the like.

Bombadil would have been a disaster.

[davem]

Originally Posted by Sauron the White

I ask again, try to imagine him in the first film spouting the lines

"Hey dol! merry dol! ring a dong dillo.
Ring a dong! hop along! fal lal the willow"

The 'ring a dong dillo'/ 'fa la la' stuff is common in folksongs (or in Shakespeare's songs - 'Hey nonny, nonny', etc) There are various explanations - old songs where certain words have been lost or half forgotten over the years so that a kind of 'chinese whispers' effect has taken place, nonsense words inserted to fill in the gaps & complete the metre (you know what I mean - its early), or imitations of musical instruments (as in the Carol 'Ding Dong Merrily On High) - in this context:

Then the voices of the Ainur, like unto harps and lutes, and pipes and
trumpets, and viols and organs, and like unto countless choirs singing with
words, began to fashion the theme of Ilúvatar to a great music; and a
sound arose of endless interchanging melodies woven in harmony that passed
beyond hearing into the depths and into the heights, and the places of the
dwelling of Ilúvatar were filled to overflowing, and the music and
the echo of the music went out into the Void, and it was not void.

I have to say that if we are to sacrifice everything in art or literature that a comedian or schoolchild may be able to turn into a joke we won't have much left...