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#1 |
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Gibbering Gibbet
Join Date: Feb 2004
Location: Beyond cloud nine
Posts: 1,844
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I think that what's really at play here is Tolkien's 'ear' for language-games. There's a wonderful pun at work surely: the eye/I of Sauron, blazing out across the landscape. He's not able to manifest as a body but as an ego only. The lack of physicality and the overwhelming nature of his gazing self ("I") is in direct contrast to the intense physical suffering of Frodo (as his body is attacked by morgul blade, sting and starvation, then tooth) and the slow erosion of his own self, his own "I" which finally succumbs to the Ring. In the end of course, it is the humble "I/eye" of Frodo, which looks for and after others, that triumphs over the prideful "I/eye" of Sauron that wishes to call all other eyes to regarding its own gaze.
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Scribbling scrabbling. |
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#2 | |||
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shadow of a doubt
Join Date: Jan 2008
Location: Back on the streets
Posts: 1,125
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That's an interesting reading, Fordim. A bit obvious, only.
It could also be that the character Sauron is part of a prophetic vision Tolkien had regarding the rise of the heretic Rastafarian movement in Jamaica. Sauron is the mystic union of Eye & I, and is worshipped by his followers like a living God on earth, just like Haile Selassie. Think about it! Quote:
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A curious thing though is that when Frodo and Sam get a glimpse of the Dark Tower they should be looking straight at the Window of the Eye, since they are close to the entrance it is facing, but The Eye is then turned North, towards Morannon, and since Mount Doom is North-West of Barad-Dûr, they can't see the window directly, it is behind the Tower from their direction. Apparently the Eye is gazing out of not the Window of the Eye, but out of another less renowned window. Unless the Window of the Eye can actually revolve.
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"You can always come back, but you can't come back all the way" ~ Bob Dylan Last edited by skip spence; 10-08-2009 at 10:02 AM. |
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#3 | |
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Laconic Loreman
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Or the Window of the Eye refers to where Sauron sits in his tower watches and waits for victory, something that Denethor has taken after as well:
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Fenris Penguin
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#4 | |
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shadow of a doubt
Join Date: Jan 2008
Location: Back on the streets
Posts: 1,125
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^There sure is. One wonders if there was any influence between them, one way or another. 1984 was published 1949, LotR in 1954-55, but Tolkien started writing on it much earlier unless I'm mistaken.
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I kind of agree with ElanorFB that the movie-image worked pretty well and served its function - twas' a bit over the top perhaps, but I suppose you have to be rather obvious in the big blockbusters. However, equating Sauron with it made for some glaring lapses of logic that are harder to forgive.
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"You can always come back, but you can't come back all the way" ~ Bob Dylan |
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#5 |
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Newly Deceased
Join Date: Aug 2008
Location: Everywhere-but retreats to a window in the west from time to time
Posts: 8
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PJ had little choice but to create an Eye with which we, humble folk, could relate. For Tolkien the Eye was part of the Evil with which he is dealing.
Sauron did not 'need' an eye, he used the palantir onto which he could impose his will and create images which suggested the future to those who gazed into them. The Eye was a symbol of oppression and fear - that fear that haunts all of us in those unguarded moments. When we are controlled by fear there is no need for anyone to keep an 'eye' on us - we are struck impotent by our own sense of oppression and helplessness - we are no threat to those who would seek to place us under their control. That is why Sauron is Evil - he HAS to know the future - and to KNOW the future in all its detail is to remain all powerful - to play God no less. To KNOW the future robs everyone of hope, drains all of any thought of adventure, robs us of our sense of wonder. In the end we avoid risk-taking. The Fellowship is a risk - the future is far from certain. That is why the Fellowship succeeds and Sauron and his host fails. I know all this probably bypassed the movie-goer but I suspect PJ saw some things better that Tolkien. However, I don't know how else PJ could have gone about creating the Eye other than making is rather visible and identifiable.
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Not all those who wander are lost Last edited by wayseer; 10-14-2009 at 04:44 AM. |
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#6 |
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Ghost Prince of Cardolan
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I actually thought the way he did it in Fellowship was credible because it was more something the characters saw (and even then, not in the physical sense) than the audience. Would've been nice if he'd kept that up through Towers and King.
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#7 |
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Newly Deceased
Join Date: Aug 2008
Location: Everywhere-but retreats to a window in the west from time to time
Posts: 8
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Good point - had not considered that aspect - but I tend to agree - the aspect of the Eye being something internal rather than external - but I think the moviegoer would have demanded something more tangible.
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Not all those who wander are lost |
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#8 | |
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Animated Skeleton
Join Date: Dec 2012
Posts: 49
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I don't like the idea of it floating freely either. There's no things or people levitating of flying by willforce or by magic in LOTR - so I find it out of place that it can float. |
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#9 | ||
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Gruesome Spectre
Join Date: Dec 2000
Location: Heaven's doorstep
Posts: 8,042
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The power of far-seeing seems to be the same, though it is not used with the Eye imagery. I'm mostly convinced that the Eye was mainly symbolic, a contrivance of Sauron in Third Age 'tyrant' guise to appear more threatening, to his forces and his enemies alike. As someone else may have mentioned, the idea of his Great Eye constantly observing them was probably a considerable motivation for his troops as well.
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Music alone proves the existence of God. Last edited by Inziladun; 10-08-2009 at 05:27 PM. Reason: extraneous word |
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#10 |
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Shade of Carn Dûm
Join Date: Jun 2007
Posts: 435
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Shades of Orwell, "The Dark Lord is Watching You"
Last edited by Alfirin; 10-08-2009 at 04:54 PM. Reason: forgot comma |
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