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#1 |
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Blossom of Dwimordene
Join Date: Oct 2010
Location: The realm of forgotten words
Posts: 10,517
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I beg to differ. While the two may be related, they are different enough that having one, you don't necessarily have the other.
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You passed from under darkened dome, you enter now the secret land. - Take me to Finrod's fabled home!... ~ Finrod: The Rock Opera |
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#2 |
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Ghost Prince of Cardolan
Join Date: Aug 2012
Posts: 785
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While I don't believe Aulė himself is a proud or greedy character, I do believe that Professor Tolkien consistently argued that his discipline, "making", was a very dangerous one. I believe he saw a potential connection between a desire to "make" and a desire to control. Thus "makers" are often the ones who desire power and domination. "Makers" (in Arda) wish to bring their will into being, and their will might easily transform from "the existence of a thing" to "a state of affairs".
That's a way in which I see it.
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"Since the evening of that day we have journeyed from the shadow of Tol Brandir." "On foot?" cried Éomer. |
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#3 |
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Animated Skeleton
Join Date: Mar 2013
Location: North-East of the Great Sea
Posts: 38
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A pretty prominent one. Examples include:
Melkor The Dwarves as a People Feanor Thingol Turgon Ancalime Tar-Atanamir the Great Tar-Ciryatan Tar-Telemmaite Ar-Pharazon the Numenoreans after the Shadow falls. Sauron Isildur ? Smaug Thorin has trouble with the Arkenstone, at least Denethor II Lobelia Sackville-Baggins - and arguably Saruman. Galadriel & Gandalf are both tested by having to resist their desire for the Ring. All these characters desire, or are tempted to desire, what they cannot have, or should not use as they do. Melkor wants "the dominion of Arda". Feanor comes to love the Silmarils with a "possessive love", so that he cannot give them up after the Trees are poisoned. Denethor is so intent on "the good of Gondor", and his grief at the loss of Boromir, that he loses sight of the big picture. And Turgon is so enamoured of the beauty and strength of Gondolin, that he fails to heed the warning of Ulmo. Lobelia covets Bag End - with disastrous results IMHO, the motif of greed could be regarded as a motif of disordered love - and love is a very prominent motif in the books. This is one reason Tom Bombadil is such a very important character - he has the inner freedom that protects him from wrongful desire. A Vala & a Hobbit and many beings between all suffer from wrongful desires of various desires - he is almost defined by not doing so. He is anything but a meaningless excrescence added for no good purpose - he is essential to the moral structure of the story. I think making is essentially a form of self-giving, of - in a sense - relinquishing control, stepping back so that what is made can have a life of its own. And I think this requires power no Valar can have, because they are limited, not transcendent. FWIW, AFAICS making = subcreation, with creation in the strict sense being something only Eru can do. For creation, one must have the Flame Imperishable. Last edited by Saurondil; 08-22-2015 at 07:01 PM. Reason: Double-posting carve-up |
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