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Visit The *EVEN NEWER* Barrow-Downs Photo Page |
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#1 |
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A Shade of Westernesse
Join Date: May 2004
Location: The last wave over Atalantë
Posts: 515
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I like what Mark 12:30 is getting at, though I can't say I have much to add to her beautiful post.
When I read the "a shadow & a thought" line, I always took it to mean that Eowyn loved an ideal in Aragorn that was not a reality - that she lusted for a great lord to sweep her off her feet, away to love, war & honour. I never considered any of the many connotations that the word 'shadow' might have in Tolkien's works. Aragorn's use of 'shadow' in the given quote was akin, in my mind, to Woolf's "Angel in the House," - the Victorian ideals of the housewife, however positive- or pleasant-sounding, being described as 'phantoms' & 'ghosts' that had to be overcome by the modern woman. In the Fellowship of the Ring, "The Council of Elrond", Boromir says: "...we are hard pressed, and the Sword of Elendil would be a help beyond our hope, if such a thing could indeed return out of the shadows of the past." This is the only other time that I can recall the word 'shadow' being used without being a reference to Sauron or evil in general. In this case, 'shadows' connotes Boromir's skepticism of the exiled line of Isildur; the statement is indirectly but unambiguously questioning Aragorn's merit as the Heir of Isildur, even challenging Aragorn to prove his worth. Are these the examples of Boromir's & Aragorn's uses of 'shadow' connected? Not really, except that neither fit Tolkien's 'definition' of the word that davem talked about in his opening post. I'm pressed for time... Hopefully more later, & less jumbled! Edit: davem, I started writing this before your last post, & did not read yours before posting mine.
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"This miserable drizzling afternoon I have been reading up old military lecture-notes again:- and getting bored with them after an hour and a half. I have done some touches to my nonsense fairy language - to its improvement." |
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#2 |
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Ghost Prince of Cardolan
Join Date: May 2004
Posts: 3,448
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i think he means that he reminds eowyn of theodred..... and she is merely hurt by the loss of her cousin so shes trying to fill the void
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Morsul the Resurrected |
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#3 | |||||||
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Regal Dwarven Shade
Join Date: Jan 2002
Location: A Remote Dwarven Hold
Posts: 3,594
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davem
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I would say that the Paths of the Dead were almost incidental to the whole issue, except to Eowyn they were culturally associated with certain death. By taking the Paths of the Dead, Aragorn may have (dare I use the term) “wedded” Eowyn’s concept of him and death more closely together. Quote:
Relating to Eowyn, I don’t think she saw it so much as a conflict but rather, as you put it earlier, an escape from drudgery and the thatched barn etc. Morsul the Dark Quote:
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...finding a path that cannot be found, walking a road that cannot be seen, climbing a ladder that was never placed, or reading a paragraph that has no... |
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#4 | |
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Illusionary Holbytla
Join Date: Dec 2003
Posts: 7,547
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Son of Númenor got here before I did, and I agree with everything that he said. Only a few things of my own to add.
Éowyn loved in Aragorn what she saw in him - not what he was but how she perceived him. She saw him as a high and valiant lord, willing to die for his cause (and a valiant death in battle, I imagine Éowyn thought it would be), which he was, at least part of him, but that was all Éowyn saw him as. She did not see his 'true colors' so to speak. She didn't see the part of him that wasn't a king but the man you see in "Flotsam and Jetsam": Quote:
One other place that I can think of where shadows are not used in a negative way: From the ashes a fire shall be woken, a light from the shadows shall spring. Again referring to Aragorn, except here he is the 'light'. But the shadows here aren't referring to evil. I always thought of it like the back corner where nobody ever looks, like in an attic. Virtually no one (in Gondor, etc...) ever thought that a king would come again out of the North - the shadows. So I think that Tolkien is using the word "shadows" in a couple different ways. One for evil, one for forgotten times and places, and a third for an ideal or perception. |
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