![]() |
![]() |
Visit The *EVEN NEWER* Barrow-Downs Photo Page |
|
![]() |
#1 | |
Haunting Spirit
Join Date: Feb 2003
Location: Tennessee
Posts: 54
![]() |
I'm reading Fellowship now for the fifth or sixth time, and every time I'm struck by different things as I go along. In this read of "A Short Cut to Mushrooms," two things stood out that I don't think ever really occurred to me before.
I think the first may tie in with what davem was asking about prejudice: Quote:
The second thing that jumped out at me has to do with Merry's appearance at the end of the chapter and the brief suspicion that he is a Black Rider. My father read LotR to me for the first time when I was very young, so I can't remember not knowing what was going to happen at any particular juncture. I can't remember experiencing this scene for the first time and not knowing that the rider was really Merry and that Frodo, Sam, Pippin, and Farmer Maggot were in no danger at that point. So, as I was reading the chapter this time, I tried to imagine reading it for the first time. And what struck me was just how much of a relief it would be to expect the horrible and unknown but get a friend. Of course, this is something Tolkien does so many times throughout LotR (in "The Shadow of the Past," Frodo and Gandalf suspect a spy outside the window, but it turns out to be Sam; in "At the Sign of the Prancing Pony" and "Strider," Frodo, Sam, Merry, and Pippin suspect the ranger of being a potential foe, but he turns out to be a friend and a guide; in "The White Rider," Aragorn, Gimli, and Legolas fear they have encountered Saruman, but it turns out to be Gandalf; and so on) that one might even refer to it as a recurring theme. Is there a connection with Tolkien's theory of the eucatastrophe here?
__________________
"Art is our way of keeping track of what we know and have known, secretly, from the beginning."--John Gardner |
|
![]() |
![]() |
![]() |
|
|
![]() |