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#1 | |
Deadnight Chanter
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Because you (and you, yes, you too!) all are in league plotting my ruin. For surely I'll be fired if I spend an instant more of my office time reading this unending thread, instead of actually doing some work I'm paid for! As a bonus, be enlightened by the following: Three blind men were shown into a stall were elephant (oliophaunt?) was kept. None of them has seen one before, so they were asked to touch it and then give their opinion about such a wondrous animal. But as they approached it from different sides, so the body parts they felt were different. So one said: 'elephant is like to a rope' (as he touched the tail), ‘nay’, said another, 'it is like a tree-trunk' (leg was the part of his choice), 'what are you two talking about?', came in the third, 'it's like a snake!' (for it was proboscis in his hand). So they quarreled, and could not agree upon which was right Now, I hold they all were right But, free-reader people, do not rejoice, for I’m not joining your ranks ![]() Though I hold that all three blind men were right, I hold such a belief with a proviso there were no one with clear sight to tell them about elephant. Tolkien is such a sighted one. cheers ![]()
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Egroeg Ihkhsal - Would you believe in the love at first sight? - Yes I'm certain that it happens all the time! |
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#2 | |
Cryptic Aura
Join Date: May 2002
Posts: 6,003
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Yet there surely are other reasons for writing besides this kind of echo. There are many kinds of "influence" possible in the crucible of the creative imagination. When does a fanfiction writer cross over the line between "repeating" his favourite precursor and attaining his own kind of unique form of writing? After all, Tolkien himself was inspired by other writers to create his own Middle earth, a subcreation wholly unique. Is that freedom of invention, inspiration, creativity to be denied to those who follow him? Tolkien as muse can take many forms. And people are free to define what form they prefer, I suppose.
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I’ll sing his roots off. I’ll sing a wind up and blow leaf and branch away. |
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#3 | |
Ghost Prince of Cardolan
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Here it goes again...
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Anyway, why should we try to make people believe that Tolkien had a hand in it? What kind of goal is that? Tolkien is not here, so he cannot possibly have had a hand in it. Everyone knows he isn't alive today. So I don't honestly see a point in trying to pretend that he has had a hand in it, when he has certainly not. As I said before, my previous post, I expressed some of the reasons why I don't believe in creating canon/canonical texts. (It looks kind of silly to quote your own posts (# 381), so I wont.. ![]() Anyway, as badly as my question about putting so much effort into making ones writing canonical was formulated, I must correct it: Why do you (Not all, but some) put so much effort into making your writings canonical? I am changing this for one reason, and that is; I don't believe in making so called canonical texts, because I don't possess the spirit that Tolkien possessed. I'm happy when I write RPG posts that are based on Tolkien's works. I sit down, clear my head and I try to figure out what I'm going to write. Suddenly (often after sitting a long time staring into the air, that is) I figure it out. I plan it; what my character thinks, what my character is going to do, what feelings he/she is going to express towards the situation he/she is facing and so forth. I already know that I'm not Tolkien (Can you believe that? ![]() * When reading HerenIstarion's little story, I think it reflects very well our differences, when we talk about whether this or that is in the spirit of Tolkien. We touch one aspect of his life, and are convinced that this is where his spirit came from. Then again, another may claim that another aspect is which drove him to write. We can argue and argue until we go insane, and never agree. But then again, I must ask, since I don't see it myself, why you ( ![]() I don't think we need one to tell us what is right and what is wrong when it comes to Tolkien's spirit and his perspective on things. I think we just have to be aware that we are fully responsible for the posts we make, and therefore since our RPGs (meaning among them, at this site,) are based on Tolkien's world and his works, we must follow the rules, which apply to the site. I cannot recall anything saying that we should write in the spirit of Tolkien. It should be consistent to his world, yes, but his spirit is not mentioned. If making canon/canonical/canon friendly texts (which I don't believe in the least is possible, bwahahah), of course Tolkien's spirit should be one of the writer's concerns. However, as previously stated in previous post, we can try to imitate, we can try to make a potions that will give us full insight about everything and we can even convince ourselves that we are making a canonical text, but none of us are truly following the spirit of Tolkien, because none of us have the answer, or rather; none of us can define what lays within the word spirit, and definitely not what lays within the spirit of Tolkien. Nova EDIT: Cross-posted with Bęthberry
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Scully: Homer, we're going to ask you a few simple yes or no questions. Do you understand? Homer: Yes. (Lie dectector blows up) Last edited by Novnarwen; 08-06-2004 at 09:59 AM. |
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#4 | ||
Deadnight Chanter
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Stirring an anthill
Ahem...
I hope I won't summon the wrath of the Valar upon my head by reviving this, but upon rereading exerpts of this mightily long thread, I have found something which evaded my attention in the heat of the debate at the time of its posting: post #309 Quote:
Aragorn: Quote:
Let us move on. m-m-m... Legolas for one?... no... Gimli? neither... ah, I know, I know, that should be Faramir! Not that good upon second thought, it seems... Well, I can't move on. All of the characters which with Tolkien act upon their moral, do so for their own good and the good of society But, in this, it seems to me that ME is a bit of an ideal world. In general, down here our road, self-sacrifice, which is usually considered as a moral act, is not socially effective. Reason: self-sacrifice is allegedly the feat the best [wo]men are capable of - the most brave, loving, wise etc. Logic: if the best act morally, they, eventually, die out. The rest is less good. So, the society which one is left with consists of worse members than original one. Logic: such a society is less, not more good than the original one. Question: where is social efficiency of moral? Or, now we know where ancestor worship comes from
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Egroeg Ihkhsal - Would you believe in the love at first sight? - Yes I'm certain that it happens all the time! |
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#5 |
Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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H-I
A big question, which I will have to consider - though I suspect the reason you've brought it up here rather than start a new thread is that you refuse to let this one die! I know this is the Barrow Downs, but not everything is meant to live forever! I begin to feel it necessary to take action re this thread! 'Ho! Tom bombadil, Tom Bombadillo! By water....... |
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#6 |
Stormdancer of Doom
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![]() Careful, davem, you'll evaporate us all!!!!! |
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#7 | |
Gibbering Gibbet
Join Date: Feb 2004
Location: Beyond cloud nine
Posts: 1,844
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A very interesting question with which to resurrect the thread, H-I – but one that may need a bit of tweaking.
The question as you phrase it would seem to be a bit of a big baggy monster about morality and society in the primary world: a worthy question, but not really in the spirit on the original thread. If I might be allowed to rephrase it, and then take a running start at an answer… Going back to SaucepanMan’s point: Quote:
Most of us, I am sure, would want to say that of course interpretation is not a matter of sheer numbers – this is not a democracy! But surely to goodness there is some truth in what SpM is saying when we look at it in terms of interpretation. I mean, there is no way to prove finally that the Ring is not an allegory for the Atomic Bomb, but few people hold to that interpretation any more because majority opinion has swung against it. And to fully return to the topic of this thread: if there is a democratic aspect to this, does the author get just one vote or more? To adopt (rather inappropriately, I admit) a different metaphor, if the readers and the writer are shareholders in the meaning of a text, does the author have a controlling share or is he just one more shareholder among many?
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Scribbling scrabbling. |
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#8 | |
Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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This is the central argument - can we divorce Tolkien's intent from the way we read his work - or perhaps we should start with 'Did he have any intent?' The Foreword to the second edition is self contradictory in a way - he claims there is no allegory, & the reader is free to apply the story in any way they please, then he immediately refutes what was probably the most obvious 'application' for readers at that time, that to WW2, by showing that anyone who did apply it in that way would be completely ignorant.
This seems to be drawing together a number of current threads - 'Reality', The Nazi's, Partners & The Soddit, etc. To what extent are we free to interpret & apply, if the author has refused to do that himself, & has given us express permission to do so - we may interpret & apply as we wish if the author will not do that for us. Yet we mustn't contradict explicit statements of the author - Quote:
So, to Aragorn; I think we have to dismiss the 'enlightened self interest' explanation for his actions, in that that goes totally against his character, as shown in numerous other examples where he goes out of his way to help others & often lays his life on the line for them when he doesn't have to. We aren't free to interpret this incident at Bree in a way that is in contradiction to his other actions later in the story. Aragorn is a particular type of person, & he behaves in a particular way. So, for a story or interpretation to be in line with canon, it must not contradict either clear statements of the author about his world or its inhabitants, or interpret certain actions of a character in a way that isn't consistent with what we know of them. Frodo, for example, is clearly & obviously celebate - & not for reasons of 'Victorian morality' - celebacy is part of his nature, a manifestation of his spiritual nature & one of the reasons for his isolation at the end of the story - so a Frodo/Sam slash fanfic is simply incorrect, because he wouldn't respond in a sexual way to anyone, male or female - he is on a different path. In short, whatever place 'democracy' may have in interpretations of Tolkien's writings, it cannot go against the given 'laws' of the world he created. |
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