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#1 |
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Stormdancer of Doom
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Yet another connection:
"Roads go ever ever on, Over rock and under tree By caves where never sun has shone by streams that never find the sea." By the time Bilbo sang this, he had been through Rivendell twice. Going East, he spent "fourteen days at least" in Rivendell, and "I wish I had time to tell you even a few of the tales or one or two of the songs that they heard in that house". During his westward return trip he spent a week there, "and he had many a merry jest and dance, early and late, with the elves of the valley." I wonder how much that influenced his song. Gollum's cave certainly fits the description "Caves where never sun has shone" (and I suppose one could also argue that in Gollum's cave are also found "streams that never find the sea." Nevertheles, to me, the third line says "Moria" and the fourth, "Nimrodel." The two are bound, because it was from the chaos caused by the awakening of Durin's Bane that Nimrodel fled, til Amroth proposed to her on the borders of Fangorn. I wonder; did he end up connecting his own story to the Greater Story, to the lasting themes beloved of the elves that he heard during his times in Rivendell?
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...down to the water to see the elves dance and sing upon the midsummer's eve. |
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#2 | ||||
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Gibbering Gibbet
Join Date: Feb 2004
Location: Beyond cloud nine
Posts: 1,844
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So much to say, so much to read, so much to address in this wonderful chapter: *pant* *pant*.
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The word “perilous” is, of course, wonderful, for it sets up Lorien not as a dangerous place, but as one that is full of risks; it’s risky entering the Golden Woods, unlike going into Moria which is just downright dangerous. Like all risks, the dangers are offset by possible rewards. Nothing is given in Lorien without a commensurate price being paid (the Fellowship is admitted, but they must go blindfolded; they gain shelter for a time, but Gollum is now following them). This leads me into another important comparison that I think is taking place in the chapter. The comments so far on the relationship between Dwarves and Elves have been wonderful, but what about the connection being stated between Lorien and the Shire? Quote:
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Frodo makes the distinction between Rivendell as a land of “memory” and Lorien as a place where “the Elder Days” still exist. This is the continuation and perhaps the fulfilment of his move from the Shire, where he got his first real ‘history lesson’ – he’s moving from history (the distanced and objectified relation of the past) through memory (personal/individual apprehension of the past) to actually being in the past. davem has already magnificently addressed the nature of Lorien as a timeless realm so I shall not duplicate his points here. I will merely add to this point the observation that from this point of the narrative and following, the company will move away from this timeless ‘heart’ and into the realm of history once more. It’s almost as though, having moved from history to the personal experience of the past, the company is now fully prepared to participate in that continuing history. This chapter ends with one of the most affecting moments in the book; it gets me every time: Quote:
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Scribbling scrabbling. |
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#3 | |
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Stormdancer of Doom
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Frodo chooses to depart from the Mithlond pier and 'The Straight Road', leaving The Shire to Sam, despite Sam's tears. Fascinating connection indeed, Fordie.
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...down to the water to see the elves dance and sing upon the midsummer's eve. |
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#4 | ||||
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Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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Symbolically, though, it does seem significant that danger is within the earth, & that 'salvation' is to be found in being as far away from the earth as possible. Mirrormere is, as you say, different from Galadriel's Mirror, in its function & in what it symbolises. Mirrormere is 'passive' - it doesn't so much 'reveal' as merely reflect, & it reflects 'eternity' - days may pass, sun & moon may cross the sky, people may pass by & look into its depths, but it doesn't reflect any of that, it reflects only the depths of space, the mountains & the stars of Durin's crown. What that says about the psyche of the Dwarves, I'm not sure. Perhaps their choice of working in stone & metal is part of it, the desire to create 'permanence' (who knows, maybe in their secret hearts they desire to become things of stone, permanent, unchanging - physically 'eternal'. Elves focus on temporary things - trees, cloth, books, language. The mortal race seeks permanence, while the immortal race are drawn to the transitory. As Blake said 'Eternity is in love with the productions of Time' which would seem to sum up the Elves, & the corollary, that the 'productions of Time are in love with Eternity' perhaps sums up the attitude of mortals. Quote:
As to Bethberry's & Fordim's points regarding the difference between Aragorn & Boromir, I must agree, up to a point. Yet, Aragorn, knowing his destiny, & his obligations, both to the Company & to his people, is undeniably reckless, & even if Boromir does not know the nature of the Balrog, he does display a selfless courage in the act of running to Gandalf's aid - no less than Eowyn displays in her defence of Theoden - & she has no more knowledge of what the Witch King is than Boromir does of the Balrog. I was reading an extract today from anew book about the end of WW2, specifically describing the last defence put up by the Hitler Youth. Its reckoned that they were far more dangerous than the adult soldiers, & would often surrender & then throw concealed grenades at their 'captors', & they would fight on longer than the adult soldiers, & have far less sense of personal safety. Basically, they, at 12, 13, 14 years old had not developed adult sensitivities, like compassion, respect for life, retaining still that 'childlike' visciousness which can be seen in schoolyards across the world. Now, I don't want to compare Boromir to a Hitler Youth, but I always feel there is that kind of childlike 'certainty' of being absolutely right, of being willing to fight to the end, & use any means to hand to win, no matter who suffers. Boromir to me is a man who has never really grown up. He sulks, expects to be the centre of attention, knows he's RIGHT, & can't believe everyone else is so stupid that they can't see it. He looks for glory in battle & probably never quite believs he could die, or that anything really bad could ever happen to him. It makes him a great warrior, but not the kind of person you really want around when things are peaceful - because if he is around things won't stay peaceful for very long. He certainly is admired for his prowess, loved by his kin & respected by his men, but he's simply not 'loveable' in himself. Lord Melkor is right up to a point: Quote:
As to Bethberry's other point: Quote:
The Ring is taken into the 'heart of Elvendom on earth', & I suppose we can ask what the significance & symbolism of that is - the 'serpent' has entered 'Paradise' & temptation must inevitably follow. 'Middle earth's 'Eve' will be tempted by the power to become as God, but she is also Middle earth's 'Mary' & she will reject what is offered, choose the role of humble 'handmaid', pass into the West, & remain Galadriel. |
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#5 | |
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Banshee of Camelot
Join Date: May 2002
Location: Switzerland
Posts: 5,830
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One of my very favourite quotes is what Haldir tells the fellowhip:
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Somehow this reminds me of the Silmarillion: "Thus even as Eru spoke to us shall beauty not before conceived be brought into Ea, and evil yet good to have been.
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Yes! "wish-fulfilment dreams" we spin to cheat our timid hearts, and ugly Fact defeat! |
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#6 | |
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Cryptic Aura
Join Date: May 2002
Posts: 6,003
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How pleasant it is to find one's arguements developed and thoughtfully considered even when one was called away sadly without time for the Downs yesterday. I can now be the lazier for the work of my admirable, enthusiastic colleague, Fordim and davem's perceptive thoughts on the nature of who we call to be soldiers . (There's a pint for you at the Faculty Club after work on Friday
One for Lord Melkor, too ).Quote:
What I am getting at--and I am helped immensely not only by Fordim's reply about Boromir's lack of knowledge but by davem's point that Boromir is limited--is two things. First of all, we have a writer of the calibre Tolkien was using the son of Gondor as a foil to the returning king. This is to be expected almost. The Stewardship will be shown to be a heroic and noble effort but one that, in this long defeat, will succumb, as all in this world does, to its own downfall. It is the King who has his eye on the greater vision. The second point which influenced my thoughts on Boromir was Tolkien's own essay on the Old English poem The Battle of Maldon--there's that wonderful post, an essay really, by the now absent Squatter of Amon Rűdh about Tolkien's concept of the heroic Northern ideal, the warrior-leader who abandons his rightful role as protector of his realm to engage in a chivalrous battle which turns the fate of nations and peoples into a personal competition. I am not sure how much we can specifically 'import' here to Boromir. Yet I think that it is helpful to consider the point that Tolkien had well developed thoughts on the nature of the heroic Northern Ideal. This does not mean that automatically we must dredge for them in LotR and risk raising our own form of balrog, but I think it is valuable to consider the depiction of Boromir within this light. So, my point was not to deny Boromir's strengths and nobility but to suggest that Tolkien as a writer is engaging in some rather serious thoughts about the nature of the masculine ideal. In a book which holds up Frodo and Sam as the unexpected heroes--and which sees Eowyn and Merry defeat the Witch-King--I would think it would be quite plausible to consider whether Tolkien was rewrting the entire book on heroic ideal--something which would necessarily entail both a character who appears to be the most like the traditional ideal and who also carries in him the potential flaw of that ideal, the flaw of hubris. Boromir's conceit is never to question himself. (This is my way of saying Fordim's point that Boromir always thinks he is right.) Aragorn does this constantly, as does Frodo, and Sam, too, comes to consider the merits of choice offered to him. Boromir lacks this self-reflexivity. This does not negate his other admirable qualities, but it does limit them. There are so many other very interesting points to consider here but yesterday's rude interruption on my Down's time has meant I am still catching up. I would ask one thing, though, which arises from davem's thoughts about Sauce's comment on the Fellowship bringing evil into the Perilous Realm. Why has this question become important for Lothlorien? Why did we not consider any symbolic meaning when the Ring was brought to Rivendell? (at least, I cannot now recall that we did.)I shall return with a link to Squatter's essay: Squatter on Tolkien's "The Homecoming of Beorhtnoth"
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I’ll sing his roots off. I’ll sing a wind up and blow leaf and branch away. Last edited by Bęthberry; 10-21-2004 at 08:14 AM. |
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#7 | |
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Corpus Cacophonous
Join Date: Jan 2003
Location: A green and pleasant land
Posts: 8,390
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Some thoughts on the Boromir v Aragorn debate. I tend to agree with Lord Melkor that you were rather harsh on Boromir, Bęthberry, in your original post. Boromir is a man who undoubtedly possesses a great many admirable qualities. There has recently been a good discussion of these (as well as his less admirable qualities) in this thread: The 7 deadly sins vs. The 7 heavenly virtues. It did seem to me that you had rather skirted over these qualities, but I understand the point that you are making in your latest post. Undoubtedly, Boromir is flawed (and particularly in relation to his inability to question himself). But is that not the very nature of all in Middle-earth, indeed of Middle-earth itself, being as the whole of Arda has been tainted with Morgoth's evil? To my mind, this makes Boromir a far more credible character than Aragorn both within the context of the Legendarium and (as you will recall from the position that I took in the Psychological Depth in Tolkien's characters thread) as a character with which the reader can identify. It is also why I think it is important to note the moments where Aragorn is himself shown to have flaws (however minor). Given the extent of his knowledge concerning the nature of the Balrog, I would consider his foolhardy charge on the Bridge of Khazad-Dum as one of these.
I also take your point concerning Tolkien's approach to the heroic ideal. But there are also many other themes touched upon by Boromir's character which I think will merit consideration. These are perhaps best left until we reach the breaking of the Fellowship, Frodo's encounter with Faramir and the passages concerning Denethor and Faramir in Minas Tirith. But I did think it worth noting that, while we have seen aspects of his nobility, courage and fortitude in the preceding Chapters, we do not really get to appreciate the extent of his positive qualities until during and after his death. The first few times that I read LotR, I came away with the impression that Boromir was rather a villain. It was not until I had read it a few more times that I came to appreciate him as a far more complex and sympathetic character. And, to buck against the trend of pointing out the perceived shortcomings of the films in these discussions ( ), I would make the point that engendering reader/audience sympathy for Boromir is something that the films perhaps handled better than Tolkien himself.Quote:
I do also take Bęthberry's point that Aragorn's comment could be interpreted as referring only to those who bring evil with them within their heart. There is support for this in that (as Esty pointed out at the outset of this thread), the comment is directed to Boromir, whose heart has already begun to be corrupted by the Ring. But would not this apply to Frodo also, since we have seen that he is already powerless on occasion to resist the temptation to wear the Ring? He too is (quite understandably, given that he is the Ringbearer) succumbing to it.
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Do you mind? I'm busy doing the fishstick. It's a very delicate state of mind! |
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#8 |
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Gibbering Gibbet
Join Date: Feb 2004
Location: Beyond cloud nine
Posts: 1,844
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Saucy, you neglect the other huge difference between Rivendell and Lothlorien -- the latter has Galadriel!
The peril and the beauty of the Golden Woods is much more completely tied to the nature of Galadriel than is Rivendell to Elrond, I think; and thus, it is indeed a perilous realm for those who enter, particularly for anyone foolish enough to bring with them the One Ring, insofar as Galadriel is a far more problematic (and interesting) figure than is 'Rondy. She has not yet been 'tested' by the Ring -- there is the peril that she will take it for herself (*Fordim rubs hands gleefully in anticipation of the next chapter*). I made the point above the "peril" pertains to risk more than to danger, but I did not really approach the question of what this risk might be. I think that it's got to do with the risk of bringing the One into contact with the Lady -- you might just get the help you are going to require for the success of your quest (counsel, the Phial, the Cloaks, lembas, etc), but at the risk of the quest's eternal failure. I think the difference between these two realms centres upon the fact that Rivendell is a place of lore: the past is in the past, it's over and Elrond has accepted that, however ruefully. As a result, Rivendell is wonderful but not nearly so miraculous (or even magical) as Lorien: nor as dangerous. In Lorien, as davem reminds us, the time/land of faerie is still the lived reality of the realm; the past is not past, but is now. In effect, Rivendell/Elrond have made the decision to forsake Middle-earth: they've accepted the fact of their long defeat. Galadriel/Lorien have not yet made that decision -- this land knows that an end is coming, but seems not quite ready to accept that yet.
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Scribbling scrabbling. |
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