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#1 | |
A Mere Boggart
Join Date: Mar 2004
Location: under the bed
Posts: 4,737
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Atempting to explain by way of example, consider that this was only the second attempt to film LoTR. There have been many film versions of other works - e.g. Dracula, Frankenstein, Wuthering Heights - none of which, in my opinion have been perfect. This has not always diminished my enjoyment of those films, though it quickly made me realise that to ever see a perfect version of my favourite book was very likely an impossibility; therefore seeing the films as they were made, I was pleasantly surprised, even if I still can't accept the portrayal of Aragorn. ![]() Hollywood is also quite a lazy beast and there is a tendency to adapt pre-existing works rather than make a 'pure film'; when a film is based on an 'original' concept then it is a very different product. You only have to look at the fan worship surrounding such 'pure films' as Star Wars, Donnie Darko and The Matrix. When Hollywood adapts pre-exisitng works it so often gets it very wrong. A good example of this is comic book adaptations. I am told that many are so completely wrong that it is not worth seeing them - not that I have much knowledge of comic books beyond Beano. Earlier I mentioned fantasy works which do reflect the disturbing nature of the 'real' world. In between many rounds of stress this afternoon I managed to give this some thought. I mentioned Gormenghast - which is a critique of red tape, hierarchical structures, and the class system. When I was younger I read this as a simple if gothic fantasy - now I am in civil servitude I understand it on a deeply satirical level (especially today... ![]()
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#2 | ||
Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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For Tolkien (as I read him) the two are mutually exclusive things, between which the individual makes a choice. I think Jackson's position is not quite either of those - simply some people are evil by nature & others are good by nature, but may make mistakes & do evil things in a wrong attempt to do good - hence Boromir & Faramir (till he changes his mind). Tolkien clearly believes that evil is a(n im)'moral' choice but an choice made by a free being. If Frodo is overwhelmed by a more powerful external force then Tolkien is saying nothing that a thousand other writers haven't also said. But i don't think he is . I think he's saying that the battle is more an internal one than an external one. Frodo consents to what he knows is evil - the Ring & everything it symbolises - & that is his 'failure' - & the fact that we also, in his position, would surrender does not make what he does acceptable. Frodo knows this. And, as I understand it, this is the Christian position, in that Christianity teaches that we cannot achieve salvation through our own acts. If evil is simply an external force then theoretically we could save ourselves by becoming 'stronger'. On the other hand, if evil is an innate aspect of our essence then our salvation must be out of our hands, & we are dependent on an external source of salvation. Quote:
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#3 | |||
Ghost Prince of Cardolan
Join Date: Oct 2003
Location: Essex, England
Posts: 886
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Davem,
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Methinks not. |
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#4 | ||
Laconic Loreman
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The Ring isn't all powerful, there are those who can resist it, Bombadil, Galadriel, Faramir, Sam, and Bilbo. Then there are those who can't Frodo, Boromir, and Gollum. Out of the one's who resisted, the person who had it the longest was Bilbo, and he gave it up freely (with a little nudge to help him of course), but he gave it up rather easily. As we get a quote from Faramir here in A Window on the West: Quote:
In Frodo's situation I think we can connect it to my anecdote about "Grand Theft Auto." He had the Ring for so long, he was obviously weighed down, wounded, spiritually demoralized because of it, and he in return became attached to it. But who wouldn't have? If somebody was stuck in Frodo's spot who wouldn't have done what he did? Of course besides Bombadil, but he would have lost it even before he got to Mount Doom. The way I view this is Frodo didnt FAIL the quest, he FAILED the personal test (I rhymed). The quest was to destroy the ring, by any means, and the Ring got destroyed. The ultimate job of the quest was to get the Ring into the fire, and the Ring got there. The personal test Frodo did fail. He had a choice, throw it in, or not, and he decided to keep it, so he failed that internal test within himself, but he completed the quest. One has a choice, there is always a choice within somebody, the Ring can't control how somebody reacts, to it's power. All it can do is lure a person to it, and some people are lured by it, others don't fall for it. As I stated before if there are those who can resist the Ring's lure, then I think that goes to prove that it's more of an internal struggle, more then the external Ring's force of controlling people. One has a choice in the matter of doing it or not doing it. Just like the game situation, it's not like Grand Theft Auto "forces" kids to go around rape and shoot people, there are those with the strong enough "will" to resist it, and there are those who can't. Making it the internal conflict within each person. Last edited by Boromir88; 11-19-2004 at 02:23 PM. |
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Deadnight Chanter
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I'll risk to tell you a joke to illustrate (even if clumsily) what I mean: There was a man drowning, and he prayed to God to help him, and having trust in Him, he laid back and stopped making attempts to swim. Naturally, he drowned. When in Paradise, he asked his Lord - why haven't you saved me when I humbly prayed for deliverance? Because I've already given you means to it by giving you hands and legs to swim, wich you could have used to swim ashore - was the answer in LoTR, Frodo is the illustration of both necessities - i.e. acts do count, for not to act would be deriliction of duty, but acts as acts, without external (external and at the same time, internal, rather) help, will bring no salvation - hence Gollum falling down by Chance. In a sense, and in a way, Frodo's story is illustration of Lord's Prayer, specially 'lead us not into temptation, but deliver us from evil' part. In that sense, PJ version errs as it depicts mainly acts. But utterly symbolical movie, stressing on inner battle, on Frodo giving in to temptation or, on the contrary, winning out by trust and submission to external force working from the inside, which is not clearly seen at all, but only hinted at in the book, as Duty, would be equally erroneous. Is Boethian and Manichaean opposition solvable, than? Despite the number of disputes we have had or will have about the issue, we haven't reached final conclusion. It may be said that truth lies, if not entirely in the exact middle, at least nearer to Boethian side of the swing, but not utterly there. It would follow, than, that absolute evil is impossible - i.e. when its very existence derived from Good, to exist, it must retain some good at least. But I'm drifting off. Quote:
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EDIT While I tinkered, Essex and Boromir88 cross-poster under my very nose ![]() Well, should accommodate your posts too Quote:
And, as we are in the movies forum, let me add a movie flavour to it - that what PJ version utterly failed to transfer. Quote:
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Egroeg Ihkhsal - Would you believe in the love at first sight? - Yes I'm certain that it happens all the time! Last edited by HerenIstarion; 11-19-2004 at 02:57 PM. Reason: edit - a lot happened in between |
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#6 | |||
Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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Isn't that passing sentence on the guilty? He has denied himself his home. He has proclaimed himself an exile. Quote:
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And why shouldn't Frodo feel guilt over his choice? A free person is resonsible. Frodo's choice must be a free one, hence he is responsible for it, & so he is guilty. If he did not make his choice to surrender freely then the events at the Sammath Naur are meaningless. If he did make a free choice then he is guilty. |
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#7 | ||
Deadnight Chanter
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Very true. But, allegedly, Frodo does not know about Eru? He does not know about Master/Servant relationship? Or, maybe, he knows but in a role of Master (Servant being Sam) In case you imply Eru worked through him directly, the freedom is eliminated - that is not Frodo who willed to go, but Eru through Frodo willed him to go. Rather I'd say, Eru worked through insight in Gandalf, who helped Frodo to will to go - and that shows Frodo's strengh and his humility - he trusted (in estel sense) in Gandalf, he held a belief that what Gandalf advised was a right thing to do. Ultimately, Frodo does his duty in allegience to what he thinks is Right, without expectation of reward (I never intended it to sound as if I believed Frodo did what he did to get a ticket to Sanatorium-in-the-West) Quote:
I argued elsewhere that (improbably) Frodo-Gollum-Ring make a composite creature towards the end. With the death of latter two, what is left - Frodo, is person free from sin, i.e. already redeemed. And redeemed do not feel guilt - their guilt is over as their sins are cleansed. In a sense, Frodo is dead too - that's why Shire is not for him - living lands are not for the dead. (That last paragraph being diggin too deep into the thing, I suppose)
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Egroeg Ihkhsal - Would you believe in the love at first sight? - Yes I'm certain that it happens all the time! Last edited by HerenIstarion; 11-19-2004 at 03:46 PM. Reason: typos |
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#8 | |
Deadnight Chanter
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I keep cross-posting. Posting fever is on me...
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Egroeg Ihkhsal - Would you believe in the love at first sight? - Yes I'm certain that it happens all the time! |
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#9 |
Gibbering Gibbet
Join Date: Feb 2004
Location: Beyond cloud nine
Posts: 1,844
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Long time stalker of the thread, first time poster
I have to say that I think that this is one aspect of the book (among many) that PJ nailed absolutely dead to rights. The markers of a continuing sadness/melancholy that will surpass the bounds of the movie are so many that I hardly need to enumerate them here (besides, they've been mentioned already).
I would just say, however, that PJ translates to the filmic medium something that Tolkien did brilliantly in the novel. The end of LotR is supremely non-novelistic, what with the hero 'disappearing' into an ambivalent, even ambiguous exile the nature of which is not adequately explained in the narrative. Sam's own ending, the ending of the whole story, is also an extraordinary rewriting of the novelistic convention. The utter domestication of the hero in that final paragraph, his being taken 'back in' by the home and hearth is something that just does not happen in novels. In the 19th C, that scene would have been played out only in epilogue form and been presented as the achievement of the hero's journey, not the conclusion of his retreat from his journey. In the 20th C that scene would not be presented at all, except as a problematic and ambiguous 'real life' moment to counter the supposedly 'happy ever after' conclusion it appears to be. What I mean to say is that Tolkien, in writing his book, gives us a conclusion that goes against novelistic convention. The drawn out series of endings (incl the Scouring) leads to a rather anti-climactic moment. . .but only from a narrative/strucutral point of view, not an emotional one at all. PJ does precisely the same thing but in filmic terms. Each of the "closing shots" that he gives in the serialised endings (Mount Doom, the marriage of Aragorn and Arwen, the return to the Shire, Frodo's departure) is large, gorgeous, rounded out with large soundtracks -- they are typical Hollywood closing shots. The fact that they keep happening, I think, hammers home the idea that there is no one way for this film to really 'end'; that the story the film is telling defies the easy conventionalities and sententious simplicity of Hollywood narrative. That it is all rounded off with a shot of the closed door of 3 Bagshot Row undercuts the drive to conclusion and understanding -- the final shot of the movies is not a narrative one in which things are explained in a final way (Aragorn and Arwen are married, good is triumphant; Frodo is gone, good is rewareded) but a shot in which the ongoing story of Sam and Rosie is hidden from us -- they go inside to live their lives, the door closes, and we are left with the image of not being able to see what is going on. I realise that this is not entirely on point with the original point of the thread, or with the current direction, but I wanted to put that up anyway. It does seem to me, however, that this careful drive to constitute the narrative as not finished, as escaping any final conclusion, works against the prologue's assertion that evil can be destroyed "forever". The vision of "forever" that we have at the end is one of continuing life and ongoing existence/change: no-one is so niave, I think, as to think that life is perfect. So while Sauron may be gone, we are still very much in a world like the one we live in: imperfect, ongoing, and in which bad things happen (Frodo does leave Sam, this is sad and an 'evil' necessity to him). It also occurs to me that the insistence on ambiguity that PJ works toward is a good way of capturing the ambiguity that surrounds Frodo's sense of failure/judgement and his desire to leave. The film is not, I think, as certain of why Frodo has to leave as it would appear. With his departure Bag End is empty and dead -- unlike the book, in which Frodo's departure is a healing of the Shire and what opens the way for Sam's fulfillment, in the movie Frodo's going leaves a gaping wound in his world, and while he may finally be happy, nobody else is.
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#10 | ||
Corpus Cacophonous
Join Date: Jan 2003
Location: A green and pleasant land
Posts: 8,390
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I am having real difficulty here seeing any significant difference between Frodo succumbing to the Ring (an external evil) because he did not have the strength of will to resist it and Frodo succumbing to the evil within himself (an internal evil). To my mind, it is in the very act of succumbing to the external evil (and surely the Ring has to play a part here) that Frodo succumbs to his own internal evil.
As to the nature of Frodo's inner turmoil following the destruction of the Ring, I shall content myself with waiting until I read these chapters together once again (probably as part of the Chapter-by-Chapter discussion) before drawing any firm conclusions. But I do think that guilt (if that is what he feels) is a justifiable reaction to a failure of will. But, to get back on topic (*hint ![]() ![]() One person's perfection would always be another's failure. Quote:
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Do you mind? I'm busy doing the fishstick. It's a very delicate state of mind! Last edited by The Saucepan Man; 11-19-2004 at 07:56 PM. |
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#11 |
Ghost Prince of Cardolan
Join Date: Dec 2002
Location: commonplace city
Posts: 518
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Faramir talking smack?
Boro
Faramirs quote is a good reference to point to. Here is B's brother showing the compexities of the mortals. We see him saying "I would do this. .. I would do that.." yet, would that be different if he were the one who made the trip to Rivendell instead of B? This thread is (again) way transcending the single subject we are on. I find the guilt therom intriguing. I say this landscape is to stark - too black and white. The internal struggle is not a "one time shot", if that makes sense, unless, it seems, the ring involved.... or is it? Could Boromir have, after successfully getting the ring from Frodo, feel guilt? Could he give the ring back? Could Faramir? Could Frodo change his mind, once he made the decision to not destroy the ring? No one, its seems, gives up the ring willingly. But, is there a difference between bearing and wielding? In other words, once you realize the abitlity and potential of what you could achieve with the ring - is it all over? Last edited by drigel; 11-19-2004 at 03:16 PM. |
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#12 | |
A Mere Boggart
Join Date: Mar 2004
Location: under the bed
Posts: 4,737
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Tolkien clearly believes that evil is a(n im)'moral' choice but an choice made by a free being. If Frodo is overwhelmed by a more powerful external force then Tolkien is saying nothing that a thousand other writers haven't also said. But i don't think he is . I think he's saying that the battle is more an internal one than an external one. Frodo consents to what he knows is evil - the Ring & everything it symbolises - & that is his 'failure' I have already said in another post that I recognise in Frodo's sufferings an echo of the sufferings of Post Traumatic Stress (PTSD). There is indeed a very real internal battle which Frodo is fighting; his agonies are a very real internal evil. He is battling an urge simply to give up. This urge to give up is in itself an 'evil'; what could be more wasteful than giving up your own life? This is something that often inevitably follows a great trauma, and having been there myself, at the very cracks of my own metaphorical Mount Doom, ready to succumb to some evil within, I thoroughly understand his internal struggle. After being at the bottom of such despair, I know what inevitably follows and that, indeed, is a whole lot of guilt. The concept of sadness at Frodo's being forced to go into exile is also correct - he was going into exile. You do feel deeply ashamed at having in some way almost 'given up' - I know that for months I would scuttle around in the shadows afraid everyone was talking about my "failure to cope"! Sorry for the little bit of soul-baring, but it is a good example to use, and, as I've said before, for the past three years I've grown to deeply understand the sufferings of Frodo (and Gollum and Bilbo for that matter). I used to think it was 'just' the power of the ring - but now I see there was more to it. And it is not something Tolkien would have been unfamiliar with either, following his experiences in the trenches he will have seen many men with PTSD, if he did not have this to some extent himself. In terms of the films, it would have been good (or would it have felt too 'raw' to me?) to have seen this understanding of Frodo represented, but, from bitter experience, I often find that if you haven't walked in those shadows, you're not necessarily going to know how it feels, or even to acknowledge that they exist.
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