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#1 | |||
Deadnight Chanter
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brief comment
Saruman's fate re:
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cheers
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#2 |
World's Tallest Hobbit
Join Date: Nov 2001
Location: Where the view is long
Posts: 2,117
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How about the abyss that Gandalf referred to when he rebuked the Lord of the Nazgul at the Gate of Minas Tirith? He told the Ringwraith that it was a place that awaits him and his master. This makes it seem like Gandalf, being a Maia and most likely in the know of the sort of things, believes in a real abyss of judgement. Or was he referring to the Void and is it really a physical place?
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#3 | ||
Shade of Carn Dûm
Join Date: Jan 2005
Location: At the abysmal Abyss Mall.
Posts: 276
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A signature always reveals a man's character - and sometimes even his name ~Evan Esar. Pan for Everyone!
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#4 |
Fair and Cold
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I love it how this thread just died like a 90-year old grandma....Anyway...
I guess I originally started this in order to make some sense of Tolkien's ideas concerning hell. People had brought up the Void, and from my reading of the books, I always imagined to be a sort of physical place. Saruman's death may make it seem as though he was simply destroyed, but I don't think that really jives with the rest of the books. Rather it would seem to me that in painting Saruman's death the way he did, Tolkien was explaining to us how miserable it is to be separated from the West, where he originally belonged. Re-reading over this thread now, I am beginning to think that hell in Middle Earth is first and foremost separation from the divine.
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#5 | |
Princess of Skwerlz
Join Date: Jan 2002
Location: where the Sea is eastwards (WtR: 6060 miles)
Posts: 7,500
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'Mercy!' cried Gandalf. 'If the giving of information is to be the cure of your inquisitiveness, I shall spend all the rest of my days in answering you. What more do you want to know?' 'The whole history of Middle-earth...' |
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#6 |
Fair and Cold
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Yep. But some Christian scholars and thinkers are more specific about it than others. Some concentrate more on the fire and brimstone; while others, such as Dostoevsky in The Brothers Karamazov are specific in talking about the suffering that results from the absence. Interestingly enough, the suffering is also very much self-inflicted...
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~The beginning is the word and the end is silence. And in between are all the stories. This is one of mine~ |
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#7 |
Brightness of a Blade
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This thread did not live out its time, it should go on and on...Great discussion, everyone.
About the Void thing: this makes me think of a story by Stefan Zweig called 'Chess" where a guy was tortured by being isolated in a sparsely furnished room; and even though well fed and leading a comfortable life - the inactivity and isolation was driving him to madness. So, I imagine the Void being a place where your actions have no consequences, where screams are unanswered, where you are completely alone and forgotten by the rest of the world. One can even pity Morgoth if you consider this closely. Surely this is hellish enough. I like Lhuna's idea of hell as a state of mind and the Eowyn example is perfect. This also ties in with Lush's idea of "suffering that results from the absence": absence of h(H?)ope. Sam also has his share of hell in Shelob's lair. There is a line there that has always evoked the height of suffering to me: "And then black despair came down on him, and Sam bowed to the ground, and drew his hood over his head, and night came into his heart and he knew no more." A descent into hell, not the body's but the soul's. Both Sam and Eowyn are saved though. Aragorn and company emerges from the Paths of the Dead unscathed, though perhaps not unchanged. Frodo and Beren pay their tribute to the underworld, but finally they too are granted peace. Which makes me think there is no permanent hell in Middle Earth. At least not in the generally accepted sense of the word, found in religion and mythology. Middle Earth is a far more benevolent place, it seems. Ok let's take Orpheus for instance. He was favoured by men and gods, an exceptional person. He attempts the impossible and ventures into the underworld to rescue his beloved. He sings to the creatures and the gods there (sound familiar?) and he is apparently being granted his wish. But - there's a catch: don't look back at Eurydike. Apparently easy to do, but this is exactly when Fate plays a nasty card and he does exactly the forbidden thing, even though he knows the consequences will be dire. The stories are filled with such examples, when the hero/heroine does exactly what they are expressly forbidden to do, and hell ensues as a direct result of their actions. It doesn't matter that their intentions are good, they are not judged by their good character, but by that one mistake that they happened to make. In Middle Earth, it's not like this. Or is it?
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